As you can imagine by now, Sardinian dances vary from place to place, just like dresses, language and traditions. They have though some common characteristics.
It's not known for certain the origin of the most ancient Sardinian dance (the ballu tundu), but people see archaic -
-influences in the circular shape and sacredness of the dance, recalling ancient tribal dances around the fire.
There are several depictions that academics link to the ballu tundu: the very first comes from a dish found in Monte d'Accoddi (a Prenuragic altar), where figures-
-are represented as dancing our traditional dances. The others come from Middle Age, where in several occasions there are sculptures of people dancing in church.
The link to churches is important because it explains the religious background of the tradition
📸San Pietro di Zuri
Ballu tundu was in fact danced outside (or inside, in earlier times) churches during festivals, as a continuous link of the sacred dance to religion. The ballu tundu was also danced around a fire or a player, bringing the mind back to tribal dances around fires.
The dance is so sacred that it was often woven into fabrics.
Now, there are different kinds of dances and the dances evolved in time too. Sardinian dances have always been described as serious and methodic; the point wasn't to have fun but to comply a ritual.
People wouldn't smile but would carry on the dance even for 2 hours straight. The rhythmic movements hint at some kind of healing or apotropaic ritual. The dance was a serious thing, with rules even to just enter the dance or how to hold hands. Breaking these rules could
-mean causing great offence and risking homicide.
The very basic of Sardinian dance is keeping the upper part of the body still, with a slight rocking, and use entirely the feet. People could take each other by hand or under the arm, according to the dance. The ballu tundu-
-requires people to move in circle but there are variations in line or in couple too. Some dances don't require a male-female couple but can be danced by people of the same sex.
An important function of village dances was forming new couples. Some dances have a more
📸 Busachi
-important courting meaning, requiring men to show off more difficult steps.
So, what are some of these dances? Ballu tundu is likely the most ancient, with the group circling in little steps in clockwise direction.
📸 Gruppo folk Fluminimaggiore, Oristano
The dance can start in line and then the leading couple will close the circle.
Passu torrau is originally from Mamoiada and it consists of a movement in which feet are barely risen from the ground but go ahead and back. It's a movement now used in different regions
📸 Mamoiada
-especially in serious dances in circle.
Su dillu (or dilluru/dilliri) is instead a very joyful dance that also gave rise to the dance of s'argia. It's typical of inner Sardinia.
Some dances include small bows or jumps.
📸 Siligo, Ollolai
Another dance is that of s'istella, in which the components recreate the shape of a star.
A Campidanese variation is that of sa sciampitta (last picture), in which a man is held upside down and he keeps dancing. It's thought to derive from an old Sardinian fight in which-
-people used to kick each other 😂
In some dances, like in this from Nuoro ⬇️, each couple can detach from the group and make a solo dance, spinning in circle.
There are also dances of a man with two women who spin around each other, or dances with S shapes.
In the Sulcis-Iglesiente and Cagliari there is also another variation where people just go ahead and back in little steps. In the Sulcis, this is called ballu meurredinu and it's typical of festivals in squares, where space was limited.
📸 Tempio, Oliena, Gavoi, Desulo
Traditional dances are still practiced at every religious event, but are also spectacularised for every folklorist event. Still, this allows me to post several videos below 😂
➡️ Gruppo folk Ortobene Nuoro.
Seriu zirau:
Su dillu:
➡️ Gruppo folk Murales Orgosolo.
Passu torrau:
➡️ Gruppo folk Ittiri Cannedu, Ittiri.
Dansa Ittiresa:
➡️ Gruppo folk Dorgali.
Ballu 'e iskina:
➡️ Gruppo folk Pro Loco Gavoi.
Dillaru:
➡️ Gruppo folk Pro Loco Samugheo.
S'Orrosciada:
➡️ Associazione culturale Sant'Andrea, Gonnesa.
