#thread Sembian Mahadevi was a 10th cent CE Chola Queen who built/renovated more than 14 temples. She was the queen of Gandaraditya Chola and mother of king Uttama Chola. She built temples, established Veda salas, gave land grants even after she was widowed. #tamizhtales
Marxist distortians like Romila Thapar will tell you that Hindu queens had no power, and that they committed Sati after their husbands died. But here is a 10th century Queen who not only built/renovated temples, she ensured a common style to all of them and installed inscriptions
Today we visited the Uma Maheshwarar temple built by Sembian Mahadevi in a village called Konerirajapuram, a little away from Kumbhakonam. Surrounded by lush green paddy fields, the temple today is known for the 9 feet Nataraja commissioned by Sembian Mahadevi. #tamizhtales
The temple structure has undergone many changes since Sembian Mahadevi first built it, but the core of the temple remains as she built it. The temple is much smaller and simpler compared to the later Chozha temples, but has many features that are seen in later temples as well.
The temple houses excellent Murtis of Lord Shiva as Nataraja, Lord Shiva as Lingodbhava and sage Agastya in the Devkoshthas or niches on the temple walls. #tamizhtales
The main Shivalinga in the Garbhgriha is worshipped as UmaMaheshwarar, as the temple was built by Sembian Mahadevi in memory of her husband, Gandaraditya. In the inscription, she refers to herself as Sri Gandaraditta deva tam-pirattiyar (beloved of Shri Gandaraditya) #tamizhtales
But the highlight of the temple are the magnificent bronze Murtis of Shri Nataraja and his consort, Devi Parvati as Siva Kami Sundari. Commissioned by Sembian Mahadevi more than a thousand years ago, the Murtis glow like they were polished yesterday! #tamizhtales
So exquisite are the Murtis that there is a belief that no human hand could have made them. The story goes that the size of the Murti was so big that the sthapaty couldn’t get the wax model cast right. He was worried when an old couple appeared and pestered him for a drink.
Even when he asked them to go away, they wouldn’t budge. In frustration, he asked them to drink the molten mixture of Panchloha that was ready to be poured into the cast. The couple drank the hot molten metal, and in their place stood two perfect bronze Murtis! #tamizhtales
• • •
Missing some Tweet in this thread? You can try to
force a refresh
Ever noticed the figures not dancing, blessing or fighting demons in a Hindu temple? They are not Gods or Goddesses or beautiful Apsaras. They are the Bharavahak Yakshas, the load-bearers of sacred architecture, holding up the temple, silently. They are not pretty to look at, often depicted as dwarf figures with rounded bellies and bulging eyes.
They are eternally crouched, bent at the knees, backs curved, arms straining under theburden of ceilings, lintels, and sacred vimanas that they hold up. In Hindu architectural treatises, they are known as Adhishthana-purusha, literally “the man who is the base.”
At the 10th century CE shrine of Mukteshwar in Bhubaneshwar, Odisha, you will find them at the edge of the base moldings. Crouched under carved pilasters or projecting beams, these silent stone figures have taut muscles, every tendon etched by the chisel of time. Their faces are neither serene nor grotesque, but weary—deeply, achingly weary. You can feel the weight on their shoulders if you observe their faces.
These aren’t just sculptures. They’re metaphors. For every towering success, someone bears the invisible weight. In human life, it is Parents. Farmers. Soldiers. Caregivers. Teachers. Doctors. Labourers.. The Bhara-vahakas of real life.
In a world obsessed with who’s on top, Hindu temples remind us to respect who’s below. Bhara-vahakas don’t seek the limelight. But without them, there’s no light at all.
