Rafters in floors. Doors cut into pews. Pews worked into screens. Screens becoming vestries.
Churches have a long history of assimilating themselves. At Llanfaglan, 14th-century cusped chancel roof timbers were cut out c.1800, shortened, and worked into a distinctive porch.
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Similarly, at Sutterby, Lincolnshire, the doorway to the porch is framed with some rather fancy mouchettes. While the porch dates to the 19th century, this carving is much earlier – five hundred years earlier, in fact, and we believe was originally a window arch in the church. 2/
Llanbeulan church on Anglesey sits in a sea of bobbing gravestones. They’re everywhere. So many in fact, that they are built into the walls and thresholds of the church… and one has even become a step on the stone stile into the churchyard…
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The four banks of 15th-century pews at Caldecote, Hertfordshire are utterly charming. They’re worn, wormy, patched and creaky. Look a little closer and you’ll see that in one pew the seat has been completely replaced… with an old door! Keyhole still in place for all to see.
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St Anno’s, Llananno in Powys has some of the finest and best-preserved medieval woodwork in Wales. They clearly didn’t think much of the 17th-century church warden’s box-pew though, as in the 19th century, it was cut up and used to make a new vestry.
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In 1874, celebrated architect William Butterfield came to East Hatley, Cambridgeshire. He was there to restore their medieval church. He intended only minor repairs to the 14th-century chancel roof, but one thing led to another...
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...and the church got a whole new roof! Happily, though, the ancient timbers were recycled into floor joists.
As a part of our recent work, we’ve created inspection hatches, so you can see the old roof… now in the floor.
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Have you any interesting examples of recycled materials in churches you can share with us?
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📸: Gwernesney, Monmouthshire, where the medieval screen has been reused to form a baptistry.
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Keeping time, saving time. On time, in time. Lost time, out of time...
The hand of the clock guides us from dawn to dusk and back round again. The ticking heart of our existence, time has preoccupied people... since, well, the beginning of time...
In England, time began to become part of our day-to-day lives when the Saxons brought us scratch dials. These were a method of dividing their days and nights into eight divisions known as ‘tides’.
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Later, during the Middle Ages, this model was adapted for ecclesiastical purposes to herald prayer recitals at specific times of the day, known as the Divine Offices. These etchings became known as mass dials and were cut into south-facing walls in order to catch the sun.
The Gloucester Candlestick is an extraordinary survival. Dating from 1104-13, it’s a masterpiece of English metalwork, a gilt tangle of beasts clambering, clawing through fleshy foliage, struggling “to reach the light or sink into the darkness below”...
Incredibly, an inscription on the stem of candlestick clearly indicates its provenance: ‘The devotion of Abbot Peter and his gentle flock gave me to the Church of St Peter of Gloucester’. Peter was the abbot of the Benedictine Abbey in Gloucester in the early 12th century.
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However, somehow, Abbot Peter’s candlestick ended up in the treasury of Le Mans Cathedral, France. There are several points when it could’ve made its journey: the Abbey was destroyed by fire in 1122, was the candlestick stolen?
Today, we venture deep into the Black Mountains. Back to the 5th century when a princess called Ellyw lived. And to the ancient church of Llanelieu, close to the spot where Ellyw was murdered.
Ellyw was the grand-daughter of Brychan, Prince of Brycheiniog, and early in life, she took a vow of chastity, dedicating her life to Jesus. But her family did not accept this and forced her to marry.
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Ellyw fled the kingdom – and her family. She wandered over the hills... villagers feared her
grand-father and refused to help her. Eventually, Ellyw found a small hut in Brecon and lived there in isolation.
At the side of an unclassified road deep in the Golden Valley is a building that for all the world looks like an old barn. In actual fact, it’s a 12th century chapel. Built by Urri de la Hay, it’s the earliest purpose-built chapel to a castle in Herefordshire.
The area, and the chapel, is called Urishay – after Urri. Beyond the Chapel, barely visible, are the remains of a motte and bailey mound where the castle it served once stood.
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The chapel itself is devoid of any architectural decoration. A medieval altar table with five consecration crosses is the only adornment.
You wouldn't guess it by looking at the rural ruins of St. Andrew's, South Huish, in Devon, but they are connected with an invention that ignited the British Industrial Revolution …
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In this church, 315 years ago today, a couple made their marriage vows. Hannah Waymouth, 23, was a farmer’s daughter. Her groom, 41-year old Thomas Newcomen, was an ironmonger.
Before long, they had 3 children.
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Beyond Thomas Newcomen’s trade and his family duties, he found time for other callings. He was a Baptist lay preacher and pastor. He was also an inventor.
In 1897 Louisa Harris of Matlock Bath had had enough.
All she wanted was to install a monument in the local church. The vicar refused.
But, memorialising a pet in a church didn’t accord with Canon Law... So, Louisa built her own chapel, where she could do as she wished.
Louisa commissioned Guy Dawber to design a private chapel on a steep hillside overlooking the Derwent Valley. A picturesque path wound from Louisa’s grand residence to the door of the chapel.
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In line with Dawber's ideals, the chapel appears as an extension of the natural rocky cliff face. To preserve privacy and secrecy, the chapel is nestled amongst trees and shrubs, and the cliff-face is draped in ivy.