This is the most "Indiana" story I've read since the one about the Vice President from Indiana who couldn't say a mean word about the boss who tried to have him murdered.
nytimes.com/2021/02/13/art…
nytimes.com/2021/02/13/art…
“I can certainly say that if we were writing this again, with all the feedback we’ve gotten, we wouldn’t write it that way.”
-- like, notice the non-apology there? Oh, they're DEFINITELY still committed to "white art" (whatever in the FUCK that means), but won't say so again.
-- like, notice the non-apology there? Oh, they're DEFINITELY still committed to "white art" (whatever in the FUCK that means), but won't say so again.
Their fix changes "white art" to "core art." Which, now that they've already expounded on what they think their "core" is, makes it literally no better.
And can anybody tell me what "core white art" is? Stuff from Europe circa the Enlightenment? Cave paintings Peyzac-le-Moustier??
Or just a still life of corn sketched out by Larry Bird turning a timeout?
Or just a still life of corn sketched out by Larry Bird turning a timeout?
Sorry, I'll stop. It's just... the caucasity, sometimes. The constant barrage of white nonsense every goddamn day.
Sorry, one last thing: This is a PERFECT example of how so often white people use "diversity" to PLACATE WHITE PEOPLE. To make white people not feel so *bad* about the racism they participate in. NOT to actually be INCLUSIVE of others.
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