#Thread The beauty of #HinduTempleArchitecture is breathtaking. Let me take you to a 10th-century marvel in #Odisha—Mukteshwar Temple in Bhubaneswar. Small in size, grand in detail. And home to one of the quirkiest features in temple art: the Monkey Windows. Yes, monkeys. Stay with me. #IncredibleIndia #DekhoApnaDesh #TempleTrails #DharmaMusings
The so called #MonkeyWindows are not actual windows. They are exquisitely carved stone lattice panels—jalis—tucked into the sides of the temple. From afar, they look like decorative screens. But zoom in, and you’ll find mischief. Incidentally, these temples are more than a 1000 years old, remember that when some Marxist historian tells you that ‘Mughals gave us jaali’.
The latticed window has frolicking monkeys carved all around it, indulging in different activities, a monkey holds a mirror, another plays a flute, while another pulls the tail of the monkey in front of it. These vignettes capture monkeys in human-like antics, reflecting tales from the Panchatantra. The tale of the monkey and the crocodile is carved out in minute details.
Even as the Jewish state of #Israel is in a state of turmoil following the brutal terr0r attacks by #Hamas in October last year, I sat inside the cool, quiet interiors of the #pardesisynagogue of Kochi and thought about the Jewish kingdom that existed in Bharat for centuries in peace, in Cranganore near Kochi. @danielocarmon @KobbiShoshani #AmIsraelChai
2000 years of Jewish history in Kerala has been depicted in ten paintings displayed at the #kochi synagogue, that talk about how the Jews landed in Bharat soon after the destruction of their second temple by the Romans. While the exact date is open to debate, Jewish historians believe that Jewish people landed in Bharat as early as in 72 CE!
The Jewish kingdom of Cranganore, also known as Shingly, holds a remarkable place in the history of the Jewish diaspora. Cranganore (modern-day Kodungallur) served as an important Jewish settlement for close to a 1000 years! The Hindu Chera kings welcomed the Jewish refugees as honoured citizens.
#thread on ‘inter-faith’ murders that were reported in India over the last ONE MONTH. 1) The case we all know - #AftabPoonawalla kiIIing his live-in partner #ShraddhaWalkar and cutting her body into 35 parts! This happened after two years of physical abuse and threats to murder.
Within a week of #ShraddhaWalkar’s murder, #NidhiGupta was pushed from a 4th floor terrace to her death by her ‘stalker’ Mohd Sufiyan because she refused to convert for him. Nidhi was only 19!
22 year old #Rabita, a tribal girl from a very small mountain tribe in Jharkhand was chopped into 50 parts by her husband Dildar and his family, within 10 days of her ‘marriage’. Dildar was already married.
#ChanderiChronicles#thread The beautiful town of Chanderi, surrounded by the Vindhyachala ranges is one of the best kept secrets of @MPTourism. The town sits low below a ridge that is crowned by the magnificent #Chanderi fort.
When we say #Chanderi, most of us textile enthusiasts think of the diaphanous, light-as-air Chanderi sarees, a fabric known for its subtle jari motifs and gossamer thin translucence that made Chanderi the favourite of erstwhile royal families of Rajasthan, MP and Maharashtra
But there is so much more to #Chanderi. Once known as Chandrapuri and Chedi Nagri, the town of Chanderi and the countryside around it formed a part of the Chedi kingdom. Chandrapuri is believed to be the capital of Vakradanta, the father of Shishupal mentioned in the Mahabharat.
#Thread Idi0t’s Guide to #NoBindiNoBusiness, for the trolls who deliberately misinterpret the hashtag n the thought behind it. Repeat after me, #No_Bindi_No_Business is about CHOICE. It is not a compulsion, it is not a law. It is about the right of the ordinary Hindu to say NO!
When brands advertise for Hindu festivals like #AkshayaTritiya#Ugadi#Deepavali#GaneshChaturthi it is a reasonable expectation that they should respect the consumer’s culture, traditions, symbols. A bindi/Tilak/sindoor is one of the prominent Hindu symbols #NoBindiNoBusiness
If a brand wants Hindu money, the brand HAS to respect Hindu sentiments. The ads have to reflect the Hinduness, the joy, the spiritual significance of the festival. You want Hindus to buy gold from you for #AkshayaTritiya then show respect to Hindu culture. #NoBindiNoBusiness