England has about 3,000 'lost' or deserted medieval villages. We have churches in a fair few of them. Like St Mary Magdalene, Caldecote: a weather-beaten majesty with embattled parapets, cinquefoil tracery and a rather regal porch.
Entering through the south porch visitors are met by an extraordinary, floor-to-(almost) ceiling stoup. Dated to the 15th century, the shaft is carved with rows of quatrefoils, while acanthus clambers up the canopy. The proportions are so great, it feels very out of place.
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Step beyond this to see the font: an octagonal affair from the same century encrusted with cusped panels, heraldry and foliage. The simple moulded pews also date to the 1400s, as do the glittering fragments of stained glass...
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One might expect such expense and splendour in a church of a well-endowed village… but St Mary Magdalene’s has just a manor house and six labourers’ cottages for company. Up until the 1980s, there were also two massive medieval barns nearby… but these were demolished.
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In 1973, the Deserted Medieval Village Research Group excavated Caldecote village before the site was levelled and ploughed. They recovered a Bronze Age beaker burial and Iron Age and Roman pottery, earning Caldecote village a place in prehistoric England.
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The most common case for the desertion of medieval villages is death, depopulation and harvest failure from the Black Death. The population of Caldecote declined heavily in the mid-14th century. By 1428, there were less than ten householders in the village.
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The village limped on until the end of the sixteenth century when it was all but abandoned...
As day broke on 3rd May 1882, morning showers threatened the bazaar... but soon the azure sky appeared, and the sun shone out in warmth and glory. As two brass bands played, some more adventurous spirits attempted to dance on the wet ground under a goodly display of bunting.
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Laugharne's ladies were out in force to support the cause. The local newspaper reported the day in detail: Mrs Norton of Laugharne Castle had Stall 1, which boasted terracotta, medallions of stuffed birds, rare vases and a beautiful model of a ship full-rigged.
Nestling on the edge of the Thames is this little bargees’ church. To reach it, you must cross the vast Dorney Common, dodging cattle and catching glimpses of Windsor Castle.
The setting of Boveney church couldn’t be more bucolic...
This church was founded in the 12th century – and still has its massive tub font from that date. Originally, a wharf ran just outside the south door and was used for transporting goods. The church was built to serve the bargemen.
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The quay is long gone, but we do know that barges were loaded here with timber from the Windsor Forest for shipment downriver. A 14th-century brass at the nearby church in Taplow holds another clue to the wharf. This brass remembers Nichole de Aumberdene...
In 1746 in West Africa, a child is playing on the banks of a stream. He's trying to catch a moorhen. It sounds picturesque, but within seconds this little boy will be abducted. He will be shipped across the globe to North Wales. This is the story of John Ystumllyn.
He is taken far from his home, far from everything and everyone he knows. Eventually, he arrives in Ynyscynhaiarn, Gwynedd to work for the Wynne family. We don’t know what name his parents had given him, but the Wynnes named him ‘John Ystumllyn’ after their estate.
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If you’ve been watching #AHouseThroughTime you'll have seen the story of Thomas, a black boy who was a 'servant' of a family in Bristol until he ran away in 1759. Boys like Thomas often appeared in portraits and still-life paintings in this period.
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The majestic 15th-century roodscreen fills the interior. It bursts with life: the bressumer trails with vines, pomegranates and water-plant issuing from the mouth of a wyvern. The vines symbolise Christ. The pomegranate represents eternal life.
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The thirty-four coving panels are decorated with seventeen different designs, creating a restlessness. The tracery heads hang like lace. The loft carries a line of twenty-five canopied niches. The carving is the work of the Newtown School of Carvers, Montgomeryshire.
What makes St Baglans special? Is it the sentient landscape? The ancient, shady mountains that watched humans arrive. The clump of gnarled trees stretching their branches protectively around the church. The ever-changing sea breathing rhythmically, slow and deep.
Or is it the physical reminders of the past that gives St Baglan’s its transcendency? The systems of pre-historic ditched enclosures. The siting of the church within a pre-Christian settlement. The ancient pillar-stone discovered in 1855 built into the fabric.
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Is it Ffynnon Faglan – Baglan’s well – in the adjacent field with its healing powers. The ship graffiti and simple carved symbols that speak of meaning, values and beliefs. The polite, oiled woodwork of the 18th-century families. The close interior. The damp walls.
Bertha Kessler and Katherine Hudson were members of the First Aid Nursing Auxiliary in the First World War. However, the shock and stress of war took their toll and by 1920 both women were under psychiatric care.
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Years later, having recovered, they attended a service by W. E. Orchard, which was transformative: “after a 49 minute address… a curtain was drawn back and we were gazing at an altar ablaze with 40 candles... a procession of choristers entered… amid a cloud of incense".