Ballu meurredinu:
➡️ Gruppo folk Su Idanu, Quartu Sant'Elena.
Campidanese:
➡️ Gruppo folk San Gemiliano, Sestu.
Sciampitta:
➡️ Gruppo folk Quartiere Villanova, Cagliari.
Sa sciampitta:
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Sardinian lore is full of strange and sometimes funny creatures. From religion to paganism, history to superstition, I'll talk a little about the most famous ones. #SardinianFolklore#folklore#Sardinia
📸 S'ainu orriadore, Scano di Montiferro (OR)
▪️Ammuntadore. Thought to be linked to traditional incubi/succubi (and sleep paralysis), s'Ammuntadori was a demon which used to stay over a sleeping person's chest, blocking breath. People were terrified by this creature and invented several magic formulas to protect themselves.
▪️Sùrbile/Cògas/Bruxia/Istrìa. Several names around Sardinia for the same creature: a bloodthirsty witch, kind of a vampire, who fed on newborns. It was a woman during the day and transformed at night.
New mothers has several remedies against her, starting from su kokku-
**SARDINIAN NATIONAL IDENTITY: how Sardinians renounced it (and are now regaining it)**
I just had this discussion with myself and wanted to post it soon. This is not like usual threads but more like an informed personal discussion.
As I've mentioned other times, the Sardinian identity differs from the rest of Italy because of its mainly different history. The Island and the Peninsula have been in contact during all the centuries leading to the Italian unification, but Sardinia was a different country.
We were autonomous during the Middle Age, we fell into the Aragonese/Spanish influence afterwards (no, we weren't colonised) and then under Savoy rule (again, not colonised). It's exactly in these 4-5 centuries that our national identity shifted from the peninsular perspective.
Looking through old pictures that I took and I realised that not only I didn't have sense for straight lines but also some videos can't be played because codecs are obsolete 🙃 Don't even look at me
These pictures have a creepy feeling and I don't actually know why... Everything was bluer on that camera
That camera was strange. Instead of blurred pictures when moving, it looked like this ⬇️ No, the tree is like that for real.
Sardinian culture is filled with superstition and magical rites that the profound religiosity only enhanced, often with the favour of priests. Here I will talk about the evil eye and rites of s'argia. #folklore#Sardinia
📸 Su kokku
Evil eye is common to many cultures and it's impossible to date its actual origin. In Sardinia it is strictly linked to the clear separation of male and female roles, so that only women can deal with magic, rituals, life and death, probably reminiscence of the time when Sardinian
-women were priestesses, in the Nuragic Age.
In Sardinian, evil eye is called ogu malu and those affected are said to be pigau de ogu. They are generally men, because women who practice traditional medicine can't be affected. They can't even cast evil eye.
Thread about the beginning of the Catalan-Aragonese conquest of Sardinia and the strenuous resistance of the inhabitants
📸 Pisan medieval walls of Villa di Chiesa, modern day Iglesias
In 1297, the Pope Boniface VIII gave the Aragonese king, James II, the licentia invadendi of Sardinia and Corsica. The king could conquer the island(s) and declare himself king.
James II wasn't interested in Corsica but he prepared his expedition to Sardinia and, 20 years later-
-in 1323, he charged his 24yo son, the Infante Alfonso, to lead the conquest. The heir to the throne left from Catalonia with wife and around 20000 men.
In the previous months and following weeks, several local Sardinian powers allied with the Aragonese Crown in hope of seeing-
Saint John (Santu Juanne) falls by Christian tradition on the 24th of June. It's not a casual day, in fact it's very close to the summer solstice, usually celebrated by many ancient cultures.
In Sardinia this is a very traditional festivity, which still holds clear its pagan-
-roots. The festival is linked to fires and water. In some places (Cuglieri, Bono, for example), we have the rite of s'abba muda. Whoever wants to ask for some grace from the Saint has to go from the church to the fountain in complete silence. Once there, they drink water and-