twitter_rpg_strategy_guide.txt
Twitter is a multiplayer real-time virtual world, primarily text-based with limited multimedia support. It combines elements of role-playing games, hack and slash, player versus player, interactive fiction, and online chat.
Players can read, view and contribute descriptions of objects, other players, non-player characters, and actions performed in the virtual world, as well as the “real” world. Players typically interact with each other by utilizing strings that resemble a natural language.
While traditional MUDs typically implement RPGs set in distinct fantasy worlds populated by fictional races and monsters, with players choosing classes in order to gain specific skills or powers, Twitter allows every player to project their own fantasy and define their own game.
The flexible nature of Twitter makes it difficult for any singular definition of “the game” to become canonical. Conflict between players with different interpretations of Twitter is a key feature of Twitter itself. Indeed, one of the most popular games is “hey, fuck that guy”.
Unsurprisingly, few players put much thought into precisely defining the game that they are playing. Most players “pick it up” organically as they go along, inheriting the unwritten rules and norms of their peers via imitation and (limited) experimentation.
The key feature of (public) Twitter is that any player can interact with any other player. Any player can reply to any other player’s tweets, or retweet it, or quote-tweet it. This bypasses traditional limitations of both “real life” as well as older web mediums like “blogs”.
Twitter is also searchable, and allows tweets to be “threaded” in chains.

This allows skilled players to build incredibly complex tapestries of hypertext, consisting of thousands of tweets.
Why would such prolific players choose Twitter as a medium, rather than “websites” or “books”, which appear to be better suited to large volumes of content?

Because Twitter allows any player to interact with any other player’s tweets.
Most casual players do not appear to have caught on to the true potential utility of Twitter, or perhaps they are indifferent to it.

A web of tweets is a living entity that allows players to meet, interact and engage with 1000s of others *at the level of individual thoughts*.
Properly constructed, a web of tweets allows you to:

- witness how other players discover your tweets, via their patterns of Likes, RTs, QTs

- connect each fragmented thought and experience into a part of a greater whole

- recognise and embellish patterns in your own play
We have not yet even begun talking about relationships. Players can build relationships with other players over time and shared interactions. Through cooperation, multiple players can share and merge webs with one another, helping each other find and share desired information
Players observed to be “good” and “fun” have even been known to invite each other to meetups, offer each other jobs, become “friends” outside of Twitter. Twitter is a game with extremely real stakes and consequences, both good and bad.
You are not limited to a single identity or account on Twitter. A single individual can play as many different players simultaneously. You can invent entirely different identities and have radically different experiences with each.
Any player can significantly improve their experience of Twitter by examining their own usage and evaluating it against their own desires and goals.
At any moment, any player can completely change their experience of Twitter by deciding to play it differently.
Who are you following? Why?

What are you tweeting? Why?

What experiences would you like to have? Why?

Who would you like to play with? How? Why?
With a little introspection, Twitter can be a tool for self-inquiry, making friends, testing ideas, messing around, finding information, practicing speech, and pretty much anything you like.

It’s also, like everything else, just a game.

Have fun!

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More from @visakanv

Feb 10
Rewatching Iron Man (2007). I remember watching it for the first time at a friend’s place around 2010 or so. Opens with AC/DC

“I don’t want to see this on your MySpace page”, soldier fiddling with digital camera, extremely sharp. All of this first 3 minutes, super snappy editing
the montage of Tony’s life at the apogee awards is excellent exposition

the cut from “he’s always working” to him gambling is also excellent, giving the award to Caesar… seducing the journalist, introducing Jarvis, the house… Potts… 9 minutes!!
ahaha still hits
Read 35 tweets
Feb 10
I gotta do a thread of things that are marketed/ wrongly, which is almost all things
1. math is the study of relationships between things. you can use known quantities to figure out unknown quantities. so math is about learning to know the unknown. it’s literal sorcery, to the uninitiated
2. honesty – genuine, spirited honesty– is a source of tremendous power. people will tell kids that honesty is good but they ironically won’t admit that they don’t really know why, apart from some vague handwavey “well lying is bad and bad things happen”aka “we live in a society”
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Feb 10
there’s this powerful anecdote about how a firefighter once saved his crew when they stepped into a burning house, and something felt off to him, and he said “we need to get out NOW!”, and the whole house collapsed… turned out the fire was way bigger in the basement
usually this story is told in the context of, the power of intuition. the man sensed that the fire was “off”. later he figured out that it’s because it was abnormally hot, abnormally quiet given the heat, and the fire just wasn’t responding to the water as it normally would
but today I’m thinking about it from the fire’s perspective

from the outside, all burning houses kinda look the same, at least to casual observers

but on the inside, a basement fire is much more powerful, much more dangerous
Read 5 tweets
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Here’s a hint, $100,000 marketing advice if you can unpack it

Nike’s snappy tagline isn’t “sports shoes for performance athletes”
Billion dollars if you’re a really bad mf
Trillion if u truly gangster visakanv.com/marketing/valu…
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Feb 10
not everyone has experienced a scene growing in prominence/significance so I think it might be worth taking a moment to talk out loud about it so that people can consider it and think about what they want
it’s very difficult if not impossible to have some kind of scene in a public space that does some kind of interesting/important work without getting the attention of the wider world around it. reflect on this, really consider about it, because it will inform your choices
maximising both interestingness and privacy is very difficult to do. interestingness tends to require interfacing with as much of reality as possible. there *are* certainly pockets of deep interestingness that are cloistered-hidden, but by definition, you won’t find them randomly
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Feb 9
Ok I’m getting tattooed in a few minutes. I have a request: I’m choosing to get all dramatic about this experience and treat it as a kind of shamanic initiation ceremony. Leave me a message that you would want me to carry past the threshold? What should I remember
stencilled
I have earned the respect of every tattoo artist in this studio and multiple dudes with full sleeves etc. officially a bad mf ❤️‍🔥. always been etc etc
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