#thread Sembian Mahadevi was a 10th cent CE Chola Queen who built/renovated more than 14 temples. She was the queen of Gandaraditya Chola and mother of king Uttama Chola. She built temples, established Veda salas, gave land grants even after she was widowed. #tamizhtales
Marxist distortians like Romila Thapar will tell you that Hindu queens had no power, and that they committed Sati after their husbands died. But here is a 10th century Queen who not only built/renovated temples, she ensured a common style to all of them and installed inscriptions
Today we visited the Uma Maheshwarar temple built by Sembian Mahadevi in a village called Konerirajapuram, a little away from Kumbhakonam. Surrounded by lush green paddy fields, the temple today is known for the 9 feet Nataraja commissioned by Sembian Mahadevi. #tamizhtales
The temple structure has undergone many changes since Sembian Mahadevi first built it, but the core of the temple remains as she built it. The temple is much smaller and simpler compared to the later Chozha temples, but has many features that are seen in later temples as well.
The temple houses excellent Murtis of Lord Shiva as Nataraja, Lord Shiva as Lingodbhava and sage Agastya in the Devkoshthas or niches on the temple walls. #tamizhtales
The main Shivalinga in the Garbhgriha is worshipped as UmaMaheshwarar, as the temple was built by Sembian Mahadevi in memory of her husband, Gandaraditya. In the inscription, she refers to herself as Sri Gandaraditta deva tam-pirattiyar (beloved of Shri Gandaraditya) #tamizhtales
But the highlight of the temple are the magnificent bronze Murtis of Shri Nataraja and his consort, Devi Parvati as Siva Kami Sundari. Commissioned by Sembian Mahadevi more than a thousand years ago, the Murtis glow like they were polished yesterday! #tamizhtales
So exquisite are the Murtis that there is a belief that no human hand could have made them. The story goes that the size of the Murti was so big that the sthapaty couldn’t get the wax model cast right. He was worried when an old couple appeared and pestered him for a drink.
Even when he asked them to go away, they wouldn’t budge. In frustration, he asked them to drink the molten mixture of Panchloha that was ready to be poured into the cast. The couple drank the hot molten metal, and in their place stood two perfect bronze Murtis! #tamizhtales
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#thread#templesofgoa Stunning laterite stone temple of Shri Saptakoteshwar in #khandepar village in Goa. Located on the banks of the River Khandepar, the temple is of Shri Saptkoteshwar, a form of Lord Shiva. Shri Saptakoteshwar was the patron deity of the Kadambas who ruled Goa
According to Goan archeologist, Shri Mitragotri, this temple was probably built first by the Kadamabas but renovated extensively by the Vijayanagara kings. The existing temple is a 3 storey structure built out of laterite stone, crowned with a dome with a lotus bud shaped kalasha
Two laterite stone Nandis and two stone elephants placed at the corners, facing each cardinal directions. Inside the temple, there is a small, but beautiful Nandi carved in black granite. The garbhgriha is in the form of a rock-cut cave carved out of a massive laterite block.
#thread#mangalurumusings I was lucky to have the Darshan of Devi Rajrajeshwari at the Shri Raja Rajeshwari Temple at Polali, located 19 kilometres away from Mangalore. Inscriptions say that this temple existed from 8th century CE.
The temple was renovated and expanded many times by many dynasties that ruled over the region, from the Kadambas to the Alupas to the Nayakas of Keladi.
What is unique about this temple is that the Murtis of Sri Rajarajeshwari, Bhadrakali, Sri Ganesh and Subramanya enshrined in the Garbhagriha are moulded from clay with special medicinal properties and painted over. They are not carved out of stone or cast in metal.
The famous dancing girl of Mohenjodaro is one of the earliest examples of the lost-wax technique made by the people of the Sindhu-Saraswati civilisation. Lost-wax technique was called मधूच्छिष्टविधान in ancient Sanskrit treatises on Shilpshastra. #BastarKiBaate#बस्तरकीबातें
Dhokra artisans from the Kondagaon district of Bastar use the technique of lost-wax hollow casting to create exquisite objects. Witnessed this entire age-old process in the workshop of Rajendra Baghel, national award winning Dhokra artisan. #BastarKiBaate#बस्तरकीबातें
There is a lot of talk these days about minimalism, particularly among the neo-rich urban crowd who are burdened with the ‘problem of plenty’. We live in a society that celebrates consumption and accumulation. I myself am a hoarder of all things handmade and beautiful.
As a result, my home feels like a museum and my closet is overflowing with beautiful, hand-woven sarees. But even beauty is bondage. I realise that now, as I take my baby steps on the long road of #अनासक्ती
#thread So as per available info in the #punegangrape, 14 year old girl is called to pune station, allegedly by her 23 year old ‘peaceful’ friend at night. ‘Friend’ doesn’t turn up, but ‘peaceful’ autodriver knows exactly where to find the girl, and knows she is alone.
‘Peaceful’ autodriver takes her out of station, calls his ‘peaceful’ friends and they take the girl to multiple locations in two days including a lodge in Khadki and the girl is r@ped multiple times. In all this, her phone is switched off.
Two days later, peaceful gang is r@pists drop the girl on a bus to Mumbai, her phone works and she calls her ‘friend’, the same guy who didn’t turn up on day 1. Peaceful ‘friend’ doesn’t go to the cops, but takes the girl to Chandigarh!
#Thread Most Indian art has some underlying spiritual meaning, as every little thing in this world is perceived as a divine creation. Even the humble #Kantha, once the recycling craft of the women of Bengal and Odisha, was a way to communicate with the Divine.
Women stitched together old, much washed sarees and dhotis and turned them into the softest, warmest quilts after embroidering them with motifs drawn from their own lives, culture, religious beliefs and nature. #Kantha was the art of story-telling and the stitches were the words.
In his book on quilts of India, Patrick Finn quotes a Sanskrit proverb that uses quilting as a metaphor. ‘Slowly one stitches rags, slowly one traverses the path, and slowly one climbs to the top of the mountain’. Did you know that there are special deities in India for rags?