KĀLĪ
Of all the Hindu icons, Kālī is the most discomforting for most westerners! It must also be mentioned in all fairness that many Indians also find her iconography disconcerting. #SanatanaDharma#Hinduism #नव_संवतसर_2080
Ma kali is usually depicted dancing on the prostrate figure of Lord Śiva. She is black in colour with four arms. Her hair is disheveled and her tongue lolls out of her mouth. #SanatanaDharma#Hinduism #नव_संवतसर_2080
She has four hands — holding a decapitated head, a sword, a bowl of blood which she drinks and the lower right hand displays the gesture of fearlessness. She wears a garland of human heads and her skirt is comprised of severed arms. #SanatanaDharma#Hinduism #नव_संवतसर_2080
Bearing in mind that Kālī is the embodiment of Time, and that impermanence and change are the 2 underpinning realities of the universe and our existence in it - #SanatanaDharma#Hinduism #नव_संवतसर_2080
the image of the Goddess attempts to portray the force of disintegration and confronts us with the reality of our own mortality. #SanatanaDharma#Hinduism #नव_संवतसर_2080
It is the concept of ourselves as separate and unique individuals which is the foundation upon which the edifice of misunderstanding (avidyā) and delusion (moha) is constructed. It is the pivot of our assumptive personal universes. #SanatanaDharma#Hinduism #नव_संवतसर_2080
The khaḍga— sword represents discrimination & wisdom.
Through discriminating between real and & unreal, the truth and the untruth we gradually progress towards insight and wisdom which culminates in the elimination of the ego. #SanatanaDharma#Hinduism #नव_संवतसर_2080
Our spiritual practice does not consist of achieving anything but rather removing those conditioning factors which obscure the vision of the Divine which is our essential, natural state. #SanatanaDharma#Hinduism #नव_संवतसर_2080
The muṇḍa-mālā— garland of human heads represents all the false personas that we embody and the masks that we wear — all of which hinder and obscure insight into our true natures. #SanatanaDharma#Hinduism #नव_संवतसर_2080
The severed hands represent our actions - Karma we engage in to support our assumed identities & to fulfil our desires — all in search of actualisation of "happiness projects" which never really bring the ultimate happiness expected. #SanatanaDharma#Hinduism #नव_संवतसर_2080
The demon who was Kālī’s nemesis on the field of battle was Rakta-bīja — the “blood-seed demon”, whose every drop of spilt blood generated another demon like him — representing our desires. #SanatanaDharma#Hinduism #नव_संवतसर_2080
Each fulfilled desire begets another just as strong. Only way to terminate this cycle is to decapitate the demon & to drink his blood which symbolizes quaffing of all desires which are the basis for our suffering. #SanatanaDharma#Hinduism #नव_संवतसर_2080
The hand bestowing fearlessness indicates the need to overcome the greatest of all fears which is the fear of personal annihilation. #SanatanaDharma#Hinduism #नव_संवतसर_2080
By facing our fears and confronting the ultimate time-bound experience — death, we can achieve liberation from our spatio-temporal limitations and the cycle of rebirth and achieve Nirvāna — the Supreme Bliss of "non-existence". #SanatanaDharma#Hinduism #नव_संवतसर_2080
Mahā-Kālī is the personification of the universal power of transformation, the transcendent power of Time, the Great Goddess who rules unchallenged over the universe and all that is in it. #SanatanaDharma#Hinduism #नव_संवतसर_2080
All processes in universe are cyclic, can be divided in 10 phases connected with the symbolism attached to the mystical number 5 — the five aspects of Śiva and the five aspects of Śakti operate as day and night — the markers of Time. #SanatanaDharma#Hinduism #नव_संवतसर_2080
Mahā-Kālī sub-divides herself into the 10 goddesses known as the Mahā-vidyās (ten objects of transcendent wisdom) which are the 10 aspects of the cycle of time #SanatanaDharma#Hinduism #नव_संवतसर_2080
— they’re representative of the entire processes of projection and withdrawal of the universe. They are the underlying subtle energies of which the gross universe is the outer expression. #SanatanaDharma#Hinduism #नव_संवतसर_2080
Impermanence and change are the 2 underpinning realities of the universe and our existence in it, hence the Goddesses of Transcendental Wisdom are ultimately the powers of disintegration, #SanatanaDharma#Hinduism #नव_संवतसर_2080
but it is through the disintegration of all of our assumptive universes and everything that “appears” desirable and by facing what appears to us most fearful, (mahā-bhaya) the ultimate time-bound experience #SanatanaDharma#Hinduism #नव_संवतसर_2080
— death, that we can be liberated from bondage to the cycle of becoming and attain the ultimate goal of life, the limitless supreme bliss (parama-ānanda) of “non-existence” (existence is being conditioned by time and space.) #SanatanaDharma#Hinduism #नव_संवतसर_2080
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Also because He is the destroyer of the devatas, as per a Smrti shloka quoted by Svaami Vijayeendra Teertha Shripaadagalu, in Shaiva-Sarvasva Khandanam of Nyaayamauktikamaala.
