What do we see, and what is worth focusing on? A short thread for #bookhistory and #paperhistory alike.
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To start with, what is imagined in the painting is a streetselling scene in a nineteenth century urban context. The painting is called "Beim Antiquar", and so we are looking at a second hand trade of an antiquarian. The nineteenth century saw the rise of this trade.
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But first focus on the far right of the painting, almost hidden at the walls: this is glued paper. Likely announcements, advertisements, single-sheet prints, broadsheets and broadsides. Paper being present in urban settings.
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But what exactly are old books, second hand books, or used books? This is a tricky question. What antiquarians sold was a variety of paper products.
Eyecatchers were helpful to attract a buying audience: copperplate prints and maps - sometimes cut out of older books.
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This is a traditional insight into such a trade: leather and paper bound books, non-sellers or slow-sellers of other "regular" book shops near and far, waiting to be bought. Big ones, small ones. Waiting material. Old papers.
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Also on offer were loose sheets, maybe old letters of contemporary authors, sometimes a printed image of a book that was lost, even new papers for letter writing. A paper business, sheet for sheet.
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And here it becomes interesting. More paper, unbound small books, cheap prints, chap books, littérature populaire, we have many names for these publications.
And there is a portfolio for drawings or loose papers (big and expensive printed images).
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And this paper arrangement needs special attention. What is waiting here at the street for potential buyers? And here I need you help and suggestions, #bookhistory experts.
Are these old archival documents (in typical blue dust sheets of nineteenth century)? Or ...
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... do we see unbound books, never been assembled by a book binder, and hold together by a protecting blue carton? It could be both, maybe is both, but who can help solving this? Thank you for your support.
There is a paper story included into this famous German painting of 1830s from Carl Spitzweg. You may know the common interpretation of the Poor Poet (German: Der arme Poet): Attention to the material misery of most artists and their work!
Let's start a #paperhistory thread. 1/x
The painting came in three versions and the one remaining copy is nowadays in the Neue Pinakothek (Munich: pinakothek.de/kunst/meisterw…). Let's focus on the paper used and present in this imagined scene of a poor poet in his attic room in the 1830s. 2/x
Easy to spot in the room are a few big bound books. They may be bound in leather but they are printed upon paper, very likely before 1800. These are used books, old books, second hand books. Nota bene: The German antiquarian book trade developed in these days, #bookhistory. 3/x
A scene of paper management and usages: an European early modern tax office was full of papers. Fresh paper sheets, old paper sheets, printed papers, handwritten papers, waste papers, etc. Let's have a deeper look, #paperhistory. A next thread, 1/x
Managing information became a paper business in Early Modern Europe. The expanding administration practices made secretaries, lawyer's offices, tax offices, etc. And they ran on paper, had to store paper, and deal with paper. It was a paper world.
So much paper in this 1665 painting from Cornelis N. Gijsbrechts. You see an open cupboard door, as art history labelled the image, but what you also see: prints, letters, a broadside, an almanac, stored unused paper sheets. Early Modern Europe was a paper age. A
thread, part 1.
This painting of late seventeenth century echoes the availability and usages of paper in Europe. By at least the fifteenth century, paper was increasingly used in more and more individual and public contexts. Have a look: brill.com/view/book/edco…
Part 2 of the thread.
Let's start with the letters. Writing letters, corresponding, was a thing in Europe. Managing your business or scholarly world, wrestling with administrative work, news transmission, and much more, all this was a paper using practice. You see folded and opened letters. Part 3.
What you see is a painted impression of the physical circumstances of an European artist in the early nineteenth century. Among other details and objects, a lot of paper is present. Let's have a a closer look, #paperhistory and #bookhistory. A thread.
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The painting is titled Léon Pallière (1787–1820) in His Room at the Villa Medici, Rome, and was painted in 1817 on oil. The artist: the French Jean Alaux.
Here is a link to more details: metmuseum.org/art/collection…
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The writing place. A place of various paper usages: a letter on the table, a few bound books, folders filled with loose paper sheets, unbound books, a few sheets of paper in-between. Also: an ink pot, and a writing quill. #paperhistory
Early Modern Europe was a paper age - a first period of paper usages. Especially managing information became a paper business as the painting "The Lawyer's Office" (1628) from Pieter de Bloot @rijksmuseumt1p.de/1awb highlights. A meta thread for #paperhistory. 1/x
As I have highlighted in earlier threads like this one (
), paper was from the fourteenth century onwards increasingly being used for more and more communication flows. Hello inky paper states and letter writing humans, here comes the printing industry.
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The artifact paper became more and more present in Europe, for example in schools as I have shed light on here:
The Notary is a painting of mid-sixteenth century by Marinus van Reymerswaele. What we see is secretary work with paper: record keeping practices, writing, folding, storing.
A thread for #paperhistory and #bookhistory.
Notaries needed offices in early modern Europe, because they provided paper businesses: they used papers as a general service. In fact, producing evidence in a lawsauit is a paper practice. First things first: writing on paper on a regular basis is the main office work.
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Let's focus on what writing was: a paper using literate practice that required - apart from paper - some more special materials, most importantly ink, an inkhorn, and a quill.