I see a ton of query letters where the author isn't just pitching a book but an entire series. We all love a good trilogy, but how do agents and publishers feel about them from debut authors? Let's have a look at how to approach pitching a series to an agent 🧵
When you are querying a book, you are querying THAT book as a standalone. It absolutely can be the first in a series, but an agent is looking to see if they can sell this individual story. In your query, make sure Book 1 stands well on its own.
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The only thing you should say about future books when querying is this: "series potential." You could write something like:
THE WOUNDED GODDESS is a 90,000-word adult fantasy novel with series potential.
That's literally it. Everything else should focus on Book 1.
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Here's why: it is VERY rare (like, nearly impossible) for publishers to buy a full series from a debut author before they've seen how Book 1 will sell. If they put out the first book in a series and it tanks, there will be no Book 2 or 3. It's brutal, but true.
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That's actually why I could encourage authors to only WRITE the first book in a series (at least if you're hoping to try for traditional publishing). You may be putting months or years into a Book 2 that will never see the light of day.
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I say this knowing full well that for some of us, writing later books in a series is actually fun and impossible NOT to do, whether they get published or not. If that's you, go for it! Write what you wanna write! Personally, I'd rather write something else while I wait.
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Agents understand how successful a good book series can be, so it's perfectly fine to have big plans! Just know that when you're querying, all they care about right now is Book 1. Worry about that one, and then once you land the agent, you can discuss what comes next!
~el fin~
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Everyone has a novel in them somewhere, but for beginners, the hardest things to do is get started. It can feel overwhelming, but I've got a few tips for how to start a novel if you've never written one before (or even if you have!) 🧵
1. Read! If you haven't read widely in the genre you want to write, I suggest strongly starting there. See what excellent books look like and how experienced authors do their thing. Good writers are good readers, so if you've already read a ton, you're off to a great start!
2. Learn your characters. There's something called a character profile that is designed to help you fully understand your character(s) before you start writing. Google "free character profiles" and fill out a few for your main characters. They're fun AND helpful!
Pitching an agent at a writing conference is a much different experience than querying an agent via email or QueryManager. It's thrilling (and nerve-wracking!) to come face-to-face with an agent, but does it impact your chances of getting an offer of representation? 🧵
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Full disclosure: I met my agent for the first time at a @writingdaywksp conference. I pitched 2 agents at that first one, and both asked for the full. Both ended up rejecting me (including my future agent), but I pitched 3 the next year. That's the MS that got me my agent.
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@writingdaywksp So I know first-hand that it's possible. Agents aren't attending these events just for giggles. They're looking for talented new authors to represent! There are a few things you can do to make the most of these events, though, so let's have a look at what those are:
Because MG and YA authors are writing for kids, it's smart to check a story's reading level before querying agents. You don't want the vocabulary and syntax to be too easy or too difficult for your intended audience, right?
Here's how you check 🧵
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You may not have known this, but there are tools that measure a text's reading level. Mostly, they're looking at how many syllables you've got per word, and how many words you've got per sentence. The younger the reader, the simpler you want the vocabulary and syntax to be.
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One tool is the Flesch Reading Ease formula, which ranges from 0 to 100. The higher the score, the easier to read. 90-100 is ideal for an average 5th grader, while 60-70 is ideal for 8th/9th graders. Scores of 0-30 are best understood by college graduates.
Before I give you a tangible word count goal for your query letter, a few words about diction: Writing MORE doesn't mean you're writing BETTER. We novelists are, by trade, wordy people, and sometimes trimming things down to their essence is the hard part.
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Diction is the process of carefully choosing words, which means keeping only those words that BEST communicate your ideas and stories. I've seen a lot of queries written by folks who were told to keep it "under one page," but then filled up that page to the damn brim.
How should you address an agent at the beginning of a query letter? Well, folks, I don't have an easy answer for this one, but I'll do my best to break down your options. 🧵
The very first thing I'd do is check the agent's Twitter bio if they've got one. Agents with clear pronoun preferences will almost always list them there. This will keep you from using the wrong Mr./Miss/Mrs./Mx./none of the above.
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You can also google their name with "MSWL," and oftentimes you'll find search results with pronoun preferences there, too. Try really, really hard not to misgender someone. It may sound trivial to some, but for some agents, that can be an automatic "no."
Many agents will ask writers for two submission documents beyond their manuscript: a one-page or two-page synopsis (which will spoil everything), and a query letter (which will not).
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Many agents start with the query letter (the one that doesn't spoil), and that's a good thing because we're aiming to engage them at that point. We WANT them to want more. The more materials you can get an agent to read, the better your chances, right?