This is a short thread, partly to thank @TuanSahib for the recommendation, and partly to express my own takeaways from a miniseries called “Our Boys”.
So, first things first - thanks for the recommendation - certainly 10 hours (almost) well-spent ❤️
@TuanSahib 1/n - If you’re unfamiliar with “Our Boys”, it’s based on what happened in Israel, Summer 2014, a grisly murder of an Arab youth, linked to retribution over the abduction & murder of three Jewish kids.
The 10-episode series is an uncomfortable watch. And I’ll share why.
@TuanSahib 2/n - In any conflict seen from afar, it’s not uncommon for observers to take sides. That’s certainly true of the Israel/Palestine strife that’s been ongoing for over 7 decades.
And often it’s taking sides purely due to an instilled affiliation, in this case, religious
@TuanSahib 3/n - “Our Boys” is, to put it simply, an eye-opener. Regardless of which side of the fight you may think you support.
Frankly, I don’t recall any film or series that has addressed issues in Israel with such brutal and discomforting starkness.
@TuanSahib 4/n - Firstly, it lays bare underlying prejudices of both Arab and Jew alike, in very unapologetic portrayal of events. These are deep-seated prejudices existing far longer than Israel has been in existence. Much is rooted in religion, and the series makes this abundantly clear.
@TuanSahib 5/n - The color grading, too, is for the most part, stark - to instill a sense of visual discomfort as you follow this discomforting story. The casting and acting were VERY well executed - you get the sense the actors were truly living the story, for me a criteria of good acting
@TuanSahib 6/n - Since its release in 2019, the miniseries has attracted both praise and criticism from both Israeli and Palestinians alike. And if you watch it, you’ll understand why.
What’s also interesting is that the series is a collab between Israelis and Palestinians.
@TuanSahib 7/n - I say it’s interesting because the general opinion is that Israelis and Palestinians are like oil and water & SHOULD remain that way.
Real life, however, disagrees; creative real life disagrees even more - this is not the first of such collabs, and certainly not the last
@TuanSahib 8/n - If you can find “Our Boys”, it’s a miniseries I highly recommend. Yes, it’s discomforting but for reasons that make it necessary for you to feel uncomfortable. And hopefully open yourself to questioning pre-conceived notions you may have.
@TuanSahib 9/Last - I end this short thread with these thoughts:
Life from afar looks very different from the actual life lived on the ground.
What you think you know is sometimes shaped by what you’re told to know, without wanting to really know.
The next few tweets in this thread replicates what you’ll find on that page
(1) *Back to harassment, intimidation and censorship*
When Malaysia experienced its first-ever transfer of power through elections in May 2018, the environment for journalists became much more favourable and the country rose dramatically in RSF’s Press Freedom Index. (cont.)
If you’re a Muslim in Malaysia, especially if you’re “born" into the religion, Article 11 of the Federal Constitution is a myth, at best. And at worst, a blatant lie.
Effectively if you’re Muslim, there is NO freedom of religion. In addition to many other NO FREEDOMS you enjoy
The first clause in Article 11 reads as thus:
“Every person has the right to profess and practise his religion and, subject to Clause (4), to propagate it”
Note that ‘every person’ in literary terms means there is no distinction between which person.
In practice, however, a Muslim in Malaysia practically doesn’t enjoy this right. Let’s not even talk about religions other than Islam - a Muslim may ONLY practice what the state allows one to practice, or more accurately, seen to practice.
The Malay Mail hari ini melaporkan tentang pengakuan Hadi Awang bahawa Langkah Sheraton telah dirancang sebaik sahaja GE14 tamat. Penulisan asal beliau boleh dibaca di laman FBnya: facebook.com/abdulhadiawang…
Bebenang ini adalah komentar peribadi saya.
1/ Selepas membaca rencana asal tersebut, ternyata betapa angkuh dan takburnya si Hadi ini. Juga ternyata yang kepentingan paling utama partinya adalah parti itu sendiri. Tapi tak apa… agama sentiasa boleh ditunggang untuk mengkaburkan mata rakyat
2/ "Perubahan kerajaan PH kepada kerajaan PN dilakukan secara demokratik dan mengikut proses Perlembagaan Persekutuan dengan langkah paling tepat, tanpa menebuk atap dan masuk dari pintu belakang.”
Inil terang2 adalah percanggahan kognitif (Cognitive Dissonance)
So today, we once again reinforce the culture of “Don’t like it, Ban it”. No thanks to pressure from the Malaysian Ultra-Conservatives whose wet dream is nothing less than making EVERY-DAMNED-THING-THEY-DON’T-LIKE illegal.
These are the people who have clout because most Malays who don’t agree with them do not dare speak up and speak out. The reality is that in Malaysia, turning 18 means nothing more than being liable for prosecution and persecution.
FYI I am not a fan of Sugarbook, but as I understand it’s a willing-party kinda deal. Adulthood is about making choices, and taking responsibility for the consequences of your choices. But no… these conservatives wanting to “protect the younger generation” is about CONTROL.
0/ You can thank @yoongkhean for this. Here’s my “How to NOT Get Lost In Publika” guide, over a short thread. FYI I operated our gallery from Publika for the better part of 9 years.
The guide begins in the next tweet...
@yoongkhean 1/ The first thing to know is that there are FOUR (4) blocks: A,B,C, and D in Solaris Dutamas overall. Publika occupies blocks B & C, and part of A - these are the OFFICIAL parts of Publika. But for the sake of simplicity, we’ll just call it all Publika (actually Solaris Dutamas)
@yoongkhean 2/ Each of the four parallel blocks are sub-divided into 4 or 5 sections. Hence, A1-A4 (A5 is where White Box / Black Box are), B1-B4, C1-C5 and D1 to D5. Blocks A & B / C & D hv foot bridges that link btw them. A & B linked on Level G3 (2 bridges), while C & D on G4 (3 bridges)
As someone involved in one sector of the creative industry, the biggest problem I see impeding its growth - even bigger than funding - is the lack of appreciation for the arts, and how little value the arts and things creative.
I know it’s an unpleasant truth, but...
… until and unless we accept this as a root cause, simply throwing money at the problem is NOT going to advance the creative industry.
It’s not an impossible problem to solve, but neither is this problem solvable in the short term.