#SanatanaDharma #SanatanDharma #Sanatani
ब्रह्माणमिंद्रं रुद्रं च यमं वरुणमेव च ॥ ८६ ॥
निगृह्य हरते यस्मात्तस्माद्धरिरहोच्यते ।
Being the destroyer who destroys Brahmaa, Indra, Rudra, Yama & Varuna, he is known as ‘Hari’.
Shukracharya: A great knowledgeable person who was respected even by Devas and Saints. He was an expert in Political Science. He founded the Shukra Niti. In his niti he has laid down the following points:
#SanatanaDharma #hinduism https://t.co/syF74bOq87twitter.com/i/web/status/1…
One should never reveal certain things in front of others.
It’s great if you are loved and respected by all, but don’t show it off in front of others- doing so will lower your respect in the eyes of others
#SanatanaDharma #hinduism https://t.co/2pRf0avyqJtwitter.com/i/web/status/1…
If you have to face insult at any point in your life, it’s best to keep it to yourself; telling that to everyone you know will make you feel insulted in front of others as well.
#SanatanaDharma #hinduism https://t.co/CjgxIFMahHtwitter.com/i/web/status/1…
Tantra is an abstract religion, it doesn't have a clear definition. Different seekers define it differently, many not even consistent with each other. Tantra, though, is clearly recognized as being very different from the ancient Hindu Vedic tradition. #SanatanaDharma#Hinduismtwitter.com/i/web/status/1…
Before trying to delve into tantrism, it is important to understand that this is not a single coherent system. It is rather a tradition that gradually evolved from an accumulation of practices and rituals, in order to attain the grace of the divine. #SanatanaDharma#Hinduismtwitter.com/i/web/status/1…
The practitioner of tantra uses his own prana or divine energy in order to harness it to the universal prana, thereby attaining his goal. The goal in question could be either spiritual, material or both. #SanatanaDharma#Hinduismtwitter.com/i/web/status/1…
Tantra in Hinduism could be considered to be parallel to the Hindu Vedic tradition. Tantra contains written records of the Agama, which comes in four main parts, as follows: #SanatanaDharma#Hinduismtwitter.com/i/web/status/1…
Jnana or metaphysical knowledge
Yoga or meditative practices
Kriya or ritual practices
Charya or ethical and religious principles of conduct #SanatanaDharma#Hinduism
Most of the staunch Hindu Vedic practitioners, however, consider the Tantras to be anti-Vedic in character and hence, altogether shun both the cult and the practitioners of the same. #SanatanaDharma#Hinduismtwitter.com/i/web/status/1…
The universe consists of a Mahabrahmanda, or grand Cosmos, and of numerous Brihatbrahmanda, or macrocosms evolved from it. As is said by the Nirvana Tantra, all which is in the first is in the second. #spirituality#Cosmostwitter.com/i/web/status/1…
In the latter are heavenly bodies and beings, which are microcosms reflecting on a minor scale the greater worlds which evolve them. "As above, so below." This mystical maxim of the West is stated in the Vishvasara Tantra as follows: #spirituality#Cosmostwitter.com/i/web/status/1…