As an artist who works with code, it's important to reference at least some software and libraries that I use. Personally, I don't want to get carried away into processor speeds, but some high level context of my development environment is in order. Let's use metadata! (2/9)
@intellijidea is my preferred IDE for @Java development. I utilize an older version of @ProcessingOrg with the help of @lager_p's G4P GUI tools. Acknowledgement in the metadata of an #NFT feels appropriate for a whole host of circumstances any artist runs into. (3/9)
These libraries helped me focus on developing more unique parts of my software. Even when we say we build our software from scratch, we're often standing on the shoulders of giants to do that.🙏Artists should recognize them and can use metadata to do this.🙏(4/9) #generativeart
A unique thing about my paintings is that they are databases, not pixels. So I can extract curious little statistics, such as the fact that 52 unique colors make up this painting. And there are 90,361 ellipses. These belong in the metadata.😃(5/9)
While creating the original 'Meules after Claude Monet' painting in 2017, I manually interacted with 218 different variables within my software. And I made a total of 2,272 changes across those variables. That's before I ever animated it. (6/9)
Recording some of these statistics to publicly available metadata might help reveal patterns over time in my workflow. Or provide comparative contexts between different paintings I make. That's why I'll begin recording this in the metadata. (7/9)
My favorite part of the metadata is where I transact what this artwork truly is, beyond being a digital painting. This video, also archived as part of the NFT, explains it best. But there it is highlighted in the metadata- "the medium is the message."(8/9) vimeo.com/552086949
Lastly, I explained in yesterday's post about the Arweave and IPFS archives that @nameless_nft helped make part of the NFT's metadata. I hope this was helpful in understanding how we can use metadata to add value to our art- and also to others. ❤️ (9/9)
Let's talk about the absurdist performance art of David Henry Nobody Jr. And why I've collected both these pieces by the same artist, created nearly 25 years apart. It's about art. It's about absurdity. It's about time. 🧵👇
We know Nobody's work best by his absurdist Resemblagè performances. Mirroring the unification of humans & technology, sculptures grow out from the artist's body like mutated appendages. In these pieces, the artist endures the mindless automation of his own creations, suffering with a wink and a grin.
In Nobody's work, we see our own struggle to live through the challenge of each day in modern life. Survive long enough to escape one predicament... then, on to the next torture. 🍳➡️🔥
NOTKAMOTO: A tribute to a masterpiece and symbol for decentralization, patronage, and belief in creating healthier systems for living artists to thrive in. #cryptoart
Please watch this introduction to my artwork and reflect:
69 patronage editions will shortly become available on a dispenser for 1 BTC each. These will not be reduced unless to 🎁. #uponlyxchain.io/asset/NOTKAMOTO
I know this is FAKERARES. But I'm doing something special for the REAL ones. To become eligible for a NOTKAMOTO:
Hi video content creators in #cryptoart and #nfts. In this global movement, adding accessibility is very important & also often easily accomplished, but requires a couple extra steps from us. Here's a quick how-to 🧵 for adding subtitles and translated captions to @YouTube...1/12
Today, February 12, all Gazers with the "First Stolen Paintings" origin moon trait celebrate 20 years and 246 New Moons passing since the moon under which I had 3 paintings stolen from my studio shortly before what was to be my first solo show. #cryptoart 🧵...
It was a most sickening, heart sinking feeling to step into the studio & discover these centerpiece works to my show, each 36" x 48", were missing. I made a police report and hung up fliers but the paintings would remain stolen. Check out my DANK poster and $100 reward! I was 21.
I only had a short time before my one person show was to happen. Without these works, I couldn't proceed. I put on my curator's hat and changed my solo show into a group show, inviting 12 other student artists to show a work. I learned how much joy that elevating others could be.
GM! Please let me introduce you to my latest coding achievement and on-chain #cryptoart work. "Gazers" will begin its reveal on Monday, December 6th at 12pm CT on @ArtBlocks. (1/8)
🌑🌒🌓🌖🌕🌔🌗🌘🌑#gazers
Gazers is a collection of generative moon phase calendar NFTs seeking to create community around our love of color theory, generative art, astronomy, and crypto.(2/8)
Every lunar cycle lasts ~29.53 days. Each New Moon, a new moon design is generated from your NFT. Your transaction hash creates color theory and design rules that set forth every moon that will be created into infinity. (3/8)
I'm SO grateful to have worked with @SuperRare in launching the new #Series feature. The Door couldn't have found a more appropriate beginning! A great way to learn more about #TheDoor is with this video: vimeo.com/632154118 (1/7)
For an artist, a series is often about the evolution of ideas - the discovery and experimentation that takes place while investigating conceptual or visual curiosities. Since June, The Door marked my return to an almost undivided focus on my daily artistic practice.(2/7)
FACTS
These are the first NFTs on @SuperRare with attributes/traits. 🙏 Click "View Details."
There are 56 Doors to date.
I will mint more Doors.
I will create more Doors.
Not all Doors I create will be minted.
I've never minted an edition.
I've only ever minted the best.
(3/7)