Remembering Gerry Marsden on his birthday π
π· A Stanley Bielecki photo from the set of Ferry Cross The Mersey, 1965.
So much energy, such stage presence.
Here from Top of the Pops, 1965:
Gerry Marsden at the Beat Club, Bremen
π· Gunter Zint, 1965
"We went over with the Beatles & had a good laugh. All they had over there were oompah bands. We took over this music, and they loved it."
I like this more formal portrait of Gerry Marsden, by David Redfern, from 1965.
I learn from Wikipedia that the original name for the band was Gerry Marsden & the Mars Bars, until they got a cease-&-desist letter from Big Chocolate. The Pacemakers broke up in 1967. Short & sweet.
Backstage during the Roy Orbison/Gerry & The Pacemakers UK tour. Oh, & The Beatles...
Paul McCartney, Freddie Marsden, George Harrison, Gerry Marsden, Ringo Starr, Les Maguire, John Lennon, John 'Les' Chadwick, Roy Orbison
π· Harry Hammond, May 1, 1963
Rehearsals of the talent show scenes for Jeremy Summers' musical film, Ferry Cross The Mersey
π· Stanley Bielecki, 1965
Here's the trailer for the film:
Fourteen Wonderful Numbers!
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A great shot of one of my favourite photographers, Horst P. Horst, by the fine Toronto Star photographer Reg Innell, 1998
This is from the @torontolibrary digital archive
Irving Berlin by Reg Innell, Toronto, 1966 @torontolibrary digital library
Reg Innell
Aaron Copland conducts the @TorontoSymphony at Massey Hall, 1976 @torontolibrary digital archive
Copland was a fine conductor; I happened to see him the same year, in Minneapolis.
Remembering Robert Bresson on his birthday π
π· Philippe Le Tellier, 1968
"He is a great director, even if no other great director seems less intrigued by cinema itself."
- David Thomson
Robert Bresson at home with his cat
π· Philippe Le Tellier, 1968
A great photo for #caturday
Remembering Dmitri Shostakovich on his birthday π
π· Jack Mitchell, 1973
"Shostakovich's genius, like Beethoven's, was to subsume formal complexity and innovation into a style that achieved intense, direct communication with large audiences."
- Thomas Travisano
Dmitri Shostakovich having tea with Yevgeny Mravinsky
π· G. Chertov, 1961
In 1993 Tatiana Nikolayevna was performing Shostakovich's Preludes & Fugues op. 87, which he had written for her. She suffered a stroke during the concert, but continued playing (!) until the intermission. She died a few weeks later.
π· Co Broerse, 1990
Remembering Glenn Gould on his birthday π
π· Alfred Eisenstaedt, 1981
"With a technique that knew no difficulties, Gould could dissect a work, cleanse it of its standard interpretive manners and restore to it an almost ecstatic excitement."
- Edward Rothstein
Listening to Glenn Gould's Bach English Suites album, a 2 LP set from 1977. Never noticed this before: the superb Don Hunstein portrait of Glenn on the front cover is matched by a cheeky portrayal of Johann Sebastian on the back.
Glenn Gould by Gordon Parks, 1955
He's laughing because the engineers are questioning his humming. The humming is part of the charm of his recordings.
Remembering Mark Rothko on his birthday π
π· Bert Stern for Life Magazine, 1959
"I'm the most violent of all the American painters. Behind those colors there hides the final cataclysm."
Mark Rothko by Consuelo Kanaga, 1940s @brooklynmuseum
"The most important tool the artist fashions through constant practice is the faith in his ability to produce miracles when they are needed."
Another portrait of Mark Rothko by Consuelo Kanaga
Yorktown Heights, ca. 1949 @brooklynmuseum
"He loved Mozart. And he was a great, loyal, wonderfully affectionate friend."
- Stanley Kunitz
When Time magazine put Dave Brubeck on the cover of its November 8, 1954, it was a big deal for Brubeck & for jazz. Boris Artzybasheff's portrait of the pianist is fabulous. I love how he makes reference to the other members of the Quartet: Paul Desmond, Joe Dodge & Bob Bates.
The Time cover is featured on the cover of the Dave Brubeck Quartet's 1955 LP, Brubeck Time. I just got the pun in the title! A great album. open.spotify.com/album/1ne1gFCTβ¦
The attention the Time cover brought to Brubeck caused a bit of a backlash from hardcore jazz fanatics. He told the writer Joe Goldberg, "Most jazz fans wouldn't be caught dead listening to us anymore. But we've picked up a whole new audience. Just people."