This printed image appeared as one of the 1680s media reactions to the ongoing military tensions between Christian European states and the Muslim Ottoman Empire. #mediahistory#bookhistory
Source: t1p.de/5ram
Copperplate print "Ein Kalb mit einem Türcken Kopf", 1683.
Whenever the general conflict and their military campaigns heated up in the seventeenth-century, media flows about Ottomans ("Türcken") found their way into print in Christian Europe. Broadsides and pamphlets, even a German newspaper devoted to the topic was published these days.
The depiction of an encountered Christian threat as a news-worthy (and good-selling) deformed animal or even “monster” followed in response to assumed news-buyer demand by economic-driven publishers. Early modern media coverage of relevant news events was in its core a business.
If we change the perspective, this leads to the question: what images of Christian Europe were at this time present or circulating in the Ottoman Empire? #entangledHistory
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Why do we call early modern Europe a paper age? Well, let's have a look at the hints given on this painting from early seventeenth-century by Jan Lievens. Source: t1p.de/of6z (Alte Pinakothek, München).
Let's start with this instrument, almost hidden, but important for paper usages: the quill. More precisely: the feather quill, often a goose feather prepared for writing. Nota bene: the word 'pen' derives from penna, Latin for feather. No quill, no fun at the secretary.
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Writing letters and records was not only a content managing information battle, it was a material business too. In order to use a quill you needed ink. Your pen/quill would have to be refreshed constantly with ink. This inkwell reminds us of the material conditions of writing. 3/
We will build an online reference work for the annually-published Early Modern German writing calendar, the #Schreibkalender, funded by @dfg_public and in cooperation with the "AG Digitale Forschungsdaten und Forschungsinformationen" @UniFAU.
While being a characteristic part of the contemporary media ensemble in the German-speaking areas of Europe, the #Schreibkalender was produced from its beginning in 1540 in high quantities and reached very large audiences. #bookhistory#mediahistory
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The #Schreibkalender was a paper-based material artefact resulting from complex and specialized publishing and printing processes, and also a document of handwritten interaction. Within the typical dual content of the Kalendarium (containing astronomical information and ...
Unbekannte aber geläufige Fremd- und Fachwörter in frühneuzeitlichen Zeitungen konnte man nachschlagen: in sog. Zeitungs-Lexica, in "verteutschten Avisen-Curieren". Das war Parallel-Lektüre, Horizonttraining und Wissenszugang.
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Frühe Zeitungen seit dem 16. und 17. Jahrhundert enthielten viele Fremdwörter und Fachtermini, weil die Inhalte (Neuigkeiten, auch "Zeytungen" genannt) großteils aus "Avisen" stammten - aus brieflichen Meldungen verfasst von gebildeten Spezialisten.
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Zum Verständnis der hochtrabenden Avisen-Meldungen, aus denen die Zeitungsdrucker systematisch kopierten und abschrieben, wurden Hilfspublikationen aufgesetzt: Die Spezialisten-Worte der Avisen - "Ausländische Wörter" -wurden in "Avisen-Curieren", wie diesem von 1695, erklärt. 3/
Schools in early modern Europe were social spaces of learning and teaching, and above all, paper was present. A thread for #paperhistory and #bookhistory. What you see is an imagined schooling scene from the seventeenth century by Jan Steen.
It was not too uncommon to have paper broadsides or broadsheets glued to the walls. These printed upon paper products could be used for educational purposes too. The one in the painting seems to be carrying script, printed words. On paper.
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In the upper right corner of the room we see the usual artifacts of the so-called book industry: a bound book, an unbound book, loose paper sheets in different formats, fresh and used papers. A learned setting and everyday business of dealing with paper and knowledge.
One of my scholarly lists about early modern stuff is fighting this Christmas. So far, this is the best punch line: “You belong on Twitter, not on a scholarly list.”
Here we go, the scholarly list started with the Nazi argument.
“Would it be possible to remember that this is a list for discussion of 18th-century topics, and that it would be a courtesy to list members to pursue it elsewhere?”
Robert Hooke's "Micrographia" of 1665 invented and fueled the myth of the existance of a paper eating "book-worm". According to the inventor, the worm was "silver-shining" and "eats holes through leaves and covers" (p. 208).
I am curious to learn if the non-Western book cultures invented the bookworm (or similar small animals eating books or paper/parchment etc.) as well? #globalbookhistory to the rescue. Thanks for spreading the word.
What kind of insect Hooke found around 1665 in one of his damaged books remaines unclear. However, Hooke's invention still fuels the idea of a living book thread, an ememy. "This Animal probably feeds upon the Paper and covers of Books, and perforates in them several small ...