1/ In our June cover story @ClintSmithIII writes about the Confederate lies that live on. Smith's cover story is part of the second chapter of “Inheritance,” a project about American history, Black life, and the resilience of memory. theatlantic.com/magazine/archi…
2/ “As I traveled, I was moved by the people who have committed their lives to telling the story of slavery in all its fullness and humanity. And I was struck by the many people I met who believe a version of history that rests on well-documented falsehoods,” he writes.
3/ Buried in Blandford Cemetery, in Petersburg, Virginia, are the bodies of roughly 30,000 Confederate soldiers; it is one of the largest mass graves of Confederate servicemen in the country.
4/ On Memorial Day 2019, Blandford was the site of a Sons of Confederate Veterans event. The organization of about 30,000 says it aims to preserve “the history and legacy of these heroes, so future generations can understand the motives that animated the Southern Cause.”
5/ Central to this, Smith writes, is the myth of the Lost Cause, an “attempt to recast the Confederacy as something predicated on family and heritage … The myth asserts that the Civil War was fought by honorable men protecting their communities, and not about slavery at all.”
6/ Like Blandford, the Whitney Plantation in Louisiana also has a cemetery, of a kind. A small courtyard called the Field of Angels memorializes the 2,200 enslaved children who died in St. John the Baptist Parish from 1823 to 1863.
7/ Yvonne, the site’s director of operations said she is often asked by white visitors if there were any “good slave owners.” Her response:
8/ A 2019 Southern Poverty Law Center report found there were nearly 2,000 Confederate monuments, place names, and other symbols in public spaces across the country.

A follow-up report found that more than 160 of those symbols had been removed or renamed in 2020.
9/9 “So much of the story we tell about history is really the story we tell about ourselves … But just because someone tells you a story doesn’t make that story true,” Smith writes. Read the full cover story: theatlantic.com/magazine/archi…

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More from @TheAtlantic

28 May
1/ Looking for a new read over the long weekend? Whether you’re in the mood to burst out the door or curl up on a couch this summer, The Atlantic’s writers and editors have book recommendations to match. theatlantic.com/summer-reading…
2/ Craving high drama? “‘I’m With the Band’ stirs a sensation the pandemic denied, of standing in a crowd, gazing up at a superstar, and wondering if you might just catch their eye,” @shirklesxp writes. on.theatln.tc/0zHDjI7
3/ Want to experience a sense of wonder about the universe? Wisława Szymborska’s poetry “can make all of human history seem like a daydream, or a cloud of dust seem like the cosmos," @lenikacruz writes. on.theatln.tc/0zHDjI7
Read 6 tweets
15 May
1/ In our June cover story @ClintSmithIII writes about the Confederate lies that live on. theatlantic.com/magazine/archi…
2/ The myth of the Lost Cause began in the late 1800s "to recast the Confederacy as something predicated on family and heritage," @ClintSmithIII writes. "The myth asserts that the Civil War was fought by honorable men protecting their communities, and not about slavery at all.”
3/ While minimizing the horrors of slavery, the myth of the Lost Cause suggests that Black soldiers fought for the Confederacy, in racially integrated regiments. No evidence supports these claims, Smith writes.
Read 5 tweets
8 May
1/4 “On a Friday afternoon in early March,” @AmandaMull writes in a piece from our latest magazine issue, “I felt an urge I hadn’t experienced in more than a year: I wanted to buy new clothes. Outside clothes.” theatlantic.com/magazine/archi…
2/4 But when she started browsing, all she could find were leggings. “Fashion is an industry built on guessing what people will want to buy months in advance … yet everywhere I looked, there were no guesses at all about spring.”
3/4 Both the fashion industry and American shoppers are stuck on an unfamiliar question, Amanda writes: What do you wear to reenter society?
theatlantic.com/magazine/archi…
Read 4 tweets
6 May
1/ This week we launched Chapter 2 of “Inheritance,” a project about American history, Black life, and the resilience of memory. theatlantic.com/inheritance/
2/ The theme for Chapter 2 is “Where Memories Live.” For the Black community, memory and history—two of the most important pillars in this project—are intrinsically tied to spaces. theatlantic.com/inheritance/
3/ When we tell the story of Black America, returning to a place—whether physical or metaphorical—can be a crucial element of understanding an event and its impact. theatlantic.com/inheritance/
Read 8 tweets
28 Apr
1/9 The coming months could become a push and pull between the introverts and the extroverts in your social circle.
2/9 Our staff writers @KatherineJWu and @amandamull, who consider themselves to be on opposite sides of that divide, discuss what they’re looking forward to in post-pandemic life—and what they’re dreading. theatlantic.com/family/archive…
3/9 When you think about the activities that will be possible again, how do you feel about ...

Travel?
Read 9 tweets
17 Apr
1/ The indignities and embarrassments of puberty have proved strangely comforting in uncertain times. @megangarber on why grown-ups keep watching shows about middle school. theatlantic.com/magazine/archi…
2/ “PEN15,” @megangarber writes, “offers its young characters the elemental dignity of seeing them as they are. It understands how possible it is, at their age or any other, for the surreal to be profoundly true.” theatlantic.com/magazine/archi…
3/ In “Big Mouth” surreality is a way of seeing, @megangarber writes. “So is the series’ bawdiness: Animation offers the freedom to go gonzo.”
theatlantic.com/magazine/archi…
Read 5 tweets

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