Seven years ago I paid my first visit to the extraordinary 1stC BCE Bhaja caves- less well known than Ajanta, but no less fascinating, with original wooden features still in place. I wrote this @FTLifeArts piece soon after
"Open to the environment at one end, and entered by a magnificent 9m-tall horseshoe-arch, it still miraculously preserves its ancient wooden roof beams, like the wrecked keel of a prehistoric ark...."
"These wooden shards crown one of the oldest rooms in the world: a ribbed chaitya hall lined with tapering octagonal columns, ending in a rounded apse that encloses the perfect dome of a tall stone stupa."
"Bhaja is usually described as a cave temple but it is really more like sculpture on an epic scale: an entire range of monastic buildings hewn out of the rock and elaborately decorated with sculpted trompe l’oeil."
"Carved window frames, blind arches and tiers of fretwork mouldings give way to bamboo railings and balconies out of which half-naked Satavahana men and women peer, as if gazing out arm in arm from the terrace of their apartment block, surveying the valley below."
"These carvings mimic long-lost multi-storeyed wooden buildings, all physical traces of which vanished millennia ago. And that is, in a sense, the point: as one inscription puts it, these chaitya halls were made to endure a kalpa – an entire cosmic age."
The dedication in a neighbouring cave complex gives an indication of the motives of the patrons: “Realizing that life, youth, wealth and happiness are transitory,” it reads, the caves were dug "to be occupied by the best of ascetics."
"It resembles the palaces of the Lord of the Gods, clothed in the brilliance of Indra’s crown. As long as the sun shines this spotless cave may be enjoyed!”
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"The murals of Ajanta are now recognised as some of the greatest art produced by humankind in any century, as well as the finest picture gallery to survive from any ancient civilisation. Even today, the colours glow with a brilliant intensity: topaz-dark,lizard green, lotus-blue"
"Pitalkhora, two hours’ drive to the north of Aurangabad, is believed by scholars to be the oldest Buddhist cave monastery after Bhaja. It lies in a spectacularly wild ravine."
"Plunging cliffs fall to a narrow terrace where a group of chaitya halls have been burrowed into the rock face, hanging like a swallow’s nest high above an arid plateau."
"It is a fabulously resonant spot; yet as with Bedsa it was once clearly a place of great sophistication, connected to the metropolitan centres of its day. Two inscriptions record donations by merchants from Pratisthana, modern Paithan, once the great port of the west coast."
"An hour’s drive from Bedsa, up another precipitous pilgrim’s path, lies the monastery of Karle, which boasts perhaps the most exquisitely wrought hall to survive from ancient India."
"Here the façade of the monastery is filled with lines of stone elephants and, facing them, paired statues of scantily-clad mithuna couples, loving fertility figures, several of them dancing merrily together."
"Despite the sanctity of the site, specifically built to house celibate monks, we are here at times nearer the world of Bollywood than of the otherworldly Buddha that westerners – or the more austere Thai or Chinese Buddhists – might expect to find decorating such a sanctuary."
"The far side of the same spine of mountains that shelters Bhaja also contains another spectacular rock-cut monastery, Bedsa. This is a slightly younger complex, and more remotely situated, high on a narrow ledge up an even more inaccessible valley."
"If you squeeze through a narrow cut in the rock to your right, you find, hidden away along a narrow passageway – as surprising as the façade of the great pink treasury at Petra – a magnificent rock-cut chaitya portico 12m high, conceived and sculpted on the grandest scale."
"Here the capitals are decorated with royal couples riding winged beasts – horses, gryphons, buffalo and elephants – that are clearly distant Indian cousins of those in the great imperial Persian capital of Persepolis."
One last set of Pallava masterpieces from the exquisite Kailashanatha Temple of Rajasimha Pallava dating from 685 CE
The sculptures of the north wall-
L- The Goddess Tripura-bhairavi
Middle- Tripurantaka or Tripurari Shiva, depicted with four arms wielding a bow and arrow
R- Durga on her lion (I think...)
Detail of the Goddess Tripura-bhairavi
North wall, Kailashanatha Temple
Kanchipuram