Bűvös Kocka was patented in Hungary in 1975: a plastic cube, made up of nine coloured squares on each side, that could be rearranged in 43 quintillion different ways. Eight years later over 200 million had been sold worldwide.
Today in pulp... I look at Rubik's Cube!
In 1974 Ernõ Rubik was an architecture professor from Budapest. Looking for a way to help his students better appreciate 3D design he began work on a wooden puzzle block that could be reconfigured by twisting it.
The challenge for Rubik was to create a structure where individual pieces could move without the whole block falling apart. Using rubber bands and hand-cut wooden pieces he persevered until he had a prototype.
Due to the pandemic and whatnot you may not have visited your local public library in a while.
So come with me on a virtual library tour, courtesy of stock photography, to see what we do for a living... #librarytwitter
Libraries are of course information resource centres, but in many ways they are so much more. To get the best out of them you need to really know your way around the stacks.
The enquiries desk is normally your first stop in a library, and this is where you will meet The Angry Librarian! Why is she angry? Because you keep asking her stupid questions!
Today in pulp I look back at one of the most terrifying British comics of the 1970s: scary, supernatural and just for girls: Misty.
IPC comics already had a reputation for tough titles by 1978: Action comic had been denounced in parliament for its violent content. But Pat Mills wanted a vehicle for fearful supernatural stories and persuaded IPC to run with his idea: a mystery comic aimed at girls.
Rival publisher D.C. Thompson had already launched its own supernatural girl's comic Spellbound in 1976, but Misty would be in a league of its own when it hit newsstands in 1978.
Today in pulp... I look back at that perennial Xmas stocking filler and all-round cheap and easy present from your Auntie the #Christmas Annual!
They're in the shops now...
If you're not from the UK you might be slightly baffled by the term 'Christmas Annual.' Basically it's a hardback A4 sized book themed around a comic, tv show or movie. It's full of stories, comic strips and various filler items for kids to read.
Christmas annuals have been around since the Victorian age, but it was in the 1920s that children's comic publishers began to monopolize the market. After all, they had a loyal readership, so sales were probably guarantee.
Davis and Mackenzie – both experienced designers – created Letraset as a cheaper alternative to phototypesetting, to help speed up the design process. From humble beginnings in an old factory behind Waterloo station Letraset eventually swept across the design world.
Letraset started life as a wet transfer system: you placed the letter into water, carefully slid off the transfer and tried to apply it to the paper without creasing it. Whilst fiddly it was still quicker than hand-painting your letters.