It's unendingly strange to see my face being used yet again, without my consent, to promote products that defame me, this time an essay by @alicebolin for @vulture.
I'll let the comments to this essay speak for themselves about the argument @alicebolin makes, comparing my recent thoughts on #Stillwater to the #CatPerson controversy.
"Imagine a movie 'inspired by' the Central Park 5 in which it turns out their fictionalized avatars were actually indirectly involved in the rape," this commenter writes. "Would that be justifiable, for fiction's sake?"
"Sure seems like the author holds the kinds of mistaken beliefs about her that Knox fears still color public opinion of her," another commenter writes.
That does seem to be the case. @alicebolin paints me as a white woman who falsely accused a man of color, and suggests that my acquittal was not about the utter lack of evidence but politics between the US and Italy.
@alicebolin, I'd like to tell you about that interrogation, which you reduced to "a white woman falsely accusing a black man."
Many people assume the worst experience of those 8 years must have been the moment that first guilty verdict was handed down. It wasn't. The most terrifying moment for me was that initial interrogation.
While the real killer, Rudy Guede, fled the country, while my Mom urged me to go to the embassy or to my relatives in Germany, I stayed to help the police. They told me I was an important witness.
I was 20 years old, 3000 miles from home, my friend had just been murdered, the killer was on the loose, and I had no one near to protect me. I trusted the Perugian authorities to keep me safe.
Over the course of 5 days, they questioned me for 53 hours without a lawyer, in a language I understood barely at all. That final night, they berated me, slapped me. My mom tried calling me repeatedly and they wouldn't let me answer.
They knew she had just arrived in Rome and was coming to help me, so they decided to break me. For 5 days, I had been telling them everything I knew, which was nothing. That was unacceptable to them.
They told me I must have amnesia, that I must have seen something so traumatizing that I couldn't remember it. They told me that they needed me to remember.
I couldn't understand why they wouldn't believe me. They found a text message on my phone I'd sent to my boss, Patrick, the night before the murder. He'd given me the night off.
I'd tried to tell him, "See you later." I naively translated that American English idiom as "Ci vediamo piu tardi." To Italians, apparently, that was not a nebulous 'see you sometime in the future," but rather a specific plan to see Patrick later that night.
Because of this miscommunication, the police insisted that I met up with Patrick, insinuating his guilt. I told them "no" countless times. They refused my answer. And after hours of sleep deprivation and gaslighting by authority figures I trusted, I started to believe them.
They were telling me I had amnesia. That I was traumatized. Could it be true? Why would they lie to me? Eventually, they typed up a statement and told me to sign it.
It is a confused statement that places Patrick at the house that night, and me nearby as a witness to him being there. It's confused because it was authored by the police out of jumbled imaginings they prompted me to make, and not based in any evidence.
I immediately recanted the statement once I was out of the pressure cooker of the interrogation room. They didn't care. They arrested and detained Patrick anyway, despite his ironclad alibi.
If anyone is to blame for targeting my boss Patrick, for detaining him for 3 weeks with no evidence but a coerced false admission riddled with inconsistencies, it's the police. And you, @alicebolin, like so many others, continue to blame me.
For the longest time I thought that everything that went wrong in that interrogation was my fault. I hadn't explained myself clearly. If only I were fluent in Italian. Then I learned about false confessions and coercive interrogation techniques.
I learned that what happened to me in that interrogation room is common, that those techniques are used by police the world over to get innocent people to say what the police want them to say.
1 in 4 proven DNA wrongful convictions involves a false confession. The Central Park 5 were coerced, as I was, into implicating others, and by extension themselves. You would do well, @alicebolin, to educate yourself about false confessions.
Read Saul Kassin. Talk to @SDrizin and @LauraNirider and @itsjasonflom. Follow the work of the @innocence project.
When you misrepresent my own interrogation and false admission, which is one of the more visible ones in our culture, you do a disservice to every innocent person who's been pressured into false statements by police.
We need more people to understand how this happens. By reducing the most terrifying experience of my life to "she pointed the finger at a black man," you are discouraging a nuanced understanding of interrogation room power dynamics, at the expense of the most vulnerable.

