Woohoo! It's time for the first of my #RevPit #10Queries!!

What is it? Non-specific notes on my submissions, with hopefully helpful advice to help ALL writers. At this time, I can't guarantee feedback to these entrants, but I sure will try!
The key:
A: Adult
YA: Young Adult
MG: Middle Grade
#RevPit #10Queries
Genre Key:
HF: Hist Fiction
H: Horror
T: Thriller
F: Fantasy
HR: Historical Romance
SF: Sci-fi
#RevPit #10Queries
Q1: HF. Interesting premise--I'm intrigued. I'd like to see more of the plot vs the character's personal conundrum--which is so endearing! But we need to know the arc AND the stakes #revPit #10Queries
P1: Excellent voice! Really engaging/witty...but I'm not sure why our MC's getting this kind of reaction. Ground us a little more and give us the why. Who/what/where/when/why--the essential recipe for every opening #RevPit #10Queries
Q2: AH. Query needs to be restructured, It reads like a dual POV mss, but isn't. Keep it focused on the MC and main plot. This story combines 2 of my absolute fave things ever!!!! INTRIGUED #RevPit #10Queries
P2: Begins with a prologue, and from the info gleaned in the query, I already know most of it can be peppered into the story to create a twisty reveal later. Excellent writing, and wonderful voice. Wish I could've met the MC #RevPit #10Queries
Q3: MG T. The concept theme kends itself to Upper Mg. Super fun concept, but the plot sounds intense. Lighten the way and show some of that MG hope by experimenting with MG voice in the query #RevPit #10Queries
P3: Very relatable opening for MG. Watch your vocabulary and write from a kid's perspective. What words would they use? How would they say things/express themselves? #RevPit #10Queries
'Kends' isn't an Irishism...it's a typo. *lends lol Apologies!
Q4 AF: Query is vague--more a back-jacket blurb to entice vs a snapshot of arc and plot. who is MC? What do they want? How do they go and get it? What are the stakes? #RevPit #10Queries
P4: A prologue done well! However, we need some grounding in the first chapter. Where are we? What's happening? We begin with introspection, then MC wakes up. Was it a dream? Who is MC? What's happened? What do they want from life? #RevPit #10Queries
Q5 HR: Stakes introduced later don't tie in with Mc's intro. Why are these stakes an issue? Give us their hopes, wants, stakes, journey, and the hard choice that shapes the plot #RevPit #10Queries
P5: GORGEOUS! Excellent balance of show vs tell and an injection of Deep POV that left me breathless. Prime example of how important a good query is when querying. An agent might have overlooked the pages. I MUST keep reading!!!!!!!!!! #RevPit #10Queries
Q6 AH. Really intriguing concept, but I need to know more about the plot: What does MC stand to lose? How does meeting this other character create this situation? #RevPit #10Queries
P6: We need grounding here. The prose begins with action, so give us the Who/What/Why/Where/How/When to settle us into the story. A sentence or two will go a long way #RevPit #10Queries
Q7 YA SF: Umm....HELLOOOOO! This feels like a fast-paced concept, and the stakes are HIGH. It feels fresh and new, and **POPCORN** WHAT'S GONNA HAPPEN?? #RevPit #10Queries
P7: Now THAT'S how you open a mss! In a few brief sentences, we have: stakes, who, what, where, when--all upfront! Excellent writing, & I feel like I know the MC after 5 pages. I'm hooked...and really, really worried about our MC #RevPit #10Queries
Q8 MG H: We need a little more clarity on MC's goals. How is she able to accomplish this? Is it permanent? Excellent comps! I'm in my feels right now! #RevPit #10Queries
P8: We need more grounding in the pages. There's a lot happening here. Why does she need this object? Slow it down a bit. I now have clarity on the why behind MC's goals. Make it clear in the query, and these pages will fulfill the promise of premise #RevPit #10Queries
Q9: MG F: Fun concept! MG voice present in the query! Family theme prevalent! Stakes are clear! WELL DONE!! #RevPit #10Queries
P9: Fun Mg voice--nailed it! I'd like to see a paragraph at the beginning to connect the reader to the MC a little more. A few sentences to tell us where we are, and what the MC hopes/wants, versus dropping us into action #RevPit #10Queries
Q10 YA HF: This author is no stranger to querying, methinks. Excellent structure. Arc, plot, and stakes are present. Flawless! #RevPit #10Queries
P10: Well-written pages. Wonderful descriptions! Dig a little deeper into MC's POV and give us the 'why.' Why does she long for this? Why is she so desperate to get away? What's her Emotional Wound #RevPit #10Queries
That's all for this round! There'll be another round from me next week. If anyone has any questions, feel free to comment and I'll get to them when I can! #RevPit #10Queries

