In 1882, the medieval church in Llandawke “resembled a barn more than a House of God”. It needed funds urgently, but how?

Enter Mrs Abra Hughes Wienholt ...

A thread for #WomensHistoryMonth Image
Born Mary Abra Hughes Skyrme (only child of the Portreeve of Laugharne & High Sheriff of Cardiganshire) she inherited her father's estate at a young age, becoming one of Laugharne's wealthiest residents. All of these properties and parcels of land were hers. (tithe map @NLWales) Image
Abra's accounts show that she once paid for a sedan chair to take her 100 yards down the road from her home, Island House, to the Globe Inn! 

An independent woman of means, she stayed single until the age of 45, when she married local gentleman farmer and JP Frederick Wienholt.
Mrs Wienholt must have been a social lynchpin in Laugharne.

Assembling a task force of the town's most eminent women, she organised a grand garden party that would rescue Llandawke's ailing church ...
**Welcome to the Bazaar!** exclaimed the banner that greeted visitors to the Corse House & Gardens in Laugharne on 3rd May, 1882. Image
The day started ominously with showers, but then the azure sky appeared, and the sun shone out in warmth and glory.

As two brass bands played, some adventurous spirits danced on the wet ground. Around them, a goodly display of bunting lent a most charming effect to the scene.
Laugharne's ladies presided over highly competitive stalls.

Stall 1 by Mrs Norton of Laugharne Castle boasted medallions of stuffed birds, rare vases and a beautiful model of a ship fully-rigged.

Newspapers also praised her for stall for 'a piece of exquisite work on plush'.
Mrs Wienholt herself ran Stalls 2, 3 and 4 – which had the most rich and handsome display of every description … including richly attired dolls – dolls in cradles, dolls in chairs, dolls everywhere!
Other stalls offered yet more handsome displays featuring a 3-foot tall doll (more dolls!), books on the history of Grecian sculpture, and of course, some much-needed refreshments ('cups of cheer').
The fête was a great success, and by September, work at the church was complete.

It reopened to reveal a robustly carved oak altar, crafted by local stone mason Owen Williams. Image
From his imagination and skilled hands sprang vine-wrapped tracery, two sheep with a shepherd's crook, doves with olive branches, angels, and an assortment of flowers – lily of the valley, passionflower and rose of Sharon. Image
The altar and all of the work in the chancel was paid for by Mrs Wienholt.

Without the funds raised by the enterprising Ladies of Laugharne at their grand bazaar, Llandawke church and its splendid altar might not be with us today. Image
Read about more of the women who helped found and fund our organisation and our churches:

#WomenOfFriendlessChurches

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More from @friendschurches

Mar 15
In a cobwebbed corner of St Decuman's in Rhoscrowther, Pembrokeshire you'll find a rusted safe made by Parnall & Sons of Bristol.

The story of this creative and ever-adapting company encompasses major historical events and trends of the 20th century … Image
Founded by William Parnall in 1820 on Narrow Wine Street, Bristol, Parnall & Sons sold weights and measures but soon expanded their range with shop fittings and other shopkeeping equipment. By the 1880s they were the largest shop-fitting company in the country with 10k employees. Image
Before long, they were producing entire shop-fronts, including glass and ironwork.

But they didn't stop there!

During WW1 this enterprising firm supported the war effort by designing and manufacturing sea planes & aeroplanes — like the Parnell Panther. Image
Read 10 tweets
Mar 12
St Giles’s, Tadlow is a medieval church that had a restoration by The Ecclesiologists’ poster-boy William Butterfield in the 1870s. And this week, in the roof void, we found a painted paper and plaster panel with Butterfield’s original scheme for the chancel ceiling.

#thread
We had no reason to doubt that the stencilled timber ceiling wasn’t part of the Victorian restoration. It’s pretty and suits the space. However, during re-roofing, our contractor (Brown & Ralph) noted that there was a failed lath and plaster ceiling over the timber ceiling.

2/
They were clearing out the debris, which was adding weigh to the timber, when out came this panel! It’s a pattern painted on to paper and glued to the plaster. … cheaper than stencilling, I suppose.

3/
Read 7 tweets
Mar 8
Across mid-Wales you’ll find cheerful cherubs, buxom and bucolic, “with cheeks like apples from a Herefordshire orchard”. Their golden curls light up dark church corners.

They’re the work of the Brutes – a family of masons working in central Wales in the 18th century.

#thread
Working from their home in Llanbedr, Brecknock, the Brutes dominated the late-Georgian funerary monument market in central Wales, creating some of the finest – and most fun - monuments of the time.

2/7
Their style is distinctive. It’s characterised by cheerful cherubs and a “vigorous, if primitive, interpretation of Baroque ornamentation, with flowers, especially tulips and daisies, garlands, and sprays of foliage”.

3/7
Read 7 tweets
Mar 5
In 14th century Europe, young noblewomen often had just two life choices —
marriage vows or religious vows.

But at Llandawke in Carmarthenshire, knight's daughter Margaret Marloes had the opportunity to walk a different path.

A thread for #WomensHistoryMonth
Margaret's uncle — Sir Guy de Bryenne, Lord Marcher of Laugharne — was wealthy but also devout. He founded St Martin's in Laugharne (pictured), now the burial place of Dylan Thomas.

And at Llandawke, Sir Guy built a small chapel for his niece, where she founded a beguinage ...
That's a community of women who wanted to live a religious life but not to withdraw from the world.

The beguines lived, worked, worshipped and prayed together in the seclusion of this peaceful and leafy dell, but they weren't nuns, and they had freedom of movement.
Read 6 tweets
Mar 4
The font at Castlemartin is 900 yrs old, but the tool marks are still plain to see: from the diagonal saw marks to the centre-point and marking out of the compass in the scallop decoration.
We'll never know who made this font, but these details bring the past a little closer.
#🧵
The font is pretty monumental. It’s a square cushion bowl on a cylindrical stem with a pretty scalloped trim to the bowl and a foliate design at the edges.

St Michael’s, Castlemartin in Pembs is a monumental church, so it’s fitting that it has such a substantial old font.
2/
In fact, a few of the churches we own in Pembrokeshire are whoppers. They’re almost organic in form: tall tapering towers reaching to the sky, accretions and ruinations of aisles, chapels, transepts and vestries, tangles of chimneys, bounding arcades, bricked up doorways…

3/
Read 6 tweets
Mar 1
A church was first recorded at Papworth St Agnes, Cambs in 1217, though there may have been a timber Saxon church on the site long before that — 'Papworth' comes from the Anglo Saxon for 'the enclosure of Papa's people'.

But what did ‘Papa’ have to do with St Agnes?

#thread Image
The church we care for today is known as St John the Baptist’s. It’s mostly Victorian but still includes medieval doorways and a tower arch. The four lion grotesques below the tower parapet may also come from an older building.

So, was the earlier church dedicated to St Agnes? ImageImage
No! In fact, from the 13th until the 17th century the church was dedicated to St Peter.
Read 8 tweets

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