If you’re building products for creators, you’ll eventually need to generate revenue. VC money or not.

Get familiar with the most common monetization models πŸ§΅πŸ‘‡
🀝 Share of earnings

βˆ™ Aligns incentives between creator & platform.
βˆ™ Harder to monetize creators with low sales.
βˆ™ Creates a graduation problem (successful creators are incentivized to leave).
βˆ™ Platforms negotiate special contracts for top earners to solve this.
Share of earnings examples:

@Patreon
@OnlyFans
@SubstackInc
@BookCameo
πŸ”ƒ Subscription

βˆ™ Can earn more from creators with low sales.
βˆ™ Successful creators keep more of their revenue.
βˆ™ Doesn't create a graduation problem.
βˆ™ Can leverage freemium or free trials.
βˆ™ Can incentivize annual plans with discounts.
Subscription examples:

@Shopify
@CircleApp
@TryGhost
@Sellfy
πŸ“Š Usage hybrid

βˆ™ Option to charge for usage (e.g. contacts).
βˆ™ Mix share of earnings, subscription, and usage to widen offering and add monetization layers.
βˆ™ Bundle share of earnings with subscription add-ons.
βˆ™ More complicated/confusing for creators.
Usage hybrid examples:

@Teachable
@Gumroad
@ConvertKit
@tryPico
Keep in mind:

Your model exists in a wider system that includes your market, acquisition strategy, and product strategyβ€”and it must align with each of them.

Don’t create your model in a silo.

β€’ β€’ β€’

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More from @ryangum

27 Jan
In 2020, Building a Second Brain and Write Of Passage had thousands of combined students & $1M+ in revenue.

Not many cohort-based courses are operating at this scale.

Luckily, @fortelabs @david_perell and @will_mannon shared their hard-earned learnings, summarized πŸ§΅πŸ‘‡
On curriculums & live classes:

- "Running a live course is like organizing a music tour, but having to develop the music before every single new show."

- Curriculums aren't set in stone. The advantage of live classes is you can adjust the curriculum to cater to students needs.
- A day or two before every session, they typically spend between seven to nine hours preparing the next lecture.

- How? They have existing building blocks and assets, adjust based on where students are getting confused, and reassembling the blocks into the next lecture.
Read 22 tweets
26 Jan
"I really want to start a side hustle / become a creator / earn income online... But first I need to learn more about [topic]... Then I need to research the best tools... And I'm really busy right now, so I'll start later when things calm down."

Sound familiar? πŸ§΅πŸ‘‡
There's a good chance this is you. And if so, you've probably been telling yourself this same story on repeat for years.

The only thing you're creating is excuses.
But don't worry, you're not actually that far from your dream. You already have the skills, knowledge, and tools you need to make your first dollar online. You just need to take action.

So if you want to stop dreaming, follow this plan:
Read 11 tweets
25 Jan
With a good pre-sale you can validate audience/idea fit with real money in the bank... Before you even create the product.

The secret to a good pre-sale? Treat it like a Kickstarter.
4 examples in the thread πŸ§΅πŸ‘‡ Image
🎯 Set a goal

How many customers / much revenue will you need to continue working on your product? How long will you give it to hit that target? 1-2 weeks at most. Don’t drag it out.
πŸ“„ Create a lean sales page

Don't focus on the design or layout too much. Messaging is what's important. Include:

βˆ™ What the pain point is

βˆ™ Why your product is the solution

βˆ™ What's included. Be specific, e.g. chapter outlines.

βˆ™ Who you are / why you're credible
Read 12 tweets
19 Jan
Each week:

@APompliano publishes 5 podcasts, 5 newsletters to 35k paid subs, 5 YT vids, while running an investment firm. @anthilemoon publishes 2 articles, a newsletter to 25k subs, while running a paid community with 1500 subs.

What separates top creators from the rest? πŸ§΅πŸ‘‡
They're prolific.

Content platform algorithms reward publishing good content frequently over great content sporadically. B-grade content with A-grade consistency beats A-grade content with B-grade consistency.
And the more you create, the faster you learn and grow. Your first article, video, or podcast will suck. Your 100th won't.
Read 11 tweets
18 Jan
βˆ™ Yesterday by The Beatles
βˆ™ Single Ladies by Beyonce
βˆ™ Your Song by Elton John
βˆ™ Skyfall by Adele
βˆ™ Royals by Lorde

What do they have in common? πŸ‘‡πŸ§΅
They were all conceived and written in less than 1 hour.

Is this the result of creative genius that's only accessible to superstars? Unlikely. It's more probable that they were tapping into a level of creativity that only exists when striking while the iron's hot.
The most passionate you'll ever be about an idea is moment the epiphany strikes.
Read 11 tweets
17 Jan
In 2020:

βˆ™ 56 Teachable creators made over $1M.
βˆ™ 10 Patreon creators made over $1M (est).
βˆ™ 10 Substack writers collectively made over $10M.
βˆ™ 8 Gumroad creators made over $1M.
βˆ™ 8 Twitch streamers made over $1M (est).

What's their secret? πŸ§΅πŸ‘‡ Image
At this level, almost no one is doing it alone. They’re supported by YouTube editors & writers, podcast producers, online course coaches, agents that find and negotiate brand sponsorship deals, and assistants.

These are the people behind the growth of many successful creators.
Leverage makes the creator economy unique. Individuals can reach wider audiences more than ever before. But while creators run businesses with atypical leverage, they still have typical business needs.
Read 9 tweets

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