Celebrate the past, present, and future of Black film & TV with us throughout the month of February as we honor pioneers who've changed history & emerging filmmakers changing the way stories are told. You’ll recognize many of the names and, hopefully, find new artists to enjoy.
Who was Maria P. Williams? An early Black filmmaker, she's credited as the first Black woman producer for 1923’s “The Flames of Wrath,” which she also starred in. Williams was a contemporary of Tressie Souders, widely recognized as the first Black woman director. #BHM
Considered one of the godfathers of independent film, on his birthday we celebrate the incredible work of filmmaker Robert Townsend. We recommend you start with “The Meteor Man,” “Hollywood Shuffle,” and “The Five Heartbeats” as you dive into his catalog of work.
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Congrats to all the Tribeca alum nominated for #GoldenGlobes this morning! Make sure you check them out ahead of the ceremony, which airs live on February 28!
Yet another all-male Best Director lineup? Do better, @TheAcademy.
@TheAcademy Just some noteworthy films made by women directors from 2019:
ADVOCATE
AMERICAN FACTORY
ANIARA
ATLANTICS
A BEAUTIFUL DAY IN THE NEIGHBORHOOD
BIRDS OF PASSAGE
THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN
BOOKSMART
THE CHAMBERMAID
CLEMENCY
THE EDGE OF DEMOCRACY
THE FAREWELL
@TheAcademy FOR SAMA
THE GREAT HACK
HARRIET
HIGH LIFE
HOMECOMING
HONEY BOY
HONEYLAND
HUSTLERS
KNOCK DOWN THE HOUSE
LITTLE WOMEN
LITTLE WOODS
THE NIGHTINGALE
ONE CHILD NATION
PORTRAIT OF A LADY ON FIRE
QUEEN & SLIM
RAFIKI
THE SOUVENIR
THE THIRD WIFE
TOO LATE TO DIE YOUNG
TOUCH ME NOT
Each day of #BlackHistoryMonth and #WomensHistoryMonth, we're highlighting films by black women directors. Some of these titles are classics; many more are under-seen masterpieces. What they share is a daring artistry that makes them deserving of your time and attention. Join us:
ALMA’S RAINBOW (Ayoka Chenzira, 1994): A fractious matriarchy of fiercely independent Brooklynites — including a buttoned-up beautician, her bohemian sister, and her starry-eyed daughter — takes precedence in this comedy where each interaction crackles and every character shines.
BELLE (@AmmaAsante, 2013): Asante sheds light on a peculiar historical case, puncturing the British aristocracy’s cold and sumptuous veneer with the hard-edged nuances of racial and gender inequity. As the heroine, Gugu Mbatha-Raw illumines a defiant spirit with prismatic purity.