I'm in #Rotterdam for tonight's #Eurovision Song Contest - the 1st major live television event of the pandemic (last year was cancelled).
I've covered many ESCs over the years but this one is surreal. Here's what it's like to be here as press at the Covid Eurovision (🧵1/10 )
This week is a big test. There will be lessons learned for upcoming international events like #Euro2020 & #TokyoOlympics.
Performers getting Covid and isolating has gotten headlines. But everyone here is constantly tested and something like 0.6% have been positive I'm told.
Testing is required every 48 hours for all performers, crew, press and audience members. They're separated into strict bubbles that cannot interact.
Some press have been kicked out because they attended semi-finals as audience members. Covid status is linked to entry badge.
They're using a breathing test first, but it seems they're not working well. They're temperamental and you have to do the breathing procedure exactly right (can't have had alcohol within past 8 hours).
Seems most results are inconclusive, then they do a rapid nasal test instead.
In a normal year about 1,500 registered journalists attend Eurovision week. This year it's just 500, but the press centre size is the same.
So it looks very empty. There is a strict system of desk registration and social distancing, everyone must wear specific provided mask.
Normally a #Eurovision host city is transformed for the week, with activities all over. Many people come for that and don't even go to a show.
This year, of course, that's not happening. But at least they've changed crosswalk signals to play ABBA's Waterloo when it's time to go.
*But*, once you've tested negative and you're in, there's no mask requirement for the audience while seated. (7/10)
Rules are most strict for the #Eurovision performers bubble. They are required to stay in their hotel at all times except when rehearsing or performing.
Unfortunately that's made it hard for the performers to communicate with the press (and plead their case with the public).
Normally strict performance rules changed this once to allow pre-recorded videos. 🇦🇺 gov wouldn't allow their contestant to leave so she competed remotely Tuesday (eliminated).
#Iceland and 2019 winner #DuncanLaurence have tested positive, will use pre-recorded videos tonight.
All in all the main focus here is to make this feel as normal as possible - for the TV audience at least.
You at home aren't supposed to see any of this weirdness. The recorded videos are supposed to look live.
Hosts will not be mentioning the pandemic. People want a fun escape
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Today's #Eurovision fun fact: yesterday we talked about next year's launch of an American version, but also #EurovisionAsia has been been planned by #Australia since 2016.
Australia became the first non-EBU member to participate in the contest when they were invited to participate in 2015 as a one-off 'gift' to celebrate the contest's 60th anniversary.
Australians are obsessed with the song contest, and there was huge excitement there about it.
In 2016, it was announced that the European Broadcasting Union had reached an agreement with Australian network SBS to launch a Eurovision for Asia-Pacific countries.
While that gets underway, Australia is participating in European Eurovision. But that expires in 2023.
Today's #Eurovision fun fact: NBC has just bought the rights to air an American version of the contest with the 50 states (following the success of #FireSaga) that is scheduled to start next year.
As Hong writes, "There are many reasons to protect Eurovision from the Americans. For decades, the song contest has been one of very few symbols of continental unity to arise from popular culture"
Europe imports so much pop culture from US. #Eurovision has been the big exception
Reasons 'Americavision' won't work:
🇺🇸There isn't enough state identity
🎸There isn't enough regional musical diversity
👨🎤There's nothing special about a national contest
💰It will be too slick and too commercial (and thus boring)
Today's Eurovision fun fact: each year the majority of songs are in English, and that has been the case since 1999 when language freedom was introduced.
Before that all countries had to sing in their national language (a rule introduced in '66 but suspended from '72 to '77).
Use of non-English is actually increasing from a low in 2015.
Before '66 it was just assumed everyone would sing in their own language. And everyone did until Sweden did a song in English and the French flipped out.
This is what’s happening at UK borders to some EU citizens, who until 137 days ago could come and go freely in and out of the UK to visit, live or work.
I think it's worth pointing out the context that the article doesn't spell out very clearly: it appears all these people were detained because it was suspected they would try to work in the UK or otherwise overstay a tourist visa.
That new reality is here to stay no matter what.
I suspect the super-harsh treatment of Europeans right now is UK gov trying to make an example of them to get the word out: Europeans, don't come to UK to live or work without a visa.
Europeans would encounter same thing if they tried to enter the US to live/work without a visa.
After last year was cancelled, they're going ahead this year with a limited audience.
Here's this year's entries. My prediction: 🇲🇹#Malta will win.
More on that below in the thread you didn't ask for but are getting anyway (1/21).
You might ask: this is 1st & foremost a TV show with theoretically no need for performers to be in same place, why was 2020 cancelled (for 1st time in 65 years)?
Answer: Eurovision rules are strict. There wasn't enough time to change them to allow contestants to compete remotely
#Netherlands is hosting this year in Rotterdam, because they won in 2019 with Arcade.
I'll be heading up there to cover it, luckily it's just 90 minutes away.
The rules are quite strict: constant testing & separation of audience, contestants and press.