The next #VisibleWomen is Monday, March 29. This is gonna be a thread about that.
I should probably start at the start -- the first #VisibleWomen day was in 2016. It started out of frustration at the perception that it was hard to find women who were qualified or wanted to draw mainstream comics. The first VW was for artists only. It went well.
So we did it again 6 months later. The goal was never just visibility; the goal was to get women work, to get them PAID. So we started producing a spreadsheet from the hashtag and offering it free of charge to any hiring professional in the publishing industry.
It wasn't long before expanded to include not just pencillers, but writers, inkers, colorists, letterers, designers, cover artists and editors. Not just comics, but publishing, and sometimes gaming and animation.
The incredible #drawingwhileblack started in September 2017 & soon thereafter we moved the winter #VisibleWomen from February (#BlackHistoryMonth) to March (#WomensHistoryMonth), where it made more sense & didn't risk pulling focus from dwb. It's been in March & August since.
It's vital that #VisibleWomen not become VisibleWHITEWomen or an instrument of whiteness. White is not a default, it should not be suggested by the absence of a modifier.
As a culture, our understanding of gender evolves too. We used to get asked if we welcome trans women. The answer is--and has always been--emphatically yes! It's right there in the title: Visible Women--tall, short, cis, trans, etc.
We welcome (and have always welcomed) all other marginalized genders as well, but we respect that some folks are not comfortable under the banner of "women."
While we've got you, you should also know about the work of @marinaomi and her databases (in existence long before us): Queer Cartoonists Database @LGBTQcomics -- queercartoonists.com
We make progress by supporting one another. Avail yourself of ANY and ALL the resources that are appropriate to you. (To find out about MORE resources, consider joining us as members of @WinCNYC.)
It should go without saying that these are paid jobs, but just in case: these are paid professional gigs.
(Thanks to @Sallataire for all things, but in this case for her #VisibleWomen illo that we're still using.)
I'm sure I'm forgetting something, but this is insanely long, so I'll leave it for now. Hope to see you here Monday! #VisibleWomen
Actually -- one more! If you're new to #VisibleWomen and want to read more (specifically, how best to participate) go here and find all that info: milkfed.us/events/save-th…
**Our preferred #VisibleWomen format is**: [Your professional name-even if it matches Twitter handle], [What you do --draw/color/ink/write etc]. [Resumé or portfolio link/links]. [Additional info like genre or medium pref.] [hashtags including #VisibleWomen]
Filled up my bullet journal, setting up a new one today. Thinking I might tweet my process for it? Would that be helpful/of interest to anyone?
First step: put start date and volume number on finished book. Introduce it to the others.
My favorite brand is Archer & Olive. They are PRICEY, however. Lemome has similar paper weight at a more affordable price. Leuchtturm1917 and Moleskine are great, but pages too thin for my preference. If you don’t mind thin pages, they will last much longer.
Shitty teen last night walks by Tallulah dressed in all her Belle finery in the crazy Disneyland NYE crowd and says, in shitty teen snark, “nice Elsa costume.”
I saw it. I promise he was neither mistaken nor talking to someone else. He was deliberately fucking with a kid because he could and because the crowds meant we couldn’t stop and discuss it with him.