We will build an online reference work for the annually-published Early Modern German writing calendar, the #Schreibkalender, funded by @dfg_public and in cooperation with the "AG Digitale Forschungsdaten und Forschungsinformationen" @UniFAU.
While being a characteristic part of the contemporary media ensemble in the German-speaking areas of Europe, the #Schreibkalender was produced from its beginning in 1540 in high quantities and reached very large audiences. #bookhistory#mediahistory
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The #Schreibkalender was a paper-based material artefact resulting from complex and specialized publishing and printing processes, and also a document of handwritten interaction. Within the typical dual content of the Kalendarium (containing astronomical information and ...
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... astrological details) and the “Prognostikum (containing longer stories on historical, political and religious topics) the owner/reader was offered space for individual remarks, observations, and comments.
This intentionally-inserted writing space gave ...
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... the #Schreibkalender its name: a calendar to insert writing. These handwritten portions are to be found in about 5900 calendars and are largely unstudied. They, in sum, make the Schreibkalender a very rich source for many historical departures.
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It is from this point that our project departs. It builds on the expertise of Klaus-Dieter Herbst and four projects funded by the DFG since 2002, uses abouzt 14,500 copies of various Schreibkalender from the years 1540–1800, and aims to make these sources accessible online.
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The aim of the project is to systematically search for writing calendars that contain handwritten portions and entries in yet unsurveyed archival collections and make these calendars available in an internet database. Attention "Wunder-Calender", we come to search for you.
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The project’s database is designed to ensure its future development into a bigger reference work providing systematic documentation and analysis of all forms of printed calendars. Therefore, this project intends itself to be a pilot project for an online reference work of ... 8/
.. all calendars published before 1800 in German-speaking Europe. Building on the project’s online reference work, a first history of the printed calendar, as an important part of a to be written history of early modern communication, seems possible.
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We are pleased to have received funding for this (@dfg_public), and we owe gratitute to the peer-reviewers and their comments. Without the involvement of the leading expert on #earlymodern calendars, Klaus-Dieter Herbst, this all would not have been possible. More soon.
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Unbekannte aber geläufige Fremd- und Fachwörter in frühneuzeitlichen Zeitungen konnte man nachschlagen: in sog. Zeitungs-Lexica, in "verteutschten Avisen-Curieren". Das war Parallel-Lektüre, Horizonttraining und Wissenszugang.
Ein Mini-Thread 1/
Frühe Zeitungen seit dem 16. und 17. Jahrhundert enthielten viele Fremdwörter und Fachtermini, weil die Inhalte (Neuigkeiten, auch "Zeytungen" genannt) großteils aus "Avisen" stammten - aus brieflichen Meldungen verfasst von gebildeten Spezialisten.
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Zum Verständnis der hochtrabenden Avisen-Meldungen, aus denen die Zeitungsdrucker systematisch kopierten und abschrieben, wurden Hilfspublikationen aufgesetzt: Die Spezialisten-Worte der Avisen - "Ausländische Wörter" -wurden in "Avisen-Curieren", wie diesem von 1695, erklärt. 3/
Schools in early modern Europe were social spaces of learning and teaching, and above all, paper was present. A thread for #paperhistory and #bookhistory. What you see is an imagined schooling scene from the seventeenth century by Jan Steen.
It was not too uncommon to have paper broadsides or broadsheets glued to the walls. These printed upon paper products could be used for educational purposes too. The one in the painting seems to be carrying script, printed words. On paper.
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In the upper right corner of the room we see the usual artifacts of the so-called book industry: a bound book, an unbound book, loose paper sheets in different formats, fresh and used papers. A learned setting and everyday business of dealing with paper and knowledge.
One of my scholarly lists about early modern stuff is fighting this Christmas. So far, this is the best punch line: “You belong on Twitter, not on a scholarly list.”
Here we go, the scholarly list started with the Nazi argument.
“Would it be possible to remember that this is a list for discussion of 18th-century topics, and that it would be a courtesy to list members to pursue it elsewhere?”
Robert Hooke's "Micrographia" of 1665 invented and fueled the myth of the existance of a paper eating "book-worm". According to the inventor, the worm was "silver-shining" and "eats holes through leaves and covers" (p. 208).
I am curious to learn if the non-Western book cultures invented the bookworm (or similar small animals eating books or paper/parchment etc.) as well? #globalbookhistory to the rescue. Thanks for spreading the word.
What kind of insect Hooke found around 1665 in one of his damaged books remaines unclear. However, Hooke's invention still fuels the idea of a living book thread, an ememy. "This Animal probably feeds upon the Paper and covers of Books, and perforates in them several small ...
How to get your manuscript into print and published? Often authors needed to approach and meet a publisher. And this was regularly a painful experience for early modern authors. Here, in 1666, an author enters a publisher's office. #bookhistory 1/x
The imagined scene is from a copperplate print of the 1666 book business mocking print by Aegidius Henning: "Gepriesener Büchermacher Oder Von Büchern/ und Bücher machen ein zwar kleines/ jedoch lustiges und erbauliches Büchlein..." (VD1:048499D)
The publisher was mainly a financing agent, sometimes in early days running the print shop as well. He needed to calculate his material productions: how expensive was the paper needed? Do we have enough ink? Was the type ready? Workload: Worry, pay attention, write letters. 3/x
The Writing-Master (Schönschreibmeister) Adam Fabricius made this prayer of repentance: "speculum hominis". It is a copperplate print with lots of details.
On the left: the title / On the right: the year of print.
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The centered title "speculum hominis" is framed by explaining verses that follow the oval-shape and start on the left. The verses? "Wer Gotts Gesetz vollkomlichhelt, Dem hab dieß Werck nit fürgestelt, Wer aber seine Sünd bekent, der liebet es biß an sein End/ Denn ...