Tambay Obenson Profile picture
Apr 13 20 tweets 9 min read Twitter logo Read on Twitter
#Netflix has dropped a 45-page report on its "Africa adventures" from 2016-2022. I just received it. I'll go through it and share highlights in this thread, so this may take all day... 🤪 Image
Intro statements from Shola Sanni Director of Public Policy, sub-Saharan Africa Netflix; and Dean Garfield VP, Public Policy. In a nutshell, Netflix is excited about the future of its presence in Africa and bringing Africa to the world. ImageImage
$175 million invested over the six-year period; or just about $29 million a year towards both content and "creative ecosystems" in South Africa, Kenya and Nigeria combined; or about $10 million annually to each country. Can't wait to see numbers from Prime Video eventually. Image
FYI: SSA refers to Sub-Saharan Africa (or as I call it, "Black Africa"). Agreed on the proclamations on both screengrabs. The industries in Nigeria, South Africa, and Kenya have been a consistent source of economic and creative activity; talent is there but no funding. ImageImage
10 pages in, lots of "We are invested in the long-term growth of the sector"-type statements. My interpretation: relax, we're just getting started; we'll be here for a while, and are committed to supporting industry development, sustainability, and competitiveness globally. Image
I think that may also serve as notice to Prime Video, Disney+ (which is brand new to the continent), Showmax, and future competitors that Netflix will definitely compete, if not aim to be a leader in the region. But good to know they are invested in building from the ground up.
Their best-performing series/films over the six-year period. Looks like South Africa wins this one, dominating the list. What I look at is the Global Weekly/Top 10 column. If it checks in, it traveled. If it checks in more than once, it traveled well. #Aníkúlápó Image
How much Netflix is involved at each stage from idea to screen. Looks like they're quite involved throughout, except during the production/filming stage when they back off. Image
Investment are divided into: short-term (support to contribute to the production of content); medium-term (partnerships to consistently deliver local content); long-term (developing entry-level talent to meet local demand and contribute towards socio-economic objectives). Image
Netflix boasts their impact in "levelling up the post-production industry in Africa." Although they don't provide the names of each company listed below... just "Vendor 1," "2," and "3". Image
Language about being committed to working with local policymakers, regulators, legislators, and government agencies to ensure Netflix's impact is net positive for the local economies. Hence, "please don't worry; we're not neo-colonialists." Image
The gist: Netflix conducted a survey with cast and crew members of locally-produced shows in South Africa, Nigeria, and Kenya to understand the impact of Netflix's approach, receiving 144 responses. Image
Results of the survey... ImageImageImageImage
For those asking, I don't have a link to the report. I received it via email. I will probably upload it after this thread.
More results from the survey... ImageImageImageImage
Snapshots of each country. First, South Africa... Image
Nigeria snapshot... Image
Kenya snapshot... Image
Clearly, the bulk of the $175 million went into South Africa, with $125 million! Makes sense. They launched with the glossy spy thriller #QUEEN SONO in 2020, which was Netflix's first African original series. Still there if you haven't seen it. Image
Conclusion in brief: Netflix's investment in Sub-Sahara Africa (Nigeria, Kenya, South Africa) has had significant economic and social benefits, requiring supportive policies and stakeholder collaboration, to build talent and understanding, and sustain investment. Now you know 😏 Image

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More from @TambayObenson

Apr 13
Main selection announcement was made while I was sleeping, here on the West Coast. Two titles on my predictions list made the cut: Baloji's AUGURE (DRC) and Ramata-Toulaye Sy's BANEL & ADAMA (Senegal). Sidebar announcements still to come, so the rest of these might get slots...
New to me selections... GOODBYE JULIA by Sudanese filmmaker Mohamed Kordofani, his feature debut | Un Certain Regard | I'm now told that this is historic as the first Sudanese film to be an official selection in Cannes history. I have not confirmed this yet. But it's likely.
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Read 5 tweets
Mar 10
Catching up on EFM panels I missed in Berlin in Feb. Thankful they were taped. Watching "Prime Video: International Content Strategy from Nordics to Nigeria" hoping to learn something about Amazon's Nigeria plans. Wangi Mba-Uzoukwu Head of Nigerian Originals, is on the panel...
Wangi on what she looks for in projects: "Light" stories; stay away from the dark material. Leaning more towards films than TV because TV is "a bit more technical." She wouldn't mind historical fiction, but they tend to be expensive, so don't expect epic productions. #Nollywood
Wangi on their target audience: Must appeal to local customers (Nigerians in Nigeria), but the work should also capture the Nigerian diaspora, and, third, non-Nigerian lovers of Nollywood content. Local content will be king to @primevideonaija and international will support it.
Read 7 tweets
Feb 15
A two-for-two special... #Berlinale2023 begins. #AkorokoAtBerlinale Image
#Berlinale2023: KILL BOKSOON. Assassin (and single mom) in the twilight years of her career. Secrets and lies abound. Action is JOHN WICK + THE MATRIX, on steroids. Punctuated by lengthy existential chatter, ultimately a last man standing affair. Jeon Do-yeon kills it. Literally. Image
Read 9 tweets
Jan 19
#Sundance Day 1. Shorts so far. A standout: Crystal Kayiza's "Rest Stop." Beautifully shot tender portrait a Ugandan-American mother and daughter traveling by bus from NY to OK to reunite with family. Will Ferrell is listed as exec producer. I assume it's him #AkorokoAtSundance Image
More shorts. Standout: Norwegian Inga E Marakatt's "Unborn Biru": pregnant widow steals cursed silver from dead body to care for daughter. Unnerving slow burn horror, especially considering the tundra on which it was shot. It's a feature film begging to happen #AkorokoAtSundance
Ended #Sundance Day 1 with my first feature film of the festival. But I can't talk about it yet because there's an embargo. I just had to say that for journaling continuity 😏. Overall, it was a solid day of film watching! Until tomorrow, here's some swag... #AkorokoAtSundance Image
Read 18 tweets
Oct 13, 2022
That was then. Today? Image
... Image
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Read 4 tweets
Oct 12, 2022
It's "next week!" As promised, as part of our ongoing fundraising campaign, we're giving away subscriptions to our fave streaming platforms. We've given away subscriptions to Criterion and MUBI. This week, we're giving away TWO annual subscriptions to @kweliTV. Read on...
@kweliTV We're giving away TWO year-long kweliTV subscriptions. To enter, sign up for the
@akorokoafrica
weekly newsletter. The deadline is Thursday, Oct. 13 at 11:59 PM PST. The two winners will be selected randomly and announced on Friday, Oct. 14. Register: akoroko.com/newsletter/ Image
@kweliTV @akorokoafrica Recommended films currently available to stream on kweliTV include: B FOR BOY (Nigeria), I AM NOT A WITCH (Zambia), FIVE FINGERS FOR MARSEILLES (South Africa), and OJUJU (NIGERIA). ImageImageImageImage
Read 4 tweets

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