Why does the Sound of Music have brighter and more vivid colors than any modern comic book movie? And will anyone making these things have the courage to depart from the brown/orange/teal color scheme? Is there some modern color balance codicil to the Hays Code I'm not aware of?
George Lucas needs to re-issue the original Star Wars movies at 48 frames per second with modern digital color correction. And auto-tune that Mos Eisley Cantina scene!
The situation with digital cinematography reminds me of how synthesizers and digital effects ate music for about fifteen years before they were brought under control. The world did not need a Dylan song with gated reverb, but we got like four albums of them.
In eastern europe, the situation was even more dire. We went from guitar and piano songs to whatever built-in effects came with the cheapest Yamaha synth, on every song, by every artist.

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