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More from @Maria_Tureaud

15 Apr
Alright fam. It's Thursday, and it's time for another #RevPit thread. On the back of yesterday's #10queries , I think it's time to discuss the query itself #amquerying #writingtips (1
You have 4 seconds. That's about the length of time to read a text message. In those 4 seconds, you need to hook the agent. Why? I timed myself reading subs for #Revpit to get the calculation right. It took, on average, 10 minutes for me to read the query, then pages (2
That's 17 hours to read 100 subs. Agents can receive on avg 50-100 queries PER DAY. Think about that. The query should take time to write and perfect. It's the single most important document you'll ever compose when it comes to trying to sell an agent on the idea of your mss (3
Read 14 tweets
14 Apr
I've reached the point during #RevPit where I get really down and out. For those who don't know, I'm not only a Developmental Editor, but I'm also an author, and I've been on the other side of contests more often than not. A thread. (1
Until #RevPit the idea of subjectivity didn't quite sink in. The daunting task of reading really great queries, and incredible pages...it takes a toll. Like, how am I supposed to only pick one?? At least agents can request as many awesome manuscripts as they like! (2
@KyraMNelson bared her soul on this the other day, and you can read her thread here (3:

Read 12 tweets
12 Apr
It was March of 2014. Our son was 7 months old, and what was meant to be a happy occasion--the first time my extended family met our miracle boy--was marred by the passing of my beloved grandfather 3 months prior. I hadn't been able to make it home for the funeral #RevPit (1
The trip itself was grand--going house-to-house, eating scones, filling up on tea at every stop, and visiting graves (as a culture, we have an interesting relationship with death). Trips home for me are never relaxing. They're excitement, then sadness, mixed with jetlag (2
And to make it worse, the return flight from Shannon used to always be at 9:05am (thanks United), which meant we always had to be at the airport at 6 for check-in...which meant rising at 5...and the long tearful goodbye that no one should have to do before coffee (3
Read 35 tweets
24 Jul 20
2. Ted flexed his hands, balling them into fists as a crimson flush stormed up his neck. Nobody said that shit to him. Not since he'd made Billy Braiden regret his damn mouth in 8th Grade. This guy, he didn't know who the hell Ted was. But he was about to find out (19
Those were two different examples, both Deep POV, both with the same physical (visceral) show, but with two different triggers that completely changed the scene. To summarize, you need... (20
1. A character profile
2. Dig DEEP into your character's wound...the thing that contributes to their trauma/prevents them from dealing w/h trauma
3. Develop character Voice
4. Connect emotion to not only the character, bt what's happening in the scene.
5. Get in MC's head (21
Read 8 tweets
24 Jul 20
A few weeks ago I was asked to expand on 'telling' emotions in prose, vs 'showing' emotion through Deep POV. Buckle up, buttercups. This could be a long thread #writingtip #writingtips #writingcommunity (1.
Telling emotion in prose: He was angry
Showing emotion in prose: An angry flush stained his cheeks and he balled his fists.

In the 2nd example, we name the emotion, but also show the reader what it looks like. This is one way to show vs tell when it comes to emotion (2.
Telling emotion in prose: He was angry
Showing emotion in prose: He flexed his hands, balling them into fists as a crimson flush stormed up his neck.

In the 2nd example, we use angry/ready-for-battle language (stormed) instead of naming the emotion, but understand he's angry (3.
Read 20 tweets
14 Jan 20
Hi fam. There seems to be some confusion about editors & different levels of editing available. Let's discuss the top 3 kinds of edits, starting with the most important, highlighting ways you can self-edit (from my experience as a writer/editor) before pro editing #writingtips (1
The King of All Editing is the Developmental/Content edit. When considering hiring a vetted freelance editor, this should be your first step. Not copy/line editing, not proofing. Development. A dev editor looks at the plot, arcs, sub-plots, and checks for strength/pacing (2.
After a dev edit, you will be rewriting/revising to strengthen your mss to ensure a compelling read for agents and/or readers. Sometimes we know we want x, y, and z to happen, but when filling in the how, the story doesn't make sense/falls flat. That's why dev is KING (3
Read 16 tweets

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