hm…… it's been a while……… I think I would like to analyze a movie -R
man you guys are on TOP of this -R
skreeonk
Hm, didn't realize how harrowing the opening of original Godzilla becomes just by modernizing the setting and cameras
oooo baby I do not like how the water's turning red
but I love this found footage social media vibe with multiple angles during the evacuation and the utter lack of bg music
godzilla: ごごごごご
this guy: oh heck yea a slide
they lulled me into a false sense of security with eight minutes of boardroom politics and then BAM, godzilla taking a nice river swim
"it definitely super won't be able to come ashore so nobody panic"
godzilla: :V
what in the good goddamn
thanks, I hate it!
so this movie is actually about government inefficiency and bungled responses to crisis, leaving the people to suffer and die in the face of an unprecedented threat?
going from original godzilla to king of the monsters was visually jarring enough, but something about how this movie is handling godzilla feels waaaaaaay more real and thus WAY more uncomfortable than any other recent kaiju flicks
this is a renaissance painting. shin godzilla is wiggling his way through a crowded city street in broad daylight and it's WAY more uncomfortable
ew ew ew ew ew what's happening
mad respect, though, no beating around the bush here - we're twenty minutes in and godzilla's just There
oh cool he headed back to the bay, false alarm everyone, movie's over
last time was a surprise so of course we were unprepared, but THIS time we'll build GIANT ROBOTS to PUNCH THE KAIJU-
and now we have a room full of two dozen nerds speculating about godzilla go go go
this movie is really playing with the dramatic irony, since of course we as an audience know how godzilla works and that he's nuclear powered, so we're waiting for the characters to catch up to us
wait wait english they're speaking english what's happening
does it count as passing the bechdel test if two women have a conversation about godzilla
fifteen minutes later, godzilla's back and he's not boggle-eyed anymore!
good lord I love the shot where all the roof slates jump and shake as godzilla passes
he's evolved… and has learned to do the Standard Anime Protagonist Hand Stare Maneuver………
oh fuck yea bring back that original godzilla soundtrack
"social media has dubbed this evolved form a 'heckin chonker', sir!"
oh yeah, these guys stand a chance
"sir, reports say that the missiles have obscured godzilla in a massive smoke cloud! we're pretty sure we got him!"
the one scientist in the room who's watched DBZ:
there really is something truly unnerving about how well-lit and bright this movie is. apparently the only thing scarier than the monster you can't see is the one in broad daylight you can't stop
oh boy, the US military is gonna step in! what could possibly go wrong?
new scariest scene in the movie: the underground evacuation where there's too many people, it's too crowded, the military guys managing it are clearly overwhelmed - and then the power fails
finally a proper godzilla roar! oh how I've missed that sound
uhhhhhhhhhhhhh
UHHHHHHH
so this was the evangelion guy, you say?
oh cool he's got a disco mode
welp, there goes the prime minister
midway through act 2, good time for a darkest hour
I couldn't name a single one of these characters and yet somehow I'm deeply invested in their success
petition to add "dropping a nuke on godzilla" to the phrasebook alongside "invading russia in the winter"
fuckin bold move of the US to be like "no problem my dude we'l just nuke tokyo"
kickass distorted electric guitar??
this is definitely the most eldritch abomination-y godzilla's ever been and I gotta say I dig it
"perhaps it's time we did as we like" is the politest "fuck da police" I've ever heard
twenty minutes left in the movie let's goooooo
"I cannot promise that all will be safe… but your work will matter!"
ahh, I was wondering what the tail was for
and now for a nice refreshing drink
in this godzilla movie, the trains finally have their revenge for decades of abuse
welp, here's hoping that killed it
awwwwww, the scientist lady showed an emotion 🥺
a happy, hopeful ending? in MY godzilla movie???
maybe I should withhold judgment until the movie's actually over
well regardless I like the dynamic between these two
wait what the fuck happened to his skeleton
is… is godzilla's tail made of tinier skeletons??
no fuck you this is a happy ending goddammit
I definitely like this Godzilla more than the King Of The Monsters Friend To Humans edition, but I kinda wanna see this one fight King Ghidorah because I wanna know what it looks like when a three-headed space dragon shits its pants in fear
ghidora: ah yes now that I have been released from the ice this planet is mine to rule
shin godzilla: B̸͔͎͈̠͚̓̉̃͑͜I̴̡̮̲͙͈̫̪̟͚̽͛̍̒̒Ṭ̵̡̊͗̉̍̌͘͝C̷͚̱̈́̏̊̉͌̃́̂̿ͅH̵̨̘̤̬͎̯̱̯̗̜̐̅͛
ghidora:
• • •
Missing some Tweet in this thread? You can try to
force a refresh
so guys. guys. I've actually watched very few classic horror movies on account of fear not making my list of top five favorite emotions. but I've got nothing else going on tonight and I'm thinking it's about time I start educating myself - so what would you recommend? -R
allllll righty you all know the drill by now -R
all righty I need to real quick upload a video for the fourth time today (warner bros is being RUTHLESS with the copyright claims) but then it's Thing time
ducktales really cranked the Found Family Is The Real Family dial until it snapped off -R
also featuring cameos by Age And/Or Maturity Have No Correlation With Your Capacity For Fun and It's Okay To Fall As Long As You Never Stop Getting Back Up Again -R
why do I need to talk up this show? david tennant gets to use his real accent! how does anyone need more motivation than that?? watch ducktales and bask in the brogue already -R
Historical accuracy in popular media is one issue, but today's "Unleash Your Inner Viking" trailers for Assassin's Creed Valhalla peddle disproven misinformation that supports dangerous ideology – we're talking toxic masculinity at best, and white supremacy at worst.
Here's how:
The trailers follow a group of caryoonishly-inept losers going to a camp in the woods to learn how to solve their life problems by placing AC:V and then Acting Like A Viking – in practice, this means: being angry and rude, threats of violence, and actual violence.
It's played for laughs, but this perpetrates the ideas that: 1) Vikings were angry brutes who solved everything with violence. 2) Vikings had to use violence because if they didn't their enemies would (most viking violence was directed at innocent monks at sacked monasteries)...
Some stories are all buildup to a final payoff, and some stories are a series of smaller buildups & payoffs. Smaller buildups and regular payoffs are considered risky because they don't FORCE the audience to keep watching - but they don't risk it all if the ending disappoints. -R
So many series seem to believe the first approach is the only way to hold an audience. A finale can never be unconditionally satisfying - it leaves the audience wanting more payoff. And then if (when) those series fail to deliver in the finale, they leave nothing behind. -R
This was brought up by @Hbomberguy in his Sherlock video as a series that promised an ever-increasing series of increasingly arcane questions and then wildly disappointed when its finale didn't actually give a satisfying resolution. Game of Thrones had the same issue. -R