I’m finishing up a screenplay assignment this week, and here’s a workflow technique that I use for genre stuff...might be helpful.

I tend to write scripts that balance action/set pieces and dialogue scenes, with the hybrid scenes in there, obviously. My approach to action —
— is to not write it all out in my first draft.

What I’ll do is write it in paragraph form, within the body of the script and highlight certain things I know I want but most importantly I’ll have a sentence that tracks the CHARACTER GROWTH across the action scene —
— so I know how the character is growing. Then, when the draft is done I’ll make an action playlist and fill in the action.

I tend to move faster that way, writing out the meaty dramatic scenes and coming back to detail the action, like different parts of my brain.
Example:

INT. TRAINING ROOM (MATRIX) - DAY
Morpheus training Neo in how to fight/free his mind. Reference classic Kung Fu movies. (Neo has a bit of FUN!). Neo slow to learn, but instinct guides him after Morpheus PUSHES him. Slight hint at Neo's ability. NEO STARTS TO BELIEVE.
Obviously, there's more to it than the above, but that's enough for me to know what the scene is and come back to it.

I also know that the inching forward of Neo's belief (and Morpheus' growing belief in him) gets carried over into the next scene.

In my first draft --
-- I might just stay wholly in the dojo, BUT in the second draft THAT'S when I would probably think of "Hey, Trinity and Co. should be watching him" and then I would add that in on another pass.

Obviously the Wachowskis wrote this and I didn't, but you know what I mean, LOL.
I used THE MATRIX because we're all familiar with it, but in my actual work, those are the kind of battles I'm fighting this week as I move through this draft.

It helps me get it down, and keep moving forward. Forward momentum is key, for me.
The CHARACTER GROWTH portion is key because ALL ACTION SHOULD SPEAK TO CHARACTER GROWTH or it's just kinetics with no story purpose. Feels empty. ACTION SHOULD CHANGE YOUR CHARACTER EVERY TIME, IN SOME WAY and link that growth to the next scene. Important to highlight in my notes
And the first clip is from UPGRADE by @LWhannell and you should watch the whole movie because it's EXCELLENT and Leigh is one of my favorite storytellers at the moment.

Go watch UPGRADE!

(The Matrix is good too, lol.)

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More from @bryanedwardhill

25 Apr
It's #Oscars day and whenever I think about The Oscars I think about 70's era films, 70's influenced films for some reason. I guess when I was growing up those were the "Oscar movies" so the ceremony always puts me in the mood to watch films either of or in that era. Today...
...before I leap into this screenplay I'm finishing, I'm going to watch, for the first time, SUMMER OF SAM. It's the Spike Lee I haven't watched yet, and I'm not sure why. Maybe because when I want to visit Lee, I miss this because it feels like DePalma to me...
...and I like DePalma's work, but not when I'm in the mood for Spike Lee. If that makes any sense. I'm in awe of movies like this, these lurid, sweaty, furious films. I've never written anything like that, something this sanguine.
Read 5 tweets
25 Apr
Being clear, I was suggesting ONE possible structure to writers new to the craft, looking to find a way through a draft of something.

You have to write something of high quality, but there’s nothing wrong with starting with a structure to get over blank page jitters.
Campbell is a version of structure. Aristotle is a version of structure. I don’t believe form is the inherent antithesis of quality, and once you get through a draft or even just a concept you have something you can rework into what’s unique for you.
The more you study the forms of stories, the more you see the parallels between them. Understanding those parallels and seeing those forms is very helpful.

What you do with that understanding makes the art.

And yes, make the art.
Read 5 tweets
28 Feb
Just finished a conversation with the director of a feature I'm producing, and here's a perspective from it that I've shared before. It might be useful for your genre #writing so I'll share it again for those that might have missed my earlier thread. It returns often in my work.
Often the problem of genre writing, especially in film, is that the stories are DEPENDENT on the genre elements for any dramatic impetus or conflict.

Great genre movies are dramas INTERRUPTED by genre elements, around the first act break. I'll explain.
DIE HARD is a drama about a marriage suffering from the imbalance of success for each partner and the cultural differences in relocation. John could just be in a drama about changing himself to fix his marriage -- but then Hans shows up and we're in an action film.
Read 13 tweets
27 Feb
Hmm. As a kid?

DUNE.

I don’t think critics liked it, but it blew my mind out of my ears as a kid. I was kinda raised by HBO (big surprise) and it was always on, or felt that way, but I loved it.

Had the soundtrack on vinyl. Toto!
I saw the movie first so the concept of a box that puts makes you experience excruciating pain, while you have to use mental discipline to endure the pain or a future-witch will poison you with a metal finger blade.

Like what?!
I’m like barely double-digits years old and they hit me with folding space and traveling without moving?!

I watched Fraggle Rock that morning and HBO is like: astrophysics and hallucinogenic spice that send you to the astral plane!

Then I’m supposed to play with GI JOES?!
Read 5 tweets
8 Jan
Going to be measured about this.

One of the key aspects of a Trump supporter is the dismissal (and ridicule?) of anyone who didn’t vote for Trump. Empathy is not an aspect of Trumpism. Trumpism scoffs at empathy.

And now they ask for it.
To be clear, philosophically, I’m on the side of reconciliation — to a point. It’s just incredibly difficult to be the shepherd to people that would set you on fire and throw you off a cliff if they could. The way she feels entitled to empathy she and her flock don’t have?

Phew
Close your eyes and imagine what these people would be like had Trump won. Imagine how much consideration they would have for people scared of him. Imagine what they would be saying on twitter. In person. At podiums. From their media desks.

Maybe don't do that, LOL.
Read 6 tweets
6 Jan
Forgive me venting today. I’d rather be talking about synthwave, books and scripts I’m writing, things I’m directing but we’re at an inflection point in this country. We are fragile. This is where our attention needs to be. We need voices speaking up. We can’t normalize this.
I hear the woman who was shot has died. She died because the GOP found it politically expedient to empower a narcissistic sociopath as he tried to invalidate his election loss.

She died for nothing. For lies. For his ego. She’s never coming home.

This. Is. A. Cult.
Trump encouraged this DIRECTLY, despite whatever video he released today. His repeated legal failures and his lies about the election being stolen. The GOP coddled him then supported him.

Someone is dead because of it. Because people wanted to run in 2024 on this rage.
Read 5 tweets

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