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Sep 25, 2020 13 tweets 9 min read Read on X
#NVHOW20 Introducing Liam Markey @Liam_Markey94 @LivUni @britishlibrary @ESRC ‘Living Memory and the Commemoration of the First World War in Britain’ - commemorative practices and the social conditions which led to their creation #FWW #Remembrance #FirstWorldWar
1 #NVHOW20 This presentation will look at the role living memory has played in transforming British collective memory of the First World War (FWW). I posit that the issue of first-hand experience has greatly influenced modern representations of the conflict
2 #NVHOW20 Since 1919, the FWW has been commemorated in Britain through a national 2-minute silence, where the public is asked to contemplate the sacrifice of those killed in the FWW
3 #NVHOW20 Today, when tasked with ‘remembering’, modern Britons will undoubtedly struggle due to first-hand experience of the conflict having passed from collective memory. Instead, mainstream national narratives are most likely conjured in the minds of participants
4 #NVHOW20 Yet in 1919 the trauma of the war was still fresh, and this 2-minute silence was an opportunity for the nation to mourn as one, and for such a massive loss of life to be vindicated and recognised as a worthy sacrifice in the attaining of lasting peace
5 #NVHOW20 Alongside the 2-minute silence, other commemorative practices were developed in the wake of the First World War that served to alleviate the suffering of those who had lost loved ones on the battlefield
6 #NVHOW20 These practices created a rhetoric surrounding the war dead centred on ideals of heroism and Christ-like sacrifice. Soldiers were seen as martyrs
7 #NVHOW20 While there was most certainly no homogenous British opinion on the First World War, the overarching theme of public commemoration was that the war was worthwhile, and it was rare that denigration was voiced publicly so as to avoid upsetting the bereaved.
8 #NVHOW20 It is not until the 1960s that more ‘modern’ narratives of the conflict that we are familiar with today began to form. By 1945 it was clear that the FWW was not the war to end all wars, and the validity of the fallen’s sacrifice was brought into question
9 #NVHOW20 This shift in social sensibilities that heralded a new wave of attitudes towards the conflict also came about as the number of Britons from the FWW generation began to dwindle. No longer was there as great a risk of causing offence or distress by criticising the war
10 #NVHOW20 Despite such an overhaul in attitudes following the SWW, I would argue that how we view the FWW today is still heavily influenced by the issue of living memory and experience
11 #NVHOW20 Commemoration ultimately tailored to the needs of the bereaved, resulting in the creation of a gendered and sanitised vision of the FWW. Today, with living memory having passed, it seems an opportune time to widen the scope of British commemoration and remembrance
12 #NVHOW20 Thank you for taking the time to read through my presentation. If anyone has any questions, I would be more than happy to answer them @Liam_Markey94

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More from @SocHistoryWar

Sep 25, 2020
#NVHOW20 We survived one ‘friendly fire’ incident and the vagaries of internet connections in rural Gloucestershire, aka two tin cans and a length of string!
#NVHOW20 It’s been a fascinating afternoon. Please feel free to continue asking questions and discussing the presentations.
@SocHistoryWar now has its AGM, beginning at 17:00. The keynote speech by @BeatriceHeuser on ‘Compassion and War’ will be available soon. Watch this space!
Read 5 tweets
Sep 25, 2020
#NVHOW20 Introducing Hannah West @hannah_r_west @UniofBath @DefenceResNet 'What did YOU do in the war, Mummy?' - an examination of the British Army’s attempts to exclude women from the history of combat and front-line service #womenatwar #wealsoserve
1 #NVHOW20 Let’s get started… You may know that in 2018 the British Armed Forces opened all roles to women, yet it is a myth to say that women are only now able to serve in ‘frontline combat’
2 #NVHOW20 Women have been distanced from ‘frontline combat’ by discursive constructions using their bodies to deny them agency and make their presence acceptable. Yet women have repeatedly transgressed the front-line, demonstrating agency in their participation.
Read 13 tweets
Sep 25, 2020
#NVHOW20 Introducing Francesca Hooft @FrancescaHooft @UtrechtUni ‘Hippocrates under arms: adaptation, cooperation, and agency’ - the experiences and agency of Dutch military medical personnel in post 1990 peace, combat, and humanitarian missions #oralhistory #UNpeacekeeping
1 #NVHOW20 Good afternoon! My name is Francesca Hooft and I’m a PhD candidate @UniUtrecht. I research the changing role of military medical personnel within the Dutch armed forces in deployments between 1990 and 2010, focussing on physicians’ and nurses’ personal experiences.
2 #NVHOW20 The position of medical personnel within the armed forces has always been considered ambiguous and problematic. The military demands a high level of obedience and loyalty. Hierarchy may impede agency to act according to medical professional values and standards.
Read 14 tweets
Sep 25, 2020
#NVHOW20 Introducing Dr Victoria Woodman @v_woodman ‘Waiting is the Women’s Role: the Falklands Conflict media representation of Royal Navy Wives’ - media coverage and their representation as a homogeneous
1 #NVHOW20 How were Task Force families portrayed in newspapers and television reports during the Falklands Conflict? Much has been written on how the media accompanied the task force, the journalists sent, the MoD release of news and the political attacks made on the media.
2 #NVHOW20 Fifty naval wives interviewed for my research stated that the primary method of receiving updates on the conflict was through the media. The media reports portrayed them at the time in terms of loyalty. Gender divisions were distinctly defined; men/battle, women/home. Image
Read 14 tweets
Sep 25, 2020
#NVHOW20 Introducing Grace Stephenson @GStephensonHist @durham_uni @CDPConnect 'Newsreels and the Narrative of World War II - how the narratives evident in World War II cinema newsreels have become embedded within British culture #SWW #WWII #Homefront #SecondWorldWar #Newsreels
1 #NVHOW20 Five companies produced British newsreels in #WWII holding a monopoly over the British newsreel industry. In 1937 they set up the Newsreel Association of Great Britain & Ireland (NRA). Most communication between the companies & the government was through the NRA.
2 #NVHOW20 The NRA’s purpose was:'...to promote & protect the interests...of associates engaged in the production & distribution of...Newsreels...& to bring about & maintain co-operation'. One of the primary concerns for wartime newsreels was censorship. [Image: @MediaMuseum]
Read 13 tweets
Sep 25, 2020
#NVHOW20 Introducing Jonathan Ruffle @JonathanRuffle ‘TOMMIES’ – The First World War as BBC Radio Drama’- the conception and building of the 11th November 1918 episode of the @BBCRadio4 drama set 150 miles up the Dvina River in northern Russia #FWW #WW1 #FirstWorldWar
1 #NVHOW20 Hi #twitterhistorians. I'm @JonathanRuffle. I created, co-wrote and co-produced a 42-episode real-time BBC Radio 4 drama called TOMMIES about the First World War. Image
2 #NVHOW20 Our 1918 Armistice Day episode was set in Russia with the 2/10 Battalion Royal Scots up the Dvina River. But I started where we all do. ImageImage
Read 11 tweets

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