"After the 15th century, Hebrew printed matter barely existed [...] until the 1800s."

This disgracefully, comically, ignorant new article on @atlasobscura by @K_Chernick should be withdrawn to avoid further embarrassment for all concerned.
atlasobscura.com/articles/hebre…
A good overview of the vast, enormous, gigantic, immense, mammoth, cosmically colossal range of Hebrew printing between 1500 and 1800 can be found here:
jewishvirtuallibrary.org/hebrew-printing
Aside from the bizarre misreading of the entire history of Hebrew printing, the article's fundamental premise is wrong: large wooden type in what the author calls "the ancient Levantine script" is not rare - you can buy buckets of it every day on eBay and elsewhere. 1/2
Large wooden type like this - in all scripts, Hebrew included, was produced in vast quantities in the 19th c. for use in newspapers & advertising materials of all types. Because it's rather decorative in its own right, it has a much higher survival rate today than metal type. 2/2
"The language’s long tradition of being used for handwritten religious texts [...] also stunted the development of its print typography."

"Stunted"? And the language that the kind of wooden type she's talking about was used for wasn't Hebrew in the first place - it was Yiddish.
I've already had phone calls this morning from several Hebrew printers about this @atlasobscura article.
Daniel Bomberg: "So tell me, what was my Talmud? Chopped liver?"
Menasseh ben Israel: "Oy gevalt"
"Barely existed".... "stunted"....
It's upsetting to see how often this article has already been quote-tweeted, by well meaning people who, through no fault of their own, have taken the author's bizarre claims at face value. We are literally watching a wildly false narrative being created online in real time.
Other fundamental premises of the article are also wildly wrong:
1. No historian of the Hebrew book - not a single one - would say that the 15th century was the Golden Age of Hebrew printing, as the author here does. They would all locate it, if pressed, in the 16th or 17th cent.
The first half of the 16th century, in Italy especially, was a glorious period for Hebrew printing, with the Soncino dynasty at its height, Bomberg's epochal Talmud editions, and Venice, Mantua and Bologna all with flourishing Hebrew printers.
Another "Golden Age" was in Amsterdam, staring from 1626 when the brilliant polymath Menasseh ben Israel set up the first Hebrew press there, and continuing into the first part of the 18th century with the Athias family.
2. Contrary to the author's claims, there is also nothing especially fragile about Hebrew type, and it's certainly not "stunted" (!) as compared to Roman type. The style of Hebrew lettering we use is in fact called "square script" precisely on account of its compactness.
During the period when the author says Hebrew printed material "barely existed" ie 1500-1800, we know of more than 20000 editions, totaling millions upon millions of copies. Countless hundreds of thousands survive today and they are found today in every major library in the West.
Good tweet-series by @humilius pointing out that contrary to what's stated in the article, the existence of a local Jewish community was NOT a prerequisite for Hebrew printing. Great print centers like Basel printed Hebrew books for a Europe-wide demand.
A correction or two here and there won't fix this article - the entire thing is a farrago of nonsense. Almost every sentence is somewhere on the scale from 'misleading' to 'wildly wrong'. @atlasobscura should withdraw this terrible piece, it's an embarrassment to their brand.

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More from @incunabula

14 Apr
The Tripiṭaka Koreana or Palman Daejanggyeong ("Eighty-Thousand Tripiṭaka") is a Korean collection of the Tripiṭaka (Buddhist scriptures), carved onto 81,258 wooden printing blocks in the 13th century. 1/ Image
It is the world's most comprehensive and oldest intact version of Buddhist canon in Hanja script, with no known errors or errata in the 52,330,152 characters which are organized in over 1496 titles and 6568 volumes. 2/ Image
Each wood block measures 24 centimeters in height and 70 centimeters in length. The thickness of the blocks ranges from 2.6 to 4 centimeters and each weighs about three to four kilograms. 3/ Image
Read 22 tweets
2 Apr
A fragment from the Good Friday Liturgy from a sacramentary showing an expert late-stage development of Visigothic Minuscule, probably from northern Portugal, or just possibly Toledo, copied circa 1130-1170. 1/4
The two most immediately distinctive Visigothic minuscule letter formations are both used here:
1. the 'g' in egredientur on the recto and in agrestibus on the verso.
2. the 'z' in azymos on the verso. 2/4
The text is from the Vulgate: Hosea and Exodus from the Sacramentary for Good Friday. 3/4

Recto: Hosea [Oseæ] 6: 4-6.
Read 4 tweets
31 Mar
Turkish police seize priceless shiny 2000 year old Torah from the fabled ancient Jewish enclave of Yushittinmebro.
timesofisrael.com/police-in-turk…
The inverted menorah is of course typical of the rare surviving manuscripts from the Mutzuballovian rabbinical dynasty, centered for centuries in the Shtetl of Kneidlach.
Provenance is all important with ancient manuscripts like this - if you look very closely at the video, you can just make out the letters of the library stamp " אױ װײ " of that great scholar of Yushittenmebro, the Gaon of Shvindl.

jpost.com/judaism/2500-y… Image
Read 4 tweets
25 Mar
At first glance, a Chinese instruction manual of some kind.

But look closely: everything here - every single word without exception - is in English.

This is An Introduction to Square Word Calligraphy, a livre d'artiste by the acclaimed Chinese contemporary artist Xu Bing. 1/7
With his 'Square Word Calligraphy', Xu Bing devised a method of writing English words in rectangular arrangements which resemble Chinese characters. There is a code of calligraphic script elements which map to the 26 Roman letters. 2/7
Relatively simple rules for the composition of the square words allow you to write English using Chinese calligraphic principles. 3/7
Read 8 tweets
22 Mar
THE GEOGRAPHY OF 15TH CENTURY PRINTING

Printing places of incunabula, showing the spread of printing in the 15th century. 271 locations are known, the largest of them are designated by name on the map. The data is based on the Incunabula Short Title Catalogue of @britishlibrary.
This map was developed by NordNordWest, and is available via Wikimedia Commons here:
commons.wikimedia.org/wiki/File:Druc…
This map shows the spread of movable type printing in 15th century Europe. Books were of course printed - by woodblock and/or movable type - in China, Korea, Tibet, Mongolia and Japan well before this.
Read 7 tweets
21 Mar
"Communication Measures to Bridge Ten Millennia" - a 1984 report by the semiotician Thomas Sebeok for the US Human Interference Task Force on the problem of marking radioactive waste sites, some of which will be dangerous for more than 100 000 years. 1/8
static1.squarespace.com/static/5668df8…
After an introduction to semiotics and other digressions, Sebeok comes to his proposed solution: what he calls "Folkloric Relay" & the "Atomic Priesthood". The first involves the use of artificially created myth - perhaps something along the lines of "this ground is cursed". 2/8
The theory is that this type of 'folklore' is transmitted over longer temporal distance than scientific facts. The real facts though would be entrusted to a commission made up of eminent physicists, engineers, psychologists & semioticians - the so-called "Atomic Priesthood". 3/8
Read 8 tweets

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