Today in pulp... let me introduce you to Mark Hardin: The Penetrator! #ThursdayMotivation
Mark Hardin is a one-man strike force against corruption. Orphaned at the age of four he was brought up mean and hungry. He learned his fighting skills in Vietnam before returning to an America gone bad.
Actually The Penetrator is one of a long list of vigilante pulp heroes thrown up in the 1970s counter-counterculture backlash, along with The Destroyer, The Iceman and The Marksman to name but a few.
Lionel Derrick was a Pinnacle house alias used by two pulp writers: Mark Roberts and Chet Cunningham. Overall they produced 52 Penetrator novels, with Roberts writing the odd-numbered books and Cunningham the evens.
Unlike other pulp vigilantes who only battle the Mafia, Mark Hardin fights anyone looking to destroy the American way of life: crooks, terrorists, pornographers, hippies, scientists...
But wherever he goes Mark Hardin knows how to blend in: his skills in covert operations and infiltration led to his uniquely memorable name - The Penetrator!
Are these books any good? Well there's plenty of bloody action and Hardin is always getting injured and having to fight against immense pain. Plus he has a moustache (sometimes). And a side parting. So he has lots to deal with.
If you like your books low on sex but high on blunt trauma and acid baths then The Penetrator is probably right up your alley. Omnibus editions ("Double Penetrator!") are also available.
But be warned: later Penetrator novels do get kinda weird: French-Canadian dwarf cults, mad Nicaraguan super-ants, mollusc assassins, remote controlled supervolcanoes etc.
And that's it for my look back at Mark Hardin and his one man war against weird villainy.
More pulp heroes another time...
(I'm always surprised there was never a Penetrator/Sexecutioner crossover novel. It would have been an interesting read...)
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Today in pulp I look back at that staple of sci-fi: the ray gun!
This thread will involve a mad professor from Cleveland and Archimedes #JustSaying
Directed-energy weapons have a long history. If historical sources are true Archimedes* developed one in 212 B.C. - a parabolic mirror that focussed the sun's burning rays on enemy ships attacking Syracuse.
(*told you!)
If it did happen* then it's more likely there were soldiers holding up dozens of mirrors, focussing the beams to a point right where the target was. The effect would be more powerful, but of course much harder to achieve.
Today in pulp: a woman with great hair is fleeing a gothic house. Why?
Well this is a signal to the reader: they hold in their hands one of ‘those’ books – not a historical romance or a ghost story, but a modern gothic romance.
New readers start here: what is a modern gothic romance? Well it's a romance story with strong supernatural themes, all tied to an atmospheric and foreboding building which our heroine must flee.
Actually it's a lot more complex than that...
Firstly it has a long pedigree. Horace Walpole's The Castle of Otranto (1764) is usually acknowledged as the first gothic romance; set during the Crusades it follows Lord Manfred's fateful decision to divorce his wife and pursue his dead son's bride-to-be Isabella.