Thread: Some suggestions for indie film financing. Paths that are proven to work, with links. For docs and low budget scripted (under $3mm) #screenwriting#writingcommunity#producing
Docs and docu-series: This is the greatest era in history for docs. Get on it! If you don’t have a fiscal sponsor yet- who gives investors a tax write-off and you get the money- look at siesociety.org I like Creative Visions and Partnerships for Change
Crowdfunding: is BYOC (bring your own crowd) really helps to have an investor match funds. It’s also a fulltime job. You need to seed the interest to surface the campaign on their site. Try for less money or a short if you haven’t done it before. Hire a campaign manager if u can
A mistake that filmmakers make is they eye big name film investors who get hit up a lot and are more likely to be unapproachable, too busy or unreachable. Look outside the film biz to other arenas. (@abigaildisney knows.) So let’s talk about what investors want:
Investors want different things. Some want first money out plus 10-20%. Some just want to know they made a difference and the impact. Some want the glamour and the awards fun. Some want legacy. Know your investor.
There’s a rule in Hollywood: never spend your own money. But people do self-fund their own projects. It’s not ideal as you really want to prove you have partners who believe in the project enough to fund it. There are great grants/contests like Impact Partners who funded ICARUS
Producers will use territory presales and shoot films where the film incentives are strong. Writers, don’t be precious about where your story is set. If producers find money, locations will change.
What kind of money, you ask? There’s “soft money” which means tax incentives, rebates and such- even free hotels or locations- this goes city by city and also country. Ireland has some of the best out there. Set all your productions in Ireland! screenireland.ie/funding/
One thing I teach in the Entertainment Business School is how to look for investors in your own back yard. Folks in your community who have boring, well paying jobs- like dentistry. When was the last time you talked to yours? Mine is a world traveler who loves movies :)
If you have a sound vision, script, cast, director and the budget is lower, you can also film outside the US for cheaper and then sell/distribute here for better profit margins. Netflix does this all day long. If the script is high concept all the better.
Indie financing is really hard. Investors may lose their money. Your best skillset to ensure they don’t is marketing- you want to control some ad spend and build an email list of fans- early. Very, very early. It’s never too early.
The film markets are a great place to network to find investors and backers. AFM, Berlin, Toronto. For whatever reason, people get wealthy in other industries and then want to get into film. Sales materials- decks, reels, trailers help you close them. Team up! Go in pairs.
These are just some of the things I teach in the Entertainment Business School. Doors close Dec 22nd for our next class so get your application in now! The am class is full already. Plus you get my 2022 vision workshop as a bonus: EntertainmentBusinessSchool.com
Now go get that money! Whether it’s for a short film, doc or feature, your dream is possible. Find your team and go for it! A great script and great people can be all it takes to succeed ✨
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For above-the-line creatives: writers, producers, directors. I was a dev exec at Lotus Ent, so this is my perspective as a buyer. What to do, what NOT to do, and how to nail it. #screenwriting#WritingCommunity
1/ All pros pitch. Even at the highest levels
2/ Pitching is really hard, so you need to practice, practice, practice. First off know that the cardinal sins of pitching are
a) too boring
b) too confusing
3/ The first thing you're often pitching is getting the buyer to read you. Whether that's a query, an email, or an in-the-room pitch, you have to fascinate them and compel them to read. If they send it out for coverage, you may be doomed, so ASK THEM TO READ THEMSELVES.
Thread: What writers should know from my job working as a development exec (we made Just Friends w/ Ryan Reynolds, Peaceful Warrior, the Good Night, Hachi a Dog’s Tale, Air I Breathe) #screenwriting#WritingCommunity
1/ There are 2 main pitching mistakes I saw as a buyer: too boring or too confusing. Pitches shouldn't be a monologue the whole time. Share your story, but check in with the room. Converse! Have fun talking :)
2/ If you write comedy you MUST be funny in the room during the pitch. Make 'em laugh. Or we won't think you're funny on the page. That's a big disconnect you can't afford. Write jokes into your pitch.
Thread for writers: So you placed in a contest, how do you query reps, producers, directors with your project? I was a buyer at Lotus Entertainment (prev Inferno), and this is what I can tell you re: #screenwriting:
1- If you have a great script, there are people who want it!
2- First make a list of producers from your comp shows/films, and go to IMDB to get their contact info. Make a list of your ideal reps that you are a fit for long term (not just this project). Make a list of indie directors you love. (These should be long lists.)
3- Now work on 2 things, your logline and your HOOK. A logline is NOT a mini-synopsis! It's what makes your project- to use manager @johnzaozirny 's million dollar word "undeniable". Your logline should be memorable and stunning, basically ON FIRE with undeniablity (Now the hook)
Unrepped writers, an advice thread from someone who was a buyer:
1- As my pal Scott Gardenhour says, “It’s better to have too many babies than a spoiled baby.” Write more. Submit more. Write so much you forget who is reading you and you need a spreadsheet to keep track
2- As a coach I counsel many creatives- many who have reps- and some reps don’t work very hard for their writers. The writers wait, and worry. No, not you. You never sit on your laurels because you are a networking QUEEN/KING/NONBINARY BADASS 👑
3- The one thing you can control in this insanely stressful business is: your attitude. What comes out of your mouth about others. I recently passed on producing a great writer’s project because that person badmouths people and I’m aware I would be next. Who needs that? Pass
Thread: What writers should know from my job working as a development exec (we made Just Friends, Peaceful Warrior, the Good Night, Hachi a Dog’s Tale)
1: There are 2 main pitching mistakes: you are confusing or boring. Pitches should not be a writer/producer/director monologue the whole time. Converse! Have fun talking.
2- if you write comedy you MUST be funny in the room during the pitch. Make em laugh. Or we won’t think you’re funny on the page.