Bertha Kessler and Katherine Hudson were members of the First Aid Nursing Auxiliary in the First World War. However, the shock and stress of war took their toll and by 1920 both women were under psychiatric care.
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Years later, having recovered, they attended a service by W. E. Orchard, which was transformative: “after a 49 minute address… a curtain was drawn back and we were gazing at an altar ablaze with 40 candles... a procession of choristers entered… amid a cloud of incense".
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The two women converted to Catholicism and decided to devote their lives to the ministry of spiritual healing. The peace of the English countryside beckoned … and in 1927, they acquired the Victorian house of Templewood at Brownshill.
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They used their own meagre savings to build St Mary of the Angels on Brownshill overlooking the Golden Valley. Despite the modesty of the budget, they went to the best: W.D. Caröe, who was architect to the Ecclesiastical Commissioners and to a number of cathedrals.
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At time of building the chapel at Brownshill, he was 73 and died a year after its consecration in 1937. Its style is “Romanesque with a hint of Baroque” says Alan Brooks in the Pevsner volume. The interior dominated by a Neo-Norman chancel arch.
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The women established a convent and bought many properties in the village. They were devoted to caring for those suffering from post-traumatic stress disorder. They strove “to make each house a home where the members find support, help and consolation in their distress”.
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Bertha and Katherine died within three weeks of each other in 1963. They are buried side-by-side under simple crosses in the Brownshill churchyard.
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We first shared this story in May of this year.
Over the coming days, we’re going to replay our “greatest hits” - our favourite posts from the past twelve months.
Hope you enjoy!
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England has about 3,000 'lost' or deserted medieval villages. We have churches in a fair few of them. Like St Mary Magdalene, Caldecote: a weather-beaten majesty with embattled parapets, cinquefoil tracery and a rather regal porch.
Entering through the south porch visitors are met by an extraordinary, floor-to-(almost) ceiling stoup. Dated to the 15th century, the shaft is carved with rows of quatrefoils, while acanthus clambers up the canopy. The proportions are so great, it feels very out of place.
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Step beyond this to see the font: an octagonal affair from the same century encrusted with cusped panels, heraldry and foliage. The simple moulded pews also date to the 1400s, as do the glittering fragments of stained glass...
The majestic 15th-century roodscreen fills the interior. It bursts with life: the bressumer trails with vines, pomegranates and water-plant issuing from the mouth of a wyvern. The vines symbolise Christ. The pomegranate represents eternal life.
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The thirty-four coving panels are decorated with seventeen different designs, creating a restlessness. The tracery heads hang like lace. The loft carries a line of twenty-five canopied niches. The carving is the work of the Newtown School of Carvers, Montgomeryshire.
What makes St Baglans special? Is it the sentient landscape? The ancient, shady mountains that watched humans arrive. The clump of gnarled trees stretching their branches protectively around the church. The ever-changing sea breathing rhythmically, slow and deep.
Or is it the physical reminders of the past that gives St Baglan’s its transcendency? The systems of pre-historic ditched enclosures. The siting of the church within a pre-Christian settlement. The ancient pillar-stone discovered in 1855 built into the fabric.
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Is it Ffynnon Faglan – Baglan’s well – in the adjacent field with its healing powers. The ship graffiti and simple carved symbols that speak of meaning, values and beliefs. The polite, oiled woodwork of the 18th-century families. The close interior. The damp walls.
In cobwebbed corners of churches across the country are carved alms-boxes. Many, like this one at Watton, Norfolk, are inscribed, urging passers-by to ‘remember the poor’. For centuries, the collections in these oaken boxes were society’s main source of poor relief.
Two of the earliest poor-boxes in English churches date from the mid-14th century and can be found on Holy Island, Northumberland. However, most surviving ones – many of which are still in use – date to the 17th century.
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Boxing Day has been a tradition in the UK for centuries. Though it only officially got that name in the 1830s… and didn’t become a bank holiday until 1871. 26th December is the feast day of St Stephen – an early deacon who made it his duty to care for the poor.
Wenceslas was a 10thC Duke of Bohemia (his name in his native Czech was Vaclav). When he was a teenager, his mother sent assassins to murder his grandmother, and then set herself up as Regent.
When Wenceslas turned 18 he banished his mother and took control, giving half of the country to his younger brother, Boleslaus. But on 28 Sept 935, his brother invited him to a feast, and then murdered him. 😱
It was all very Game of Thrones!
Aaron, High Priest of the Israelites, wore a breastplate of judgement. It was a sacred linen, tied with golden cords and studded with twelve gemstones – ruby, topaz, emerald, sapphire – set in gold filigree. This breastplate enabled Aaron to determine God’s will.
Exodus sets out in careful detail how the breastplate was made, “It is to be square – a span long and a span wide – and folded double. Then mount four rows of precious stones on it. The first row shall be Carnelian, Chrysolite and Beryl ...
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... the second row shall be Turquoise, Lapis Lazuli and Emerald... Mount them in gold filigree settings. There are to be twelve stones, one for each of the names of the sons of Israel, each engraved like a seal with the name of one of the twelve tribes.”