Danielle Lorenz, PhD candidate at @UAlbertaEd. I will be outlining how I, as an Associate Editor of @TheCJDS (an #OpenAccess critical disability studies journal) used a single bracket elimination tournament to casually educate folks on bad disability representation. #MWSOTL 1/11
As @HGulka et al. wrote in their recently published article (cjds.uwaterloo.ca/index.php/cjds…), if disabled ppl are included in film/tv, they’re “portrayed in negative, stereotypical, and unauthentic ways,” usually by non-disabled actors (see also Barnes, 1992). 2/11 #MWSOTL
Knowing this, I created The Worst Representations of Disability Tournament (“The Worsties”; #TourneyCJDS) as a form of crip narrative resistance to normative, problematic disability tropes in literature, film, and TV. 3/11 #MWSOTL
The tournament was designed using concepts you would find in a #HigherEd English classroom: two literary devices (irony & black/dark humour), and post-colonial theory (writing back). 4/11 #MWSOTL
Verbal irony is when someone says something that does not match their intent. Awarding a character for being the worst is a form of verbal irony if we consider Twitter to be an alternative means of communicating over speech (often used in disability communities). 5/11 #MWSOTL
Black/dark humour in literature occurs when someone makes light of a dire or morbid situation. Disabled folks making light of misrepresentations of disability in popular culture is a form of black/dark humour. (We often call it crip humour in our circles). 6/11 #MWSOTL
Writing back, originating from Ashcroft et al., 1989, is where BIPOC folks from the periphery write against the centre (i.e., whiteness) and normative (white; problematic) understandings of the periphery (1/2). 7/11 #MWSOTL
Writing back in the tourney, used as an analogy, points to the historic and ongoing tendency of non-disabled creators representing disability in problematic ways and the lack of BIPOC disability representation in popular culture in general (2/2). 8/11 #MWSOTL
After getting suggestions from our social media accounts, I ended up with 28 characters in film & TV and 20 in literature & comic books/graphic novels (N = 48). The “winner” was Will Traynor from Me Before You (boo hiss). 9/11 #MWSOTL
Tho there were issues (mine) w/ execution, the tourney served its purpose: it engaged @TheCJDS’s audience & functioned as an informal educational tool. The same premise could be adopted into other #HigherEd classrooms to teach other literary devices and/or theories. 10/11 #MWSOTL
Would I do it for @TheCJDS again? Yep! (I’m already planning for next year). Would I use the same premise in my own classroom? Absolutely. 11/11 #MWSOTL
Hello! I’m Danielle Lorenz, PhD candidate at @UAlbertaEd. I’ll be discussing reconciliation, Indigenization, and decolonization as they relate to #CdnPse and the game Mad Libs. 1/11 #MWSOTL
Reconciliation in #CdnPse will be “complete” when all institutions have completed Calls 62-4 of the TRC’s Calls to Action (www2.gov.bc.ca/assets/gov/bri…), and Canadians know their histories, harms inflicted from residential schools, atone for said harms, & make change. 2/11 #MWSOTL
Indigenization in #CdnPse can be divided into three categories: the first two are current, and the third are our (Adam Gaudry’s and mine) hope for the future. 3/11 #MWSOTL
More: journals.sagepub.com/doi/full/10.11…
Ne Gaudry, A., & Lorenz, D. (2018) tehnirihwathè:tha tsi áhsen nahò:ten kén:tons tsi áyontste ne “Onkwehonwehnéha” ne post-secondary yonteweyenhstáhkhwa ne Canada.
1/x
Ken’ ní:yoht tsi yakeni’nikonhrayentáhtha kí áhsen nityotyerá:ton, ne ahonwatihón:karon skátne ahotiyó’ten ne Onkwehón:we tho nentewéhte sénha ronatyohkowá:nen enthón:ne ahontéweyenhste, enhotiyó’ten, enshakotirihón:nyen ne Canadian Yonterihwayenhstáhkhwa.
2/x
Aonsayoyanéren’ne Onkwehonwehnéha tsi ní:yoht tsi yakwatkáthos ne ki’ ne sénha ayorihwahní:rha ne Onkwehonwehnéha, sha’taontahónhtate nahò:ten ne watahshétats, tsi nahò:ten ronateryèn:tare, oh ní:yoht tsi ya’tahatí:yeste nahò:ten ronateryèn:tare ne Onkwehón:we tánon ...
3/x
In short, the email says conference proposals are due October 1 and because of Covid, we don't yet know if #CSSE2022 will be online or in person, but it will be held in conjunction with #Congressh.
2/x
34 days to submit a conference proposal. That's enough time if you have a good handle on your research and you've presented at conferences before.
3/x
Hi! I’m Danielle Lorenz, a PhD candidate at @UAlbertaEd & Knowledge Mobilization Editor for @TheCJDS.
My presentation comes from my lived experience as a disabled & chronically ill woman. #MCGConf2021PIF
I’m tweeting from what is currently called Edmonton, located w/in Treaty 6 lands. I mention this b/c as an educator, I want ppl to think about the histories of the land they live on, and how non-Indigenous peoples benefit from settler colonial processes. #MCGConf2021PIF
#Disability in Eurowestern nations has long been constructed as an “individual deficit” [a] or a “problem that exists in a person’s body.” [b] This perception, carried by laypeople and medical professionals alike, situates disability as a deficiency [c] #MCGConf2021PIF
As someone who has had major surgery surgery during the PC, NDP, and UCP governments, let me tell you a little bit about what I know about surgical wait times. And how wrong the UCP are (quelle surprise) #ableg#abpoli
As a patient, your need for surgery is determined by (a) the severity of your concern and (b) the queue ahead of you.
Severity means how poor your quality of life is based on the wait.
If you need an ortho surgery but you can manage by taking OTC Tylenol you’re doing pretty okay. If you need opioids, you are not.
Let me be clear here: all pain sucks. But your doctor knows you and your case and how urgent your need for surgery is.