A bit of context-
Writing Uncanny Avengers was a thrill, but intimidating as well.
@GerryDuggan did a great job but had a very full plate, so I was asked to come in and sunset the series before Avengers: No Surrender.
I had to fit into the existing structure but make it my own.
In six issues I needed to:
- Show our team messed up by the dark force field surrounding Manhattan as part of Secret Empire.
- Prep character and plot threads for No Surrender.
- Thematically bring a close to some of the broader themes Gerry opened the series with.
In addition to that I wanted to:
- Show distinct character evolution for Scarlet Witch, Quicksilver, Wonder Man, Beast, and Rogue.
- Bring in some classic villains.
- Not screw up this amazing opportunity.
On top of that, I wanted a lot of warmth. Some of my favorite Marvel moments are built on friendship or romance and I wanted to flex that in this arc.
Big action, big feelings.
Editors @TomBrevoort and @AlannaWrites trusted me to take the reins and do all that. It was a whirlwind.
Quicksilver was already part of the Uncanny Avengers line up so it was an easy ask to bring Wanda back after Secret Empire.
Wanda had been possessed by Chthon during the event, so I wanted to give her space to work through frustrations around that.
This also echoed the way Wanda has been used in quite a few past stories - as a tool for larger forces. She's rarely been able to chart her own path.
Doctor Voodoo is already on the team and a lot of his magic is built around possession and matters of the spirit, so he's the perfect sounding board for her to voice how she feels and regain her confidence.
Finding someone who can empathize with this experience and support Wanda's desire to learn from it and move past it leads to friendship and future intimacy. That's the scene.
A quiet scene with warmth that tees up future events.
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Talking about juggling freelance projects with a day job and the amount of time it took for me to get momentum as a comic writer. These creative careers are a marathon, not a sprint.
Watch and share:
Crucial parts of my career, whether I realized it at the time or not, came about thanks to amazing people around me.
Going to BBQ this afternoon, so I'm pulling together fresh potato salad this morning. So much better than pre-made and really easy.
- Boil a batch of potatoes for 20 min.
Waxy/harder potatoes like red ones work better than russets or others you'd use for baked/mashed potatoes.
- Include an egg or two with the potatoes and boil them at the same time, but take the eggs out after the first 10 min.
- Cut the potatoes into chunks to cool, adding a bit of salt, pepper and other spices to season them. If you have malt vinegar, a dash or three here is great.
This is where you can customise the heck out of it to your taste-
How big the chunks are.
Whether you include the potato skins or not.
How much mayo you use.
All variable.
For me egg, cucumber, and dill is a must. You can add red onion, pickles, even cubed up cheddar cheese.
A quick drawing lesson for artists who struggle with street scenes/buildings-
I was giving feedback on a student layout and realized the advice here could help other people too.
Here's the construction build.
The perspective is consistent, which is a great first step.
The perspective is working, but there's a common proportion problem.
To check and adjust, we need to find the eye line used to build the scene. Follow back the perspective lines and there it is. Straight forward.
From here I add a scale figure. Sometimes I'll draw one in, but when I'm doing a lot of critiques I use an architectural figure silhouette like this instead.
I size the figure to fit on the bench and will use that to measure everything else in the scene. So far so good.
While working in animation I started doing some freelance illustration for indy RPGs.
Soon after, I joined the Udon studio and started doing illustrations for Dungeon Magazine (when it was at Paizo), Exalted and a bunch of other RPG books.
That led to networking at conventions like Origins and Gen Con, which turned into more art gigs for RPGs.
Udon wanted to expand their comic publishing and we had a great relationship with White Wolf, so that turned into developing and co-writing an Exalted comic mini-series.