Our #arthistory PDD panel on Teaching and education featured @LeniaKouneni who is 1 of only 2 permanent lecturers in art history at @univofstandrews and before this held multiple short-term and fixed term contracts.
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She finished her PhD in 2009 and had a short career break in 2012 to have children. Lenia sought out her education-focused position which is teaching focused rather than research focused.
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Teaching-only roles can be perceived as lesser but perceptions are shifting and they are a serious career path – TEF was introduced in 2017 to assess the quality of teaching.
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There are clear routes for promotion now. If you are interested, look into the AdvanceHE Fellowship and seek out relationships with any centres for education research at you institution. advance-he.ac.uk/fellowship
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Think seriously about art historical pedagogy and practice – how we teach art history is important & can change the field! Think about & form your own teaching philosophy and methodology – job applications often ask you to talk about & you must be able to position yourself.
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Look for grants and funding that support students’ learning to help you develop projects and new seminars or classes.
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Object based learning is a great way to teach! Objects can provide great starting points for seminars and prompt questions around broader issues of gender.
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The pandemic pushed learning and teaching online and pushed the creation of digital tools within physical collections – engaging and interactive experience “Exhibit”.st-andrews.ac.uk/collections/ex…
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Staff and students can used the digital collections to create interactive presentations and can be very useful for visual analysis exercises!
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Thank you for sharing you key takeaway points @LeniaKouneni!
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Madeleine Haddon is working in a curatorial role with @MuseumModernArt on an exhibition on Matisse and was a recent Teaching Fellow at @EdiArtHistory and is passionate about making art history accessible to a broader range of audiences. #arthistoryPDD
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Madeleine speaks frankly about visiting museums growing up but not always being comfortable in those spaces, seeing herself reflected in the 19th-century art history being taught or the faculty teaching the subject.
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There must be a dual effort between academia and museums to make art history more diverse and inclusive – these goals are not distinct!
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We are kicking of #arthistoryPDD with a welcome address by our chair @GursimOberoi who speaks to the challenges the past year has presented to the professional development of #phd students and #ecr researchers
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Research has been put on hold following the closure of libraries, archives and museums; fellowships have been postponed or, in some cases, cancelled; publications delayed; and, in many cases, our projects have been reframed and remoulded as a result of the pandemic.
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Many of us have paused our work to support our loved ones or volunteered to support the local community. We have vigorously adapted our way of teaching turning to online and hybrid delivery to guide and advise our students.
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Ben Street – Freelance art historian, lecturer, and writer – graduated twenty years ago from University of Edinburgh and has worked in museum education, A-Level and Masters teaching, broadcasting, book writing… its been a patchwork career that Ben couldn’t have imagined!
Ben came from a state 6th form college and hadn’t done art history before university. He found the degree unengaging, but is passionate about engaging the public with art history.
He spent 12 years as an educator in the National Gallery, Dulwich Picture Gallery and Tate working on schools programmes, as a storyteller and lecturer, writing audio guides and doing in-gallery tours