Thread about the town of Làconi, border between Barbagia and Campidano.
Laconi rises in the plain of Sarcidano, border between the mountainous lands of Barbagia and the fertile, wheat fields of Campidano and Marmilla, position which gives it a fundamental role in History.
The area has been inhabited since Neolithic times and we find villages from-
-Nuragic and Prenuragic ages. One of the most important discoveries has been the recovering of the decorated menhirs now kept in the Museum of Sardinian Prehistoric Statues, hosted in Palazzo Aymerich ⬇️. These menhirs, all coming from the surrounding area of Laconi, show-
-incisions and decorations which have been interpreted as male and female attributes. The menhirs show eyebrows and eyes. Female ones show breasts while male ones have a dagger at the level of the waist. A female one also has a representation of a false door, reminding of-
-domus de janas. Many menhirs show the symbol called "the upside down man", thought to represent the dead passing to the hereafter.
Laconi became an important centre at the border of the Roman Empire, when it was probably used to control the native populations who refuged-
-in the mountains of Barbagia.
Then we have a hole in Sardinian history and we find Laconi again during the Age of the Judicates. In particular, we find it as a "patronymic", indicating the (probable?) origin of the ruling families from the town. In fact we find the families-
-of the judikes of Torres, de Lacon-Gunale/Thori; of Arborea, de Lacon-Serra; of Gallura, de Lacon; of Calari, de Lacon-Massa (Massa starting from 12th century). It is therefore likely the ruling houses (maybe only one with several branches?) was originating from Laconi.
During the Middle Age, Laconi was part of the Judicate of Arborea. Laconi has one of the best conserved medieval castles, now part of the Aymerich Park. It is not certain who built it and when. The castle underwent several restorations, as showed by the windows in Catalan-gothic-
-style and was inhabited until relatively recent times by the Aymerich family.
An inscription at the entrance shows the date of 1053, bordering the period of division of Sardinia into 4 Judicates, but it is thought the stone has been reused later on and the castle should be-
-of 13th century. This doesn't exclude the fact it could have been built over existing fortifications of Roman Era.
After the Catalan conquest and the completion of the Kingdom of Sardinia, Laconi became a fiefdom in the hands of the Castelvì family, who were later on named-
-Marquess of Laconi. The title is one of the oldest of Sardinian tradition, competing with the Alagon of Villasor, both families of Catalan/Spanish descent which effectively became Sardinian after moving in the Island. This old tradition put them often at the head of the-
-Stamento militare of the Sardinian Parliament. This happened in 1668, with don Agostino de Castelvì, Marquess of Laconi, who defended the position of Sardinians by refusing to pay the decennial donative to the king. He was murdered in uncertain circumstances, leading to-
-the events which go by the name of the Laconi and Camarassa homicides:
Following those events, for hereditary reasons, the title of Marquess of Laconi fell into the hands of another Sardinian noble family, the Aymerich, whose bloodline still exists today. In the 19th century, they had their palace built in the centre of the town by the architect-
-Gaetano Cima. The palace hosts now the Menhir Museum and many rooms are still adorned in the original taste, with wallpapers, drawings and paintings.
An important representative of the family of the 19th century is don Ignazio Aymerich Ripoll, who has been the head of the-
-Stamento militare and Senator of the Parliament of the Kingdom of Sardinia, based in Turin from 1848. He's been major of Laconi, writer and fond of botany. He collected several exotic plants during his travels and put up what we call today Aymerich Park, an unspoiled forest-
-within the family property.
• • •
Missing some Tweet in this thread? You can try to
force a refresh
Thread about the medieval codex of the town of Villa di Chiesa, famous for its details about mining work.
📸 A page of the fourth book of the codex
Villa di Chiesa (today's Iglesias) first appeared in records in 1272, but it is likely it existed as a town since some time earlier. The Iglesiente is famous for its mines of silver which have been exploited since the Nuragic times.
After the dissolution of the Judicate-
-of Calari, Villa passed into the hands of the Count Ugolino of the Gherardesca of Donoratico (a Pisan noble family), who built the (now) cathedral in 1284 and the enclosing walls. It later fell directly into the hands of the Commune of Pisa and it's been the first town to be-
Thread about Saint Anthony's festival, beginning of the Carnival traditions in Sardinia.
📸 Boe of Ottana
Saint Anthony the Abbot was born in Egypt and the appellative of "de su fogu" (of the fire) differentiates him from Saint Anthony from Padova. This "nickname" derives from the ritual of lighting up bonfires in his honour, on January 17th.
In Sardinia, on that day, wood is-
-gathered in the squares of the town and set on fire. People who expressed vows the previous year can bring larger pieces of wood. The bonfire is usually fed with cork. Smaller bonfires can be used to jump over them. The soot is used to paint faces black (sign of fertility-
Thread about the representations of Sardinia in art, literature and movies from the 19th century to the 'colonial' view, the ethnic body and the counter-reaction of Sardinian artists.
📸 Biasi
This thread covers a rather complex topic, that I don't mean to analyse in all the details. What makes it difficult is not only the way non-Sardinians saw the Island, but also the way the locals used these views to create a (false) unified, single identity, taking to the-
-extremes what was actually true. This discussion will therefore follow both the external and internal points of view.
This analysis begins from the 19th century, when the current of Positivism aroused a general interest towards different cultures. Often (if not always) this-
**Sardinian STEREOTYPES and criminal anthropology**
From Cicero to criminal anthropology, all the insults and harmful ideologies Sardinians had (have) to face.
📸 A couple of Sardinian bandits.
This is going to be a little heavy topic, involving different kinds of discrimination.
The first ones who had something to say against Sardinians were the Romans, who didn't manage to fully take control of the people. Native people still attacked Roman settlements from-
-their own refuge in the inner mountains of Sardinia. The Romans called them barbarians, because they did that to everyone, and the modern name of Barbagia derives from that. But the stereotype wasn't only for the people inhabiting the mountains, but for all Sardinians.
Sardinian pastoral songs, UNESCO intangibile heritage since 2006.
📸 Tenores of Bitti
Sardinia has a long poetic and chants tradition, linked to each other. Singing was considered a male talent, so that a typical saying told "women are born crying, men are born singing", even if we also had occurrences of women leading choirs, and women used-
-to sing in their everyday activities.
The cantu a tenore is a traditional singing linked to pastoral life and requires a group of people. The group is called tenore, from which the chants take the name. The group is usually made up by four people, with one soloist ("sa boghe")-
In Sardinia, bread is the equivalent of a basic lunch. For most part of past centuries, bread was the only thing people could eat every day. When the shepherds left their homes for weeks or months, they solely ate bread and cheese.
Bread is the metaphor for everything that is-
-good, sacred, basic. Bread couldn't be thrown away and was eaten even if stale.
The large fields and plains of Sardinia, from Marmilla, Campidano and north Sardinia, made the cultivation of wheat very favourable, so much so that Sardinia was one of the Roman Empire's granaries.