Can I holla at yall about the fight scenes in Atomic Blonde ???
Like Keanu has the fluidity, Koji has swag, You know what Theron had...the rage. Every single hit even while missing some of that smooth fluidity is filled with personal rage that informs the character and gives the fight personality...
In a piece I wrote about Tom Cruise I talked about natural ability to show Taking hits just as well as he gives, it's an important aspect that I noticed a lot of action folk whom I actually love aren't very good at...
As much as I LOVE Cruise Charlize takes it to another level. Not only does she give every punch she takes a power that makes you cringe, bit she adds breathing and panting, and a sense of exhaustion which provides a more realistic example of the toll of a fight than usual...
Charlize did the work, and while not being the most natural when it could to the art she brought that acting shit. Which is saying to yourself in a fight how would my character react...in that a kick just isn't a cool kick ita a whole extension of a person..
Then there's the camera work and sound design. Listen...younwill hear every crunch, every wound, every reverb of things clinking aa they fall, it gives it ferocity and brutality, the camera puts you in the shit, that close-up only to fall w/ the guy downstairs..muah
I remember @bybowes pointing out that Charlize looked ( was it stiff??) in the trailers as far as the execution of action went. Whatever it was I remember watching the movie and going oh yeah he's not lying, she was learning on the fly bit she really also made up for it...
And Stahelski and Co really aided like when good coaches make sure to cover thei QB's weaknesses, but did I without hindering her or the action to a degree where it isn't still noteworthy...
What was so good about Atomic was it not only as atmospheric as John Wick in a it's own totally different groove but it grabbed this sensational cast of pure fucking actors for an actually good story I mean McAvoy, Toby Jones, John Goodman..
Add to that that Charlize really got to literally stunt around in high fashion doing cool shit low this and well...I don't know what else you want...
• • •
Missing some Tweet in this thread? You can try to
force a refresh
The best these new post George iterations had to offer. Despite the story being referential to the past, it felt refreshing still. . The acting was the best, by far, the action was top flight, and when it bowed to the old it mostly got it right by just having a good time
One thing I've been working on and frankly failing at is trying not to understand why ( therapy already helped with that ) but how to stop obsessing over people I like seeming not to really fuck with me...
This is the spot where losing my therapist ( she had a familail situation and I could no longer afford it- came at exactly the wrong time ...
Because she was already talking about the difference between understanding something and internalizing it, and then boom gone...
I feel like I can always tell even from a trailer when a movie looks like it was actually well thought out and from a desire to continue the strory or just pushed out because they are aware of its legacy and big $ is on the table. Whether it's good or not I can tell it's organic
Since the first Matrix Lana and Lilly always impressed me with their inclusiveness in a world where science fiction in general has NOT...Hell even with BR 2049 poc were so restricted to the background it was hellacious to me
@mattzollerseitz is right, I mean right down to the socks no one is casted right, they even miscast Kennedy IF you're focused on looks because I've only been watching a few minutes and I've already settled into the characters
Wish I knew more about the outlier characters because they seem important to the lore but I don't know enough about it to recognize