⛏️Thread about my high school, in celebration of the 150th anniversary of its foundation.
📸 The 1904's building
The area of the Sulcis Iglesiente has been exploited for its mineral wealth since the age of times, by locals and then by stranger industries.
In 1848, during the Savoy rule of the Kingdom of Sardinia, the actual industrial period of the Sulcis Iglesiente began.
It was in 1871, 10 years after the unification of Italy, that the idea of constructing a mining school was accepted. It was proposed by the Minister of Finances, Quintino Sella. With the mines now taking the relevant part of the economy of the area, there was the need to-
-form the locals to the technological advancements of the era. The Royal Decree was signed on 10th September 1871.
The first building that hosted the school was the former Franciscan convent of the town. But at some point the place became too strict and a new school was needed.
With the contribution of Giorgio Asproni (to whom the school is now dedicated), the new school was began in 1904 and finished in 1911. It's a rather large (and let me tell you, labyrinthine) building in Liberty style, which still conserves the style of the turn of the century.
It rises beside the beautiful Liberty building of the Sardinian Minerary Association and it features large classrooms, a big library, chemistry laboratories, an ancient archive and beautiful presidency rooms.
In the '30s, a gallery was excavated underneath by the students-
-in their practice course. This gallery runs all the way to the (now) palace of the municipality, back then hospital of the town. The gallery was used in WWII as refuge against bombings and hospital for the injured.
The building now hosts only a part of the courses and it's-
-mostly adapted as museum. On the ground floor, there's the Museum of Mining Art, with historical photographs, old instruments of the work and the gallery of the students.
At the first floor, there's the Museum of Mineralogy and Paleontology, with fossils, old bones and minerals of the area, also old medieval instruments. The museum has been recently expanded of another room to create the MuMiSa, Sardinian Museum of Mineralogy.
The class of students and professors of 1934 who started excavating the Gallery. You can see women too!
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A thread about the old tradition of wines in Sardinia.
Findings in archaeological sites show that Ancient Sardinians produced wines already in Nuragic times, several centuries BCE. Following contacts (with Phoenicians) and dominations (by the Romans) kept the tradition alive and with new introductions and techniques.
Nuragic civilisations were one of the first to produce wine in the western Mediterranean.
We didn't fall under Arab rule and the production of wines increased in Middle Age, where we have several documents talking about wines and vineyards. The typical Sardinian technique-
Special thread for the anniversary of the massacre of miners on strike, by the hands of the Italian army. 4 people were killed and 13 injured as they asked for better work conditions, leading to the call of the Italian general strike.
In 1840, the king of Sardinia issued a law dividing soil property from underground and allowing people from everywhere in Europe to dig up for resources. With the Perfect Fusion of 1848, the law was extended to Sardinia and many companies were funded for the mineral-
-exploitation of the land. It was mostly Italians, Piedmontese, French, German and British.
The first mine to open was Malfidano, in Buggerru, Sulcis-Iglesiente. The company was French and based in Paris.
Short thread about the Sardinian new year, traditionally celebrated in September.
📸 Random picture that speaks of Sardinian September 😄
Deriving from old Roman tradition, Sardinian new year (caput anni) began on September. The tradition remained, in fact the Sardinian name for September is Capudanni/Cabudanne. September is the month of grape harvest, it was the month in which contracts were renewed and -
-prickly pears were harvested.
It was a time for feast, women made ritual bread, landowners gifted it to their workers: a ritual bread with sheep for the shepherds or rural accessories for the farmers.
Kids went around the town, asking for gifts. They were given decorated bread
Thread about the funny things reported by Despine about the territory of Montiferru, about which we still need to talk to remember the devastation of the fires of one month ago.
The author of the book, Felix Despine, was Intendant of Cuglieri in 1858. He was from Savoy, working for the Kingdom of Sardinia, and his one year stay in Montiferru exposed him to a completely different culture and society.
▪️Arrival. Despine was married since 9 months and he saw his new charge as an exile. He was almost desperate, only to realise he actually loved the place and the people.
At his arrival in Cuglieri, the first things he noticed were the major presenting himself proudly in -
**THARROS: Nuragic, Punic, Roman, early medieval site**
Thread about the Punic-Roman town of Tharros (Oristano), founded over a Nuragic village. #Sardinia#Nuragic#Punic#Roman
Tharros rises in the peninsula of Sinis, ending in Capo San Marco, which divides the gulf of Oristano and the Sea of Sardinia. The Sinis is an important archaeological area, covering many important Nuragic sites, tombs and nuraghes. Each dot in the map is one.
From this area are the tombs of Cuccuru is Arrius, where we found the most famous Mother Goddess. There are many nuraghes and a little higher up there's the site of Mont'e Prama, with its giant statues of the Nuragic Age, the first all-round statues to be found in Europe.
**Special thread: SANCTA MARIA di MEZO di GOSTO – Candelieri**
Thread about 15th of August (Assumption of Mary) celebrations in medieval Sardinia.
📸 Candelieri, Iglesias
In the old medieval codex of Villa di Chiesa (Iglesias), the festival of Sancta Maria of Mezo Gosto (Holy Mary of mid August) is thoroughly described in all details. The festival consisted of carrying 8 large candles (in cover picture) from the palace of the University (town)-
-to the church of Santa Chiara. The codex gives precise indications on the weight and wax to use for the candles, which where then carried on shoulder by groups of men.
The order in the procession was also well-established: first went the Candeliere (that's the name of the -