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More from @amandaknox

10 Sep
When I arrived in Perugia as a 20-year-old, I was sexually active, but pretty sheltered. I could count my intimate partners on one hand.

But when I was accused of murder, my rather unremarkable sexuality was distorted and magnified into something deviant.

/ a short thread
They painted me as a femme fatale, and the courtroom and the media ignored the lack of evidence and focused on things like the joke vibrator a friend had bought me, or what underwear I purchased. All to support a fantastical theory about a sex game gone wrong.
The misdirected focus on my sexuality was one the things that bothered me most about the trials. I could have been a professional dominatrix and it shouldn't have mattered. That still wouldn’t make me a killer.
Read 7 tweets
12 Aug
I've had so much taken from me already, it's astonishing people still want to restrict my freedom. It happens in many ways, but attempts to shame me for finding humor in my trauma are especially cruel. Laughter of all things? That's what you want to take from me?

/thread
My wrongful conviction by Italian authorities ≠ the murder of Meredith Kercher by Rudy Guede.

Me making a joke about my wrongful conviction ≠ me making a joke about Meredith's murder.

But every time I do joke about my wrongful conviction, I get accused of exactly that.
Why? Because the media tricked you long ago into conflating these two tragedies when, in fact, they are separate tragedies caused by separate actors. The injustice done to me was not an inevitable result of the injustice done to Meredith.
Read 7 tweets
7 Aug
Super disappointed in Tom McCarthy’s response to my critique of #Stillwater in this latest @Variety interview.

variety.com/2021/film/feat…

/ an open letter to Tom
Hi Tom. You say: “Stillwater is a work of fiction and not about her life experience...There were a few entry points that sparked the narrative, including aspects of real-life events, but the story and characters within my latest film are all invented.”
Did you read my Atlantic piece? Because I feel like you’re being disingenuous and evading my point.

theatlantic.com/ideas/archive/…
Read 19 tweets
31 Jul
Now that I’ve got your attention, I’d like to share a little family story about vaccines and conspiracy theories.

/ a thread
My mom was born in Germany in 1962. When she was about 9 months old, she developed a high fever and a rash. My oma brought her to the doctor, and she was diagnosed with measles.
There was no measles vaccine available yet. That wouldn’t come until the following year. And without it, mortality rates were high, especially for children under five. The measles was twice as deadly as Polio.
Read 25 tweets
29 Jul
Does my name belong to me? My face? What about my life? My story? Why does my name refer to events I had no hand in? I return to these questions because others continue to profit off my name, face, & story without my consent. Most recently, the film #STILLWATER.

/ a thread
This new film by director Tom McCarthy, starring Matt Damon, is “loosely based” or “directly inspired by” the “Amanda Knox saga,” as Vanity Fair put it in a for-profit article promoting a for-profit film, neither of which I am affiliated with.
I want to pause right here on that phrase: “the Amanda Knox saga.” What does that refer to? Does it refer to anything I did? No. It refers to the events that resulted from the murder of Meredith Kercher by a burglar named Rudy Guede.
Read 45 tweets
28 Jul
15 years after my wrongful conviction, the hate hasn't stopped: cunt, killer, slut, liar. I also have plenty of supporters who stick up for me. I posted a thread a bit ago about the strangeness of living in that dual reality...

/ a short thread

But the hate and support aside, I often worry that I'll never DO anything that will impact my own life as much as my life has been impacted by something I DIDN'T DO, something that happened to me, that was not of me or representative of who I am or what I care about.
It's a strange and probably uncommon situation to be in: to know that the actions of others, the actions of a killer, of poorly trained police and prosecutors, have shaped my life in ways that make my own actions seemingly irrelevant.
Read 5 tweets

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