From, THE DIRECTOR’S NOTEBOOK
10 horror stories, high hilarity and half-truths
1. CLUELESS
At wrap you stumble back to your room praying for 6 hours of sleep. Years later will learn the DP was fucking the boom man, the producer left his wife and the crew had an intervention for the key grip. While you in your room doing the next day’s homework, you geek.
2. EMOTION
The director wanted him to cry. After hearing, ‘cut,’ the actor burst into tears. When asked why, he said his character was trying NOT to cry and the tears were his, not the character’s. ‘Don’t worry,’ he said, ‘the audience will cry because I didn’t.’ He was right.
3. SABOTAGE
A famous actor begged to work with the hot young writer-director. He then rewrote her script, told her where to put the camera, recut the movie and then blamed its failure on her. The director never made another feature; the actor won a lifetime achievement award.
4. COJONES
By lunch on Welles’ first day the studio was angry he hadn’t gotten a shot. By 3 they were apoplectic. Minutes before wrap they were about to fire him when he called action. The 7 minute opening shot of Touch Of Evil is genius. “Cut!” he yelled. “We’re 3 days ahead!”
5. A TIP
The director was afraid to tell the young actor his work sucked. His editor said ‘fuck it’ and invited him to the cutting room. “I don’t care if you’re thinking about nothing,” he told him,“at least move your eyes.” The actor is now a big star. The editor got nominated.
6. CONFIDENCE
“Which line would you like me to cry on?” the famous actress asked the young director. “Uh…how about the second-to-last one?” she asked. “Which is better lit, my right or left?” she asked. “The right.” she said. And that’s exactly how she did it. All four takes.
7. SANGFROID
David Lean was watching preparations for the attack on Aqaba when an AD inadvertently signaled ‘action’ to thousands of camels, soldiers and explosions.Only problem, the cameras weren’t rolling.“Right,”said Lean as he climbed back into his Rolls.“See you in a week.”
8. MAZURSKY REX
For Enemies, the studio wanted him to cast a difficult star. When they met, the actor said “I have only two questions. Why screw three women? And does it have to be about the Holocaust?” “I have only one question,” said Mazursky. “Why the fuck would I cast you?”
9. WISDOM
A young actor had been behaving badly and was at risk of destroying a promising career. His legendary agent took him aside and offered this advice. “My boy,” he said, “it’s okay if everybody thinks you’re a star, just as long as you don’t think of yourself as one.”
10. MARITAL BLISS
The actor was so drunk he couldn’t remember his lines. The director was afraid to say something so his co-star did. The actor took a swing at her and she punched him out. Shooting shut down for a week while his nose healed. They were married at the time.
P.S. One late night after an unsuccessful screening and a considerable consumption of wine, Inarritu waxed philosophical, “Filmmaking can give you everything." he said, "At the same time it can take everything from you.”

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More from @EdwardZwick1

5 Oct
10 TALES FROM THE DIRECTOR’S CHAIR
Anecdotes, true and otherwise
1.DIFFERENT STROKES
The legendary actor insisted on having holes cut in his pants pockets so he could hold his genitals while acting. One day the costumer innocently sewed them up. In the middle of a take he started cursing and stomped off the set. She was fired the next day.
2.PANIC
The actor hated the table read and announced he was quitting the movie. The director pleaded, chided and browbeat him for hours. In the end he did the movie, which became a huge hit. The actor and director never worked together again.
Read 12 tweets
21 Sep
THE MOVIE PRODUCER’S LAMENT
10 things to consider and reconsider
1. FAITH
You call agents; they don’t return your calls. You check your email; the studio cancelled the meeting; the actor didn’t read your script. You read an unsolicited screenplay. This could be the one! Everything is an act of faith. You reinvent your life every day.
2. POLLYANNA
Every year at the Oscars you hear the same speech, “Everyone in town turned it down.” Yours keeps getting turned down, too, but could it use another draft? Doesn’t matter that your mom loved it; are you gimlet-eyed about its flaws? Simply put, good isn’t good enough
Read 12 tweets
14 Sep
A DIRECTOR’S CAREER
Contradictions, calamities & compromises
1. IT NEVER STOPS
Fred Zinneman, winner of 4 Oscars, director of 50 films, was in a meeting with a young development executive. To break the ice, she politely asked, “So tell me what you’ve been up to...” To which he politely responded, “You first.”
2. IT NEVER STOPS, PT.II
Following his first Oscar, Mike Nichols was cutting the big, problematic “Catch 22” when he heard about a little indy called M*A*S*H and took a peek. He was so depressed by its irreverent genius he went home and couldn’t get out of bed for a week.
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8 Sep
10 THINGS ABOUT DIRECTING ACTORS
Technique, Tips & Trauma
1.RESULT DIRECTION
Don’t ever tell an actor you want him to cry. If an actor is thinking about a result, it blocks the internal process that allows him to reach the emotion in an authentic way. Besides, the goal isn’t to make the actor cry, it’s to make the audience cry.
2.INTERPRETATION
Actors and directors talk about “choices.” Predictable choices are boring, but arbitrary ones can be awful. Any choice is better than being “on the word.” If the dialogue’s good, it will take care of itself, but only if there'ssomething going on underneath it.
Read 11 tweets
8 Sep
10 THINGS ABOUT DIRECTING ACTORS
Technique, Tips & Trauma
1.RESULT DIRECTION
Don’t ever tell an actor you want him to cry. If an actor is thinking about a result, it blocks the internal process that allows him to reach the emotion in an authentic way. Besides, the goal isn’t to make the actor cry, it’s to make the audience cry.
2.INTERPRETATION
Actors and directors talk about “choices.” Predictable choices are boring, but arbitrary ones can be awful. Any choice is better than being “on the word.” If the dialogue’s good, it will take care of itself, but only if there's something going on underneath it.
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31 Aug
A SCREENWRITER’S OMNIBUS
Tips, tricks, & tirades
1.PRIMING THE PUMP
Always leave something undone at the end of your writing day. You’ll have a running start in the morning. Think about your script in the moments between waking and rising. There’s an image in your head, you don’t know why. The elves were working overtime.
2.HOMEWORK
Study great scripts not to imitate, but to learn the architecture. Internalize the beats and tropes of genre to understand the audience’s expectations and subvert them. Picasso could paint beautiful portraits before he rearranged the faces.
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