“Memnona si mater, mater ploravit Achillem,
et tangunt magnas tristia fata deas,
flebilis indignos, Elegia, solve capillos!
a, nimis ex vero nunc tibi nomen erit!—
ille tui vates operis, tua fama, Tibullus...
"...ardet in extructo, corpus inane, rogo.
ecce, puer Veneris fert eversamque pharetram
et fractos arcus et sine luce facem;
adspice, demissis ut eat miserabilis alis
pectoraque infesta tundat aperta manu!
excipiunt lacrimas sparsi per colla capilli,...
"...oraque singultu concutiente sonant.
fratris in Aeneae sic illum funere dicunt
egressum tectis, pulcher Iule, tuis;
nec minus est confusa Venus moriente Tibullo,
quam iuveni rupit cum ferus inguen aper.”
Ovid, Amores 3.9.1-16
‘If a divine Mother wept for Memnon - and one for Achilles too –
If sorrowful fates can cut great goddesses to the quick, then
Tearful Elegy, rend your wretched locks!
Ah, only too apt will your name be now – for
That bard, that doyen of your lays, your glory - Tibullus - ...
'Burns on a built-up pyre... now no more than an empty shell.
Behold, Venus’ child comes near, his quiver upended,
His bow broken, his torch bereft of flaming light.
Gaze upon him in his misery, his wings drooping:
Oh, how he beats his bare breast with a hostile hand!...
'His locks lolling about his neck are drenched in tears,
His lips quiver with sobbing, shake with grief.
Thus he was – so they say – at the death of Aeneas, his
Brother, as he stepped forth from your home, Fair Iulus:...
'Nor was Venus’ heart more heavy when the rampant boar
Skewered her lover’s groin, as it was when Tibullus was no more.’
😢
Ovid's lament for the death of his brother-poet Tibullus is one of my favourite moments of the Amores, interrupting as it does a run of more erotic verses, seemingly bringing an end to Ovid's love-affair with love poetry.
The Image at the head of this thread is 'The Death of Adonis (with Venus, Cupid, and the Three Graces)' by Peter Paul Rubens, ca. 1614 (Israel Museum: B00.0735).
#EpigraphyTuesday – The Foss Dyke Mars: a statuette of Mars, nude apart from his rather flamboyant helmet: found on the course of the Foss Dyke in 1774, though the original find-spot is not specified. #Roman#Mars
This ca. Late 2nd – Early 3rd Century copper-alloy figure is well executed, highlighting once again the popularity of Mars as a Romano-British cult focus, as shown in other artefacts such as the Barkway Plaque.
Ancient Coin of the Day: Today’s an Othonian anniversary, so here's a quick look at the coins of M. Salvius Otho as he attempts to legitimise his rule as Roman emperor. #ACOTD#Roman#Otho 🧵
By far Galba’s greatest failure was never to believe that others would seek to do what he had done, i.e. seize the imperial throne. In particular, he grossly underestimated the ambitions of his erstwhile ally, the governor of Lusitania, Marcus Salvius Otho.
Otho most likely ‘tied himself to Galba’s wagon’ from the belief that the elderly princeps (Galba was already 71 at the time of his troops declaring him emperor), who was also childless, would have to declare a successor.
Ancient Coin of the Day: I’ve been remiss in coin threads this week, so let’s get back to it with this base-silver tetradrachm from Alexandria, ca. AD 66-67, one of a series celebrating Nero.
This is a great example of Julio-Claudian provincial coinage, part of a series of five base-silver tetradrachms that were issued by Alexandria to celebrate Nero's victories on the 'festival circuit' of Greek games.
The Legend that was universal to the series was ΝΕΡΩ ΚΛΑΥ ΚΑΙΣ ΣΕΒ ΓΕΡ ΑΥ - 'Nero Claudius Caesar Augustus Germanicus' - with the Legend on the Reverse being specific to each set of games, in this case ΠΟΣΕΙΔΩΝ ΙΣΘΜΙΟΣ – ‘Isthmian Poseidon’.
“Eripitur nobis iam pridem cara puella:
et tu me lacrimas fundere, amice, vetas?
nullae sunt inimicitiae nisi amoris acerbae:
ipsum me iugula, lenior hostis ero.
possum ego in alterius positam spectare lacerto?...
"...nec mea dicetur, quae modo dicta meast?
omnia vertuntur: certe vertuntur amores:
vinceris a victis, haec in amore rotast.
magni saepe duces, magni cecidere tyranni,
et Thebae steterunt altaque Troia fuit....
"munera quanta dedi vel qualia carmina feci!
illa tamen numquam ferrea dixit ‘amo.’”
“O me felicem! nox o mihi candida! et o tu
lectule deliciis facte beate meis!
quam multa apposita narrâmus verba lucerna,
quantaque sublato lumine rixa fuit!
nam modo nudatis mecumst luctata papillis,
interdum tunica duxit operta moram...
"illa meos somno lapsos patefecit ocellos
ore suo et dixit ‘sicine, lente, iaces?’
quam vario amplexu mutâmus bracchia! quantum
oscula sunt labris nostra morata tuis!”
Propertius 2.15.1-10
‘Damn me, I’m blessed! What a night! And you,
My bed, became a shrine to the delights of love!
How many sweet nothings we whispered in the lamplight;
What a kerfuffle when the light burned low!
Sometimes my love’s bare breasts pressed against my chest,...
#EpigraphyTuesday - A cracking piece today, with the bronze tablets preserving elements of Claudius' speech to the Senate in AD 48 on admitting Gauls to the Senate.
Discovered in 1528, the bronze panels record Claudius' response to a request from the leading citizens of Gallia Comata that they should be allowed to hold public office in Rome.
Claudius' attempts to convince the Senate of the sense of this proposal include historical examples of 'foreigners' who had brought great benefit to Rome, including the early kings Numa Pompilius and Tarquinius Priscus.