#thread#mangalurumusings I was lucky to have the Darshan of Devi Rajrajeshwari at the Shri Raja Rajeshwari Temple at Polali, located 19 kilometres away from Mangalore. Inscriptions say that this temple existed from 8th century CE.
The temple was renovated and expanded many times by many dynasties that ruled over the region, from the Kadambas to the Alupas to the Nayakas of Keladi.
What is unique about this temple is that the Murtis of Sri Rajarajeshwari, Bhadrakali, Sri Ganesh and Subramanya enshrined in the Garbhagriha are moulded from clay with special medicinal properties and painted over. They are not carved out of stone or cast in metal.
The main Vigraha of Devi Rajrajeshwari is almost 10 feet tall! The Murtis are coated with a special soil mixture with medicinal properties once every 12 years in an elaborate ceremony called Lepasht Gandha and painted again.
The temple follows the Kerala style of architecture, with exquisite woodwork on its exteriors and rafters and a sharply pointed sloping roof to withstand the torrential rains of the region. The temple has been renovated recently, but as per canons of temple architecture.
• • •
Missing some Tweet in this thread? You can try to
force a refresh
The famous dancing girl of Mohenjodaro is one of the earliest examples of the lost-wax technique made by the people of the Sindhu-Saraswati civilisation. Lost-wax technique was called मधूच्छिष्टविधान in ancient Sanskrit treatises on Shilpshastra. #BastarKiBaate#बस्तरकीबातें
Dhokra artisans from the Kondagaon district of Bastar use the technique of lost-wax hollow casting to create exquisite objects. Witnessed this entire age-old process in the workshop of Rajendra Baghel, national award winning Dhokra artisan. #BastarKiBaate#बस्तरकीबातें
There is a lot of talk these days about minimalism, particularly among the neo-rich urban crowd who are burdened with the ‘problem of plenty’. We live in a society that celebrates consumption and accumulation. I myself am a hoarder of all things handmade and beautiful.
As a result, my home feels like a museum and my closet is overflowing with beautiful, hand-woven sarees. But even beauty is bondage. I realise that now, as I take my baby steps on the long road of #अनासक्ती
#thread So as per available info in the #punegangrape, 14 year old girl is called to pune station, allegedly by her 23 year old ‘peaceful’ friend at night. ‘Friend’ doesn’t turn up, but ‘peaceful’ autodriver knows exactly where to find the girl, and knows she is alone.
‘Peaceful’ autodriver takes her out of station, calls his ‘peaceful’ friends and they take the girl to multiple locations in two days including a lodge in Khadki and the girl is r@ped multiple times. In all this, her phone is switched off.
Two days later, peaceful gang is r@pists drop the girl on a bus to Mumbai, her phone works and she calls her ‘friend’, the same guy who didn’t turn up on day 1. Peaceful ‘friend’ doesn’t go to the cops, but takes the girl to Chandigarh!
#Thread Most Indian art has some underlying spiritual meaning, as every little thing in this world is perceived as a divine creation. Even the humble #Kantha, once the recycling craft of the women of Bengal and Odisha, was a way to communicate with the Divine.
Women stitched together old, much washed sarees and dhotis and turned them into the softest, warmest quilts after embroidering them with motifs drawn from their own lives, culture, religious beliefs and nature. #Kantha was the art of story-telling and the stitches were the words.
In his book on quilts of India, Patrick Finn quotes a Sanskrit proverb that uses quilting as a metaphor. ‘Slowly one stitches rags, slowly one traverses the path, and slowly one climbs to the top of the mountain’. Did you know that there are special deities in India for rags?
Badabag in Jagatsinghpur district of #Odisha is home to the slightly coarse cotton single Ikat sarees known simply as #sutaluga meaning ‘cotton saree’ in Oriya. These sarees were once the daily wear sarees for most women in Odisha #MyHandloomMyPride@odisha_tourism@arunbothra
Even today, these sarees carry a modest price tag that ranges between 800 - 2000 rupees. Woven using extra weft motifs and single ikat borders and pallus, #sutaluga sarees are elegant and drape well. This is a typical sutaluga pallu. @odisha_tourism@arunbothra#MyHandloomMyPride
#Thread In the run-up to #HandloomDay day, will do a series on motifs. A motif is a symbolic image that is repeated to create a visual narrative. The word comes from the French word for pattern. Motifs used in Indian textiles are inspired by nature, and culture #MyHandloomMyPride
Motifs on Indian textiles are inspired by architecture, scriptures, religious beliefs, flaura n fauna n abstract patterns. Motifs tell a story. They serve a symbolic purpose that is beyond fashion. The trefoil motif seen on the priest king’s shawl from #harappa#MyHandloomMyPride
The peacock is one of the earliest motifs we see in Indian art. Found on Sindhu-Saraswati civilisation era pottery, the peacock is considered to be a symbol of immortality, courtship, rebirth, romantic love and fertility. #MyHandloomMyPride