A church was first recorded at Papworth St Agnes, Cambs in 1217, though there may have been a timber Saxon church on the site long before that — 'Papworth' comes from the Anglo Saxon for 'the enclosure of Papa's people'.
The church we care for today is known as St John the Baptist’s. It’s mostly Victorian but still includes medieval doorways and a tower arch. The four lion grotesques below the tower parapet may also come from an older building.
So, was the earlier church dedicated to St Agnes?
No! In fact, from the 13th until the 17th century the church was dedicated to St Peter.
So why isn’t the church in Papworth St Agnes dedicated to …St Agnes? 🤔
In actual fact, the Agnes who gave her name to this settlement was a 12th century lady of the manor.
For 600 years the village was simply 'Papworth Agnes'. But in about 1800, the 'St' was mistakenly added, and the name stuck.
Neighbouring village Papworth Everard (whose church has been called St Peter's since the 13th century) was also named after a lord of the manor: Norman knight Everard de Beche.
It was often called Papworth St Everard in the 19th century to match Papworth St Agnes. But it’s now just Papworth Everard once again.
Learn more about our chequerboard church — St John the Baptist's, Papworth (St) Agnes
Saltfleetby church was built on a Lincolnshire salt marsh. The landscape is melancholic. Long straight roads, drainage ditches, desultory farmsteads, big medieval churches. Flat lands with empty horizons.
Church-moving is rare... But that is exactly what happened at Old St Peter's. The west tower is all that remains of the medieval church when the rest of the building was moved in 1877.
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It was moved partly because it was felt to be in the wrong position, but also because it had started to move (the tower is still on a definite lean). The architect, James Fowler re-sited the body of the medieval church from its original position in Charlesgate Rd to North End Ln.
The earliest English & Welsh burial records go back to 1538, when Henry VIII made it law that parishes keep registers of baptisms, marriages and burials.
But a few records and medieval memorials survive to give us clues about people who were laid to rest in earlier times. #thread
The earliest record of a burial at St Beuno's, Penmorfa, is found in The History of the Gwydir Family, written by Sir John Wynn of Gwydir Castle in Caernarvonshire (1553-1626). The book, which was a big hit in 17thC North Wales, aimed to show that Sir John had royal ancestry.
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Sir John wrote that in abt 1450, Ivan Ap Meredith Ap Howell (constable of Criccieth) had joint command of Caernarfon but "dying at Caernarvon, his body was brought by sea (for the passages by land were shut by Owen Glyndwr's forces), to Penmorva, his parish church, to be buried."
What does a Catholic chapel in the Cotswolds have in common with an Anglican church in the mountains of Cyprus?
Come with us on a journey from Brownshill to Troodos to find out …
In the late 1920s, Bertha Kessler and Katherine Hudson founded a Catholic retreat at Brownshill, in the Cotswolds, for people suffering from mental illness. They were inspired to build a chapel there, overlooking the Golden Valley.
They took their modest budget to W.D. Caröe, architect to the Ecclesiastical Commissioners. At 73, he had already designed 30 Anglican and non-conformist churches. The distinctive church he created at Brownshill — along with its furnishings — was eclectic, yet unpretentious ...
There are remains of roodscreens in ~300 churches in Wales. They were constructed in a short period: two generations either side of 1500, and take three forms: veranda, coved and vaulted.
This survival at Llanelieu is the most complete example of a veranda loft in Wales. #thread
Towards the of last year the @RCAHMWales published, Painted Temples: Wallpaintings and Rood-screens in Welsh Churches, 1200–1800 by Richard Suggett. For information and images, this book is a treasure trove.
One chapter deals exclusively with rood screen, which in Wales are distinctive not only for their “lavish enrichment, fluent decoration and curious carvings”, but also for the literary dimension – as several screens had poems written about them.
In the Vale of Aylesbury, there are low-lying limestone hills surrounded by clays and sands. There, at Waddesdon Hill in 1792, ragged limestone was used to build the Strict & Particular chapel. And under the pebble-dash render, we found an ammonite as big as your head!
The chapel had a thick layer of lumpy cement render on three sides, the last side had a light slurry of lime mortar. The render was causing problems of damp and decay, so we removed it to replace with a more permeable lime layer.
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During the removal, we’ve been fascinated by all the fossils – some small, some enormous – that we’ve uncovered. The gigantic ammonite spiral is a real thrill, but there are several brachiopods (clam-shell shape) and chunky crinoid stems too.
The majestic 15th-century roodscreen fills the interior. It bursts with life: the bressumer trails with vines, pomegranates and water-plant issuing from the mouth of a wyvern. The vines symbolise Christ. The pomegranate represents eternal life.
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The thirty-four coving panels are decorated with seventeen different designs, creating a restlessness. The tracery heads hang like lace. The loft carries a line of twenty-five canopied niches. The carving is the work of the Newtown School of Carvers, Montgomeryshire.