I've reached the point during #RevPit where I get really down and out. For those who don't know, I'm not only a Developmental Editor, but I'm also an author, and I've been on the other side of contests more often than not. A thread. (1
Until #RevPit the idea of subjectivity didn't quite sink in. The daunting task of reading really great queries, and incredible pages...it takes a toll. Like, how am I supposed to only pick one?? At least agents can request as many awesome manuscripts as they like! (2
@KyraMNelson bared her soul on this the other day, and you can read her thread here (3:
It hurts, from choosing a manuscript to work with, all the way down to feedback. I work with authors all the time, and often feel angry when their gorgeous work gets rejected. And as Kyra said, luck plays a larger role in publishing than anyone would like to admit (4
I realized this maybe four years ago, when my writing was finally 'there,' and it took four more years to write a story to land on the desk of the right agent. You can read about my journey here, but I warn you, it's daunting (5
#RevPit is also hard, because I know I can make all these manuscripts stand proudly in the trenches, and would gladly take you all on as clients. This isn't about who's best, better, or 'there.' It's about a delicate balance of work to be done vs. the time we have to complete (6
It's also about which manuscript might need a Full Manuscript Critique vs requiring a Developmental Edit. Do we have craft issues or structural flaws? Of the structural flaws therein, which can we complete in 8 weeks, given 2 of those weeks are mine--to complete the edit (7
6 weeks to rewrite a manuscript. That's TIGHT. So that's where I'm at right now. The excitement of receiving subs has passed, and I'm furiously taking notes as I try to decide time frames, and which manuscript needs x or y work (this is for my requested material) (8
Normally, I take 4-6 weeks to complete a Dev Edit. This gives me time to really sit and brainstorm, to look at the beats, to work with the story and mold it. And the author can take as long as they need to execute the vision. But for #RevPit we're on a schedule (9
So, yeah. I'm really feeling the pressure today. Just remember, for #RevPit in particular, it's not about what's good, bad, or going to sell. It's about the balance of work needed vs the timeframe we have. And as someone who was rejected from RevPit many yrs ago, just know...(10
that #RevPit or ANY other contest, isn't the be-all, end-all/only route to reaching your goals. I'm proof of that. So, I have no idea what I wanted to thread about, & lost my way, but I have a major sad thinking about the task ahead. Just know I love you all and your words (11
Alright fam. It's Thursday, and it's time for another #RevPit thread. On the back of yesterday's #10queries , I think it's time to discuss the query itself #amquerying#writingtips (1
You have 4 seconds. That's about the length of time to read a text message. In those 4 seconds, you need to hook the agent. Why? I timed myself reading subs for #Revpit to get the calculation right. It took, on average, 10 minutes for me to read the query, then pages (2
That's 17 hours to read 100 subs. Agents can receive on avg 50-100 queries PER DAY. Think about that. The query should take time to write and perfect. It's the single most important document you'll ever compose when it comes to trying to sell an agent on the idea of your mss (3
What is it? Non-specific notes on my submissions, with hopefully helpful advice to help ALL writers. At this time, I can't guarantee feedback to these entrants, but I sure will try!
The key:
A: Adult
YA: Young Adult
MG: Middle Grade #RevPit#10Queries
It was March of 2014. Our son was 7 months old, and what was meant to be a happy occasion--the first time my extended family met our miracle boy--was marred by the passing of my beloved grandfather 3 months prior. I hadn't been able to make it home for the funeral #RevPit (1
The trip itself was grand--going house-to-house, eating scones, filling up on tea at every stop, and visiting graves (as a culture, we have an interesting relationship with death). Trips home for me are never relaxing. They're excitement, then sadness, mixed with jetlag (2
And to make it worse, the return flight from Shannon used to always be at 9:05am (thanks United), which meant we always had to be at the airport at 6 for check-in...which meant rising at 5...and the long tearful goodbye that no one should have to do before coffee (3
2. Ted flexed his hands, balling them into fists as a crimson flush stormed up his neck. Nobody said that shit to him. Not since he'd made Billy Braiden regret his damn mouth in 8th Grade. This guy, he didn't know who the hell Ted was. But he was about to find out (19
Those were two different examples, both Deep POV, both with the same physical (visceral) show, but with two different triggers that completely changed the scene. To summarize, you need... (20
1. A character profile 2. Dig DEEP into your character's wound...the thing that contributes to their trauma/prevents them from dealing w/h trauma 3. Develop character Voice 4. Connect emotion to not only the character, bt what's happening in the scene. 5. Get in MC's head (21
A few weeks ago I was asked to expand on 'telling' emotions in prose, vs 'showing' emotion through Deep POV. Buckle up, buttercups. This could be a long thread #writingtip#writingtips#writingcommunity (1.
Telling emotion in prose: He was angry
Showing emotion in prose: An angry flush stained his cheeks and he balled his fists.
In the 2nd example, we name the emotion, but also show the reader what it looks like. This is one way to show vs tell when it comes to emotion (2.
Telling emotion in prose: He was angry
Showing emotion in prose: He flexed his hands, balling them into fists as a crimson flush stormed up his neck.
In the 2nd example, we use angry/ready-for-battle language (stormed) instead of naming the emotion, but understand he's angry (3.
Hi fam. There seems to be some confusion about editors & different levels of editing available. Let's discuss the top 3 kinds of edits, starting with the most important, highlighting ways you can self-edit (from my experience as a writer/editor) before pro editing #writingtips (1
The King of All Editing is the Developmental/Content edit. When considering hiring a vetted freelance editor, this should be your first step. Not copy/line editing, not proofing. Development. A dev editor looks at the plot, arcs, sub-plots, and checks for strength/pacing (2.
After a dev edit, you will be rewriting/revising to strengthen your mss to ensure a compelling read for agents and/or readers. Sometimes we know we want x, y, and z to happen, but when filling in the how, the story doesn't make sense/falls flat. That's why dev is KING (3