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The @OHBM #BrainArt exhibit is live! Come stop by Hall 4 to visit this year's special theme exhibit “The Connected Brain”.

Check out our featured artists in the thread below.
👇🏻👇🏻👇🏻
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Anne Sikora’s work is an interactive installation à l’odeur representing five #emotions : love, anxiety, happiness, sadness and aggression. All guests/attendees are invited to smell the sweat of these emotions and may guess which is which.
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@cbuyukberber’s “Hyperconnection” takes the initial generative form that has been created as a mural based on @vborghesani’s studies on comparing the states of the #brain while we process language & turns it into an animated meditative deep dive into the organic #networks.
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In “Butterfly Effects” @ErinLottes shows how changes in data processing can affect our interpretation of results. A series of brains become more visually disparate as they approach the edges of the piece, changed by fMRI preprocessing pipelines and the artist’s imperfect hand
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Haiz Webb’s “SYN/APSE” is a collection of artwork inspired by Anila Quayyum, Agha’s work Flight of a Thousand Birds, cellular #neuroscience, floral morphology, and Islamic #art
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@koudyk_’s “Modular Self-portrait” is meant to capture different aspects of Kendra herself and the relationships between them. She hopes to capture the idea that different parts of an individual can be more central at different times, and relate more or less to other parts.
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Laura Vavassori’s “s.cer.log” aims to represent the complexity of language processing. Sounds and music are modulated by the interaction with a physical 3D-printed brain model, driving the discovery of the white matter pathways that integrate linguistic information
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@NicholasLuchen5’s work investigates aspects of anxiety and memory, and the effects that war trauma has on certain memories stored in the brain.
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Pamela Simard’s work questions the complex relationship between the human brain as a tangible organ and the ethereal nature of the human mind.
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@rgutzen’s “The Kintsugi Brain” explores the connection between the brain plasticity and Kintsugi, the Japanese art of repairing broken bowls with gold. He raises the questions: How much do we gain from our scars? And in which way is the brain entirely unlike a bowl?
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Tyler James Wishard’s “Neuro-Fungible Tokens” explores the relationship between brain data and digital art. In essence, how MRI provides a lens for understanding internal brain states and appreciating the aesthetics of the brain’s structure from which these functions follow.
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In “Desert Room”, Virgillo Voges depicts the situation of a patient in a psychiatric clinic, diagnosed with paranoid schizophrenia. The specific disorder and related circumstances are communicated through form and symbolism.
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We, humans, often assign love, consciousness and free will to ourselves individually. E.g. “I love you” not “we have this love”. What Zsofia Morvay tried to illustrate with her drawings was the idea of love, consciousness and free will being group properties. Us not I.

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