1/3) The grimy mixture of olive oil, sweat and dirt scraped from the bodies of top athletes and gladiators, a mixture known as "strigimentum", was sometimes collected by officials in charge of the gymnasia and sold to the public at huge prices..
2/3) ...The gunky concoction scraped from the bodies of athletes was believed to be a medical panacea; curing inflammation, soothing aching joints, speeding recovery from injury, stimulating menstrual flow and relieving all types of aches and pains...
3/3) ...But you had to make sure you purchased the correct gladiator gloop: scrapings taken from a bather were best for dispersing fluids and soothing your inflamed anus. Sweaty scrapings from a wrestler were best for joint pain applied as a warm compress. Obvious really!
Pictured is the Ephesus "Apoxyomenos" - a Roman bronze statue of an athlete using a strigil to scrape oil and dirt off his skin after exercise. The "scraper" - a popular archetype in antiquity - was discovered in fragments in the harbour gymnasium at Ephesus in 1896.
There are numerous ancient sources describing the medical benefits of "strigimentum" or as it was delightfully named in Greek, "gloios" - see Pliny, Natural History 15.5 and Dioscorides, De Materia Medica, 1.34. #roman#history
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New coin: Roman silver denarius of Trajan minted around 107-108 AD, celebrating the victorious culmination of his Dacian Wars. The near mint state denarius depicts a Roman trophaeum; a victory trophy in the form of a tree stump decorated with captured enemy armour and weaponry.
The trophaeum began as an improvised victory trophy quickly erected on the battlefield but soon became a widely recognised symbol of military victory, recreated in marble and incorporated into triumphal monuments; seen for example on the Arch of Marcus Aurelius in Tripoli, Libya.
Most trophaea consisted of a simple tree stump decorated and anthropomorphised with enemy arms; usually a cuirass and helmet, with shields either side. Enemy captives are often shown sat beneath the trophy in defeat, perhaps imitating an authentic post-battle tradition of display
1) May 6th, 319 AD. A normal spring day across Roman Britain. Little do the inhabitants of Britannia's towns and cities know they are about to witness one of nature's most awesome cosmic events. At around 2:15pm as we know it, the quality of the afternoon light begins to change..
2) The bright afternoon sky begins to darken. The spring birdsong falls silent. The hustle and bustle of the busy marketplaces draws to a standstill. To the sheer disbelief of people across most of Roman Britain over the next hour, the sun is slowly wiped from the sky..
3) Totality hits around 3:25pm as the sun is completely concealed, leaving nothing but a fiery halo high in the sky. Moving west to east across Aquae Sulis, Glevum, Corinium, Verulamium and Londinium, darkness descends over Roman Britain for a spellbinding 3 minutes..
The new LEGO Colosseum set! The largest official LEGO set ever made with 9036 pieces. Where are you going to display yours!? (Released Nov 27, £449.99 / $549.99) #roman#history#architecture
Clearer images of the scale of the set.
Meet the designer, a trained architect who now designs LEGO sets - dream job!
1/4) In 75 BC, a band of pirates captured a young Roman nobleman who was on his way to study in Rhodes. From the start the 25-year-old Julius Caesar refused to behave like a captive. When the pirates told him that they had set his ransom at the sum of 20 talents of silver...
2/4) ..he laughed at them for not knowing who it was they had captured and demanded they raise his ransom to 50 talents! Settling in to wait for the ransom to arrive, Caesar bossed the pirates around, made them listen to his speeches and shushed them whenever he wanted to sleep..
3/4) ..always addressing the pirates as if he were their commander and they were his subordinates. In the 38 days it took for the ransom to arrive, Caesar would often tell his captors that after his release he would return and crucify them all - at which they would merely laugh..
Thread: A breathtaking aerial view of Nero's vast Domus Aurea, completed in 68 AD. Nero's sprawling urban pleasure-palace covered by some estimates over 300 acres of central Rome, on real estate conveniently cleared by the catastrophic Great Fire in 64 AD. (Images by Katatexilux)
2) Construction of Nero's extravagant 'Golden House' scandalised the age; Tacitus wrote that Nero "treated the entire city as his own palace", while Suetonius called the palace complex "ruinously prodigal"..
3) At the heart of the palace, bordered by magnificent porticoed colonnades, lay a huge artificial lake (stagnum Neronis) - upon which Nero held floating feasts on boats. With the completion of his Golden House, Nero claimed he could "finally begin to live like a human being."
1) Romans saw the home (domus) as an extension of their character and felt it important that a house match the station of its owner. The architect Vitruvius described the types of home needed for those of different status: "Men of everyday fortune do not need an entrance court..
2) "..they don't need a grand atrium or tablinum because these men fulfil their social obligations by going round to others, not having others come to them. Those who sell their own produce must have shops and stalls at their entrance..
3) "As well as shops they need store-rooms and so forth in their houses, all constructed more for keeping their produce in good condition, rather than for ornamental beauty."