1. Imagery can be a powerful weapon in your arsenal as a writer. But to maximize its effect, you first need to think WHY you need it, and what its role is in the scene you're writing. #TenThingsAboutStrikingImagery
2. Description usually exists to draw attention to something - a scene, a theme, a sensation. Decide what it is in each instance, and target your imagery appropriately. #TenThingsAboutStrikingImagery
3. Don't try to cover too much at once. One strong image, aimed correctly, works a lot better than multiple strikes. #TenThingsAboutStrikingImagery
4. Ideally, a strong image should aim to show the reader something familiar in an unfamiliar light. Too abstract, you'll miss your target. Too ordinary, no-one cares. #TenThingsAboutStrikingImagery
6. Consider where you're aiming from when choosing imagery. If you're writing from a character's perspective, make sure your imagery fits their experience. (Eg: you wouldn't expect a character who lives in the city to use a lot of nature imagery.) #TenThingsAboutStrikingImagery
7. Train yourself to read actively: take note of any writing that seems to you particularly descriptive and effective. How does the author use imagery? How do they take you by surprise? What really hits home? #TenThingsAboutStrikingImagery
8. Consider giving a theme to your imagery. (You may already have noticed that the imagery in these ten tweets are all themed around *striking* in some way.) It will help your readers focus, and help strengthen the ideas behind your story. #TenThingsAboutStrikingImagery
9. If you can't think of an interesting image, maybe don't use one at all. Better to keep your powder dry than to use cliches (like this one.) #TenThingsAboutStrikingImagery
10. Avoid clutter. A good, strong image looks better alone than surrounded by hangers-on. #TenThingsAboutStrikingImagery
If you enjoy these writing threads, you might want to check out my book, TEN THINGS ABOUT WRITING. amazon.co.uk/Ten-Things-Abo…
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Lazy Saturday. Cup of tea. You know what that means, Twitter. #Storytime.
New folk, if you're new to this: #Storytime; in which I write a story, freestyle, on Twitter. Some pay attention; others unfollow. And it always starts with these words:
There once was a man who longed to be King. He had no qualifications, except in that he was a man of privilege, wealth and connections, and he was only one among many with their eyes on the throne, and not the most deserving. #Storytime
This one's a bit of a challenge, I'll admit. There are so many ways to be a writer, and if yours works for you, it's the right way. But these are a few things I've learnt to avoid. You should probably avoid them, too. #TenThingsForAWriterToAvoid
1. Avoid hard-and-fast writing "rules" that discourage you from thinking for yourself. Some have a grain of truth in them, but mindless acceptance of what others say is usually not conducive to finding your individual voice. #TenThingsForAWriterToAvoid
New authors: If a stranger e-mails you out of the blue, asking you to read, critique or comment on their unpublished book, there's no reason you should indulge them. In fact, there are plenty of reasons you probably shouldn't.
Short thread follows.
Authors - whatever their profile - get these requests all the time. New authors often feel guilty at saying no. However, your time is valuable. A proper critique would be worth something like £500 from a professional manuscript evaluator, and would cost you a week of your time.
And if you do accept to critique a manuscript as a favour, word will get round. Once people hear about it, you'll suddenly receive a hell of a lot of requests. The ones you reject (and you'll have to reject some) will feel you've been unfair to them.
Imagine a family of four, driving to the seaside. The parents are in front, one driving, one navigating. The two young kids in the back are impatient. "Are we there yet? Are we?" they shout, kicking at the driver's seat. Every time they do this, the driver has to slow down.
The children pay no attention. "Are we there yet?" they scream, kicking repeatedly at the seat in front. Finally, the driver stops, gets out, and tries to explain to them that the more often they do this, the less likely they are to get to the seaside before nightfall.
"Is that what you want?" says the driver.
The children scream and cry, saying: "We want the seaside! Now! Now!"
The driver gets back into the car and sets off. Five minutes later, the kids start kicking the seats again. "Are we there yet? Are we?"
Anna Brownell Jameson (17 May 1794 – 17 March 1860) was an Irish writer, the daughter of a miniaturist and engraver. #CelebratingWomen
At sixteen, she became governess to a noble family. In 1821 she was engaged to a lawyer, but the engagement was broken off.
After accompanying a young pupil to Italy, she wrote a fictionalised memoir, which she gave to a bookseller in exchange for a guitar. It was ultimately published as The Diary of an Ennuyée (1826), and attracted great attention. Parallels with Jane Eyre are remarkable.
The Akkadian/Sumerian poet Enheduanna (2285-2250 BC) is the world’s first named author. #CelebratingWomen
That right. The world's first author was a woman, writing over 4000 years ago. And she was - and still remains - very, very influential.
She is credited with creating the paradigms of poetry, psalms, and prayers used throughout the ancient world. Through the Babylonians, her works influenced and inspired the prayers and psalms of the Hebrew Bible and the Homeric hymns of Greece.