Today in pulp: what name should you give your pulp vigilante anti-hero? Geoff? Sebastian? Todger?
Well funnily enough there are some rules about this. To learn more come this way...
By the end of the 1960s pulp was growing tired of swinging superspies. Dry martinis, world domination and exotic locations weren't really cutting it any more. The audience was changing.
The darker side of the '60s counterculture was causing quite a moral panic by the decade's end. Hippies, bikers, cultists and radicals were dominating the tabloid mind.
Time for a pulp countdown now, and today it's my top 10 modern dance moves!
Honestly, there are so many to choose from...
At #10: the Shag! Shagging was big in the 1950s and it's still wildly popular in South Carolina. However shagging is quite tricky to master: the man usually leads and needs to deftly mix two quick shags to one shag dip!
At #9: The Ska! There are many variations but they all involve vigorous bending - you have been warned!
It's always a good day when Blade Runner is trending on Twitter, so let's look back at this classic 1982 movie and see how it compares to the book.
"It's not an easy thing to meet your maker..." #mondaythoughts
Blade Runner is based on Philip K. Dick's 1968 novel Do Androids Dream Of Electric Sheep? However 'inspired' may be a better word, as the film is very different to the book.
In the novel Deckard is a bounty hunter for the San Francisco police. The year is 1992; Earth has been ravaged by war and humans are moving to off-world colonies to protect their genetic integrity. They are given organic robots to help them, created by the Rosen Association.
Bullet! The comic everyone forgot. The comic that wasn't Action. The comic from the makers of the Beano.
As a card-carrying (and medalion-wearing) member of the Fireball Club let me make the case for re-evaluating Bullet comic. Come with me...
The history of British comics is like Game Of Thrones: and by 1976 Dundee publisher DC Thomson was King in the North, whilst London fancy-Dans IPC Media were Queen of the South. Thomson had Warlord, IPC had Battle. Other titles were available...
By the mid-70s both Thomson and IPC thought there was a market for comics that had more violence, drama, violence, attitude and violence. So in February 1976 they both launched their new titles: Action (IPC) and Bullet (Thomson).
Romance comics grew out of the 'true confession' magazines of the 30s and 40s, but were targeted at a post-war teen market. The comics industry was looking to diversify and love stories looked like an untapped market.
Romance comics told first-person stories of the agony and the ecstasy of teenage love, even if their early protagonists looked anything but teen-age! Having older characters helped them tell more mature stories however.