"The far side of the same spine of mountains that shelters Bhaja also contains another spectacular rock-cut monastery, Bedsa. This is a slightly younger complex, and more remotely situated, high on a narrow ledge up an even more inaccessible valley."

ft.com/content/e0ce28…
"If you squeeze through a narrow cut in the rock to your right, you find, hidden away along a narrow passageway – as surprising as the façade of the great pink treasury at Petra – a magnificent rock-cut chaitya portico 12m high, conceived and sculpted on the grandest scale."
"Here the capitals are decorated with royal couples riding winged beasts – horses, gryphons, buffalo and elephants – that are clearly distant Indian cousins of those in the great imperial Persian capital of Persepolis."
"The 2nd century BC was a period of great expansion of international trade, and these monasteries, remote as they may seem to us, were built on the trade routes of their time."
"The valleys they crown once saw the frequent passage of the caravans of the great merchant houses bringing luxury goods – ebony, teak and sandalwood, elephant tusks and translucent Indian textiles, pepper and cinnamon – to the coast."
"Here Indian luxury goods would be shipped by Egyptian Jews and Greek middle men to the Red Sea and hence, via Alexandria, to Antioch and Rome."
"The rock-cut cave monasteries of western India predate almost all the surviving written texts of Buddhism, and all we know about them comes from the Sanskrit and Pali inscriptions left on the rock walls by the monks, their patrons and their lay devotees."
"The inscriptions show how surprisingly middle-class and mercantile early Buddhism was: not only were the monasteries built along trade routes but the patrons of these early monks were often merchants or bankers."
“You cannot travel on the path,” said the Buddha, “unless you become the path itself.” His last words to his disciples told them: “Walk on!” The Buddha envisaged his monks as leading peripatetic life – the life of the wandering scholar and thinker that he himself led
"Yet by the 2nd century BC, Buddhist monks had already begun to turn away from the road to embrace, instead, the more sedentary life of the hermit in his cell."
"As in the cycle of the Indian farmer’s year, it was the monsoon that acted as the engine of change. For the rains made travel impossible, and since the Buddha did not want his monks drowning in flood water, he allowed them a “rain retreat” or Vassa."
"During this time the bhikkhus were allowed to congregate on higher ground, or better still in natural caves in the rock faces of the Himalayas and the mountains of the Western Ghats. It was from these sites, in time, that the great Buddhist monasteries arose."

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More from @DalrympleWill

25 Mar
After yesterday's posts on Bhaja & Bedsa, here is one on the greatest caves of them all- Ajanta ‘nothing less than the birth of Indian art’

"The paintings are possibly the finest surviving picture galleries from the ancient world."

theguardian.com/artanddesign/2…
And a longer Ajanta piece from the New York Review:

nybooks.com/articles/2014/…
"The murals of Ajanta are now recognised as some of the greatest art produced by humankind in any century, as well as the finest picture gallery to survive from any ancient civilisation. Even today, the colours glow with a brilliant intensity: topaz-dark,lizard green, lotus-blue" Image
Read 7 tweets
24 Mar
"Pitalkhora, two hours’ drive to the north of Aurangabad, is believed by scholars to be the oldest Buddhist cave monastery after Bhaja. It lies in a spectacularly wild ravine."

India’s ancient cave monasteries - on.ft.com/3reozd1 via @FT Image
"Plunging cliffs fall to a narrow terrace where a group of chaitya halls have been burrowed into the rock face, hanging like a swallow’s nest high above an arid plateau." Image
"It is a fabulously resonant spot; yet as with Bedsa it was once clearly a place of great sophistication, connected to the metropolitan centres of its day. Two inscriptions record donations by merchants from Pratisthana, modern Paithan, once the great port of the west coast." Image
Read 8 tweets
24 Mar
"An hour’s drive from Bedsa, up another precipitous pilgrim’s path, lies the monastery of Karle, which boasts perhaps the most exquisitely wrought hall to survive from ancient India."

ft.com/content/e0ce28…
"Here the façade of the monastery is filled with lines of stone elephants and, facing them, paired statues of scantily-clad mithuna couples, loving fertility figures, several of them dancing merrily together."
"Despite the sanctity of the site, specifically built to house celibate monks, we are here at times nearer the world of Bollywood than of the otherworldly Buddha that westerners – or the more austere Thai or Chinese Buddhists – might expect to find decorating such a sanctuary."
Read 9 tweets
24 Mar
Seven years ago I paid my first visit to the extraordinary 1stC BCE Bhaja caves- less well known than Ajanta, but no less fascinating, with original wooden features still in place. I wrote this @FTLifeArts piece soon after

India’s ancient cave monasteries ft.com/content/e0ce28…
"Open to the environment at one end, and entered by a magnificent 9m-tall horseshoe-arch, it still miraculously preserves its ancient wooden roof beams, like the wrecked keel of a prehistoric ark...."
"These wooden shards crown one of the oldest rooms in the world: a ribbed chaitya hall lined with tapering octagonal columns, ending in a rounded apse that encloses the perfect dome of a tall stone stupa."
Read 8 tweets
19 Mar
One last set of Pallava masterpieces from the exquisite Kailashanatha Temple of Rajasimha Pallava dating from 685 CE
The sculptures of the north wall-
L- The Goddess Tripura-bhairavi
Middle- Tripurantaka or Tripurari Shiva, depicted with four arms wielding a bow and arrow
R- Durga on her lion (I think...)
Detail of the Goddess Tripura-bhairavi
North wall, Kailashanatha Temple
Kanchipuram
Read 19 tweets
18 Mar
Masterpieces from Rajasimha Pallava's Kailasanatha Temple at Kanchipuram
685-705 CE

1. Siva as Dakshinamurti,
South wall it sanctum
2. Dancing Siva
west wall of sanctum
Kailashanatha Temple, Kanchipuram
Siva as the Enchanting Mendicant
south wall of sanctum
Kailashanatha Temple, Kanchipuram
Read 10 